Harpsichord Playing 2
Subject is not scheduled Not scheduled
Name of lecturer(s)
Learning outcomes of the course unit
Master of the main study and its technical and artistic issues
Excellent bearing in various styles of Baroque performance.
Study of basic and solo repertoires of chamber music with harpsichord
Management of basic teaching issues
Increasing the historically informed performance of Baroque music from an expressive and technique perspective with emphasis on the 17th century music. Preparations for the final exam and exam befor the dean's committee at the end of the second semester.
Mode of study
Prerequisites and co-requisites
1st study year:
15 symphonies and the French Suite by J.S.Bach
- Italian School free form of the 17th century (Rossi M, J. Froberger)
- Suites from the French School of the 17th century (L. Couperin, J. Froberger)
- varying forms (Virginalists)
- 4 virtuose sonatas by D. Scarlatti
- compositions of the 20th or 21st centuries.
Recommended or required reading
Basic Baroque Harpsichord literature of the end of the 16th century to the 19th century and Harpsichord literature of the 20th and 21st centuries. This fundamental literature is expanded to the required repertoire for various international Harpsichord competitions.
Assessment methods and criteria
Main study individual instruction
No schedule has been prepared for this course
The subject is a part of the following study plans
- Harpsichord (Bc) (required main subject)