Scenology 2
| Code | Completion | Credits | Range | Language Instruction |
|---|---|---|---|---|
| 207SCL2 | ZK | 3 | 3/T |
- Tutor:
- David PEIMER, Jaroslav VOSTRÝ
- Synopsis:
-
The seminar familiarizes Master's students of directing, dramaturgy, stage design, theory and criticism with the foundations of theoretical scenology and expands their experience with the stageability of a theatrical production leading to more cases of specific and non-specific stageable and staged expression and develping their awareness of the stagedness of a theatrical production on the basis of studying those cases and (in the case of directors, dramaturges and stage designers) in connection with their own work in the theatre.
- Prerequisites:
-
A submitted term paper supported by an appropriate orientation in basic terms and problems, verifiable in discussion on various theoretical aspects and real cases.
- Study Objectives:
-
The goal of the class is the anchoring (forming of a theoretical foundation) of past experience with practical and theoretical application of stage sense in conscious reflection on stageability and stagedness both in the arts and in life.
- Outline and Syllabus:
-
Familiarization with the foundations of theoretical scenology is based on a term paper concentrating on individual problems relating both to actual stage experiences and current creative activity (directing, dramaturgy and stage design students) and the study of stageability and stagedness outside of the theatre and their relationship to theatrical stageability and stagedness and vice versa (for theory and criticism students). The term paper drawn from reflections (one's own or others') on a staged production (including outside of the theatre) is thus combined with term papers based on researching basic terms and problems. Within the framework of this research including of individual „case studies“ there is confrontation with spontaneous stageability and stagedness of various kinds of societal (political, sports, commercial etc.) activities, specific stagedness (i.e the stagedness of relevant artistic activities including the visual arts) with non-specific stagedness of ceremonies and non-artistic media productions, „acting in life,“ with acting on the stage, acting in a performance production, production with installations, „gesamtkunstwerk“ as the actuating of stagedness of elements of various arts with their theatrical transformation with the spectacle and stagedness of various artistic statements, the potential stagedness of a text with realized stageability of a theatrical production, live staged performances with recorded ones, the stage versus the media, performability, dramaticism etc.
- Study materials:
-
Jaroslav Vostrý: Scéna a scéničnost v době všeobecné scénovanosti, Disk 15, pp. 6-18 + other articles by the same and other authors also Július Gajdoš in this magazine by own choice, including the stated literature by these authors, as well as foreign language texts
(viz http://casopisdisk.amu.cz, column themes, theme ?stage-art and scenology?)
DANIELS, D. Vom Readymade zum Cyberspace, Ostfildern-Ruit 2003
DEBORD, G. La Société du Spectacle, Paris 1992
FISCHER-LICHTE, E. (Hsgb.) Theatralität und die Krisen der Reprsentation (DFG Symposion 1999), Stuttgart/Weimar 2001
FISCHER-LICHTE, E. Ästhetik des Performativen, Frankfurt a. M. 2004
FISCHER-LICHTE, E. /HORN.CH/ PFLUG I./ WARSTAT, M. Inscenierung von Authenticität, Basel 2007
GARDNER, H. Dimenze myšlení, Praha 1999
KUSPIT, D. The Cult of the Avant-Garde Artist, Cambridge, Mass. 1993
SENNET, R. Flesh and Stone, New York/London 1994
[STANISLAVSKIJ] ?????????????, K. C. ?? ????????? ?????? (?????????), Moc??? 1982
TAIROV, A. Odpoutané divadlo, Praha 2005
[TOLSTOJ] T??????, ?. ?. ? ??????????, ?????? 1955
GOLDBERG, R. Performance Art, New York 2005
KAPROW A. Assemblage, Environments and Happenings, New York 1966
ARISTOTELES, Poetics
FRÜCHTL J./ ZIMMERMANN Ästhetik der Inscenierung, Frankfurt am Main 2001
WILLEMS H./JURGA M.Inscenierunggesellschaft: Ein einfűhrender Handbuch, Oplagen, Wiesbaden 1998
- Note:
- Schedule for winter semester 2008/2009:
- The schedule has not yet been prepared
- Schedule for summer semester 2008/2009:
-
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Fri Thu Fri - The subject is a part of the following study plans:
-
- Doporučený magisterský dramaturgie ČD (subject determining qualification)
- Doporučený magisterský teorie a kritika (subject determining qualification)
- Doporučený magisterský režie ČD (subject determining qualification)
- Doporučený magisterský scénografie (compulsory subject)