Orchestral Parts and Solos for Double Bass 3
Subject is not scheduled Not scheduled
|105TEST||Z||2||1 exercise hours (45 min) of instruction per week, 41 to 51 hours of self-study||English, Czech||winter|
Name of lecturer(s)
Learning outcomes of the course unit
The student has acquired an effective and professionally appropriate technique of study, rehearsal and examination.
The student has craft skills in relation to representative repertoire, different styles, etc.
The student recognizes, interprets, arranges, realizes, and/or memorizes musical material using musical notation and/or listening.
The student becomes aware of, reflects on and develops his/her own learning style and the skills and strategies necessary to do so.
Mode of study
Prerequisites and co-requisites
Orchestral Parts and Solos for Double Bass 3 is directly related to the subject Playing in the Orchestra. The aim of the course is individual preparation of double bass parts, especially in terms of bowing and fingering, and development of agile orientation when playing from the page. Its focus broadens the spectrum of the student's knowledge and skills to include those that will condition his/her possible future employment as a soloist and orchestral player. Emphasis is placed on the flexibility of technical mastery of compositions in the shortest possible time and mastery of the manner of playing in a symphony orchestra, instrumental and interpretative mastery of works of the orchestral repertoire, and careful acceptance of the teacher's comments. This develops, over a longer period of time, the technique and quality of the performance of the piece, contributing to the quality of the student's presentation in the course Playing in the Orchestra. By practicing new repertoire, students prepare for possible auditions for chamber or symphony orchestras.
- Orchestral parts and solos of the Romantic and 20th century music periods.
- Scores and orchestral parts of works from the Baroque, Classical, Romantic and Modern periods
- expressing the content and meaning of the interpreted work
Recommended or required reading
Instructions for the selection of compositions, their rehearsal and performance will be specified by the teacher, taking into account the individual abilities and talents of each student.
MOZART, Wolfgang Amadeus: The Magic Flute Opera
ROSSINI, Gioacchino: The opera The Nutcracker of Seville
PUCCINI, Giacomo: Opera Turandot
STRAUSS, Richard: Opera Salome
Additional literature will be specified by the instructor during the semester, taking into account the student's talents and individual skills and in accordance with the current repertoire of the course Playing in the Orchestra.
Assessment methods and criteria
Active participation in lessons, mastering prescribed orchestral and solo parts as agreed with the teacher. Performance of selected repertoire in front of the teachers of the department. Other requirements: minimum 80% attendance.
No schedule has been prepared for this course