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Welcome page > DAMU > Department of Alternative and Puppet Theatre > History of the World Puppet Theatre 1

History of the World Puppet Theatre 1

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Code Completion Credits Range Language Instruction
204SLD1 ZK 3 2/T Czech
Tutor:
Nina MALÍKOVÁ
Synopsis:

The history of puppet theatre from its first mentions in history to the end of the 19th Century.

Characteristics and forms of puppet theatre; links to traditional puppet theatre.

The lecture runs for two semesters.

Prerequisites:

1. General overview of theatre history and the history of Czech puppet theatre

2. Ability to work independently with the recommended documents and video recordings

3. Capacity for analysis and reflection.

Study Objectives:

1. Familarising students with the origins and forms of puppet theatre.

2. Understanding the puppet as a distinctive form of artistic expression.

3. Familiarising students with new trends and possibilities in contemporary world puppet theatre.

Outline and Syllabus:

Curriculum

1. The origins of puppet theatre, its characteristics and forms.

2. The connection with the present of traditional puppet theatre and its types.

3. The puppet as a means of expression in the work of 20th Century writers and dramatists.

4. The puppet during Modernism; new opinions on the puppet.

5. New trends in contemporary world puppet theatre.

6. Rediscovery of forgotten puppet theatre genres.

Syllabus

The lecture encompasses a broad period of puppet theatre from its beginnings and simple forms through the puppet?s use as a means of expression in the work of writers and dramatists in the 19th and 20th Centuries. New approaches to the puppet at the beginning of the 20th Century brought new theoretical studies and also experiments in new or forgotten areas of formal puppet theatre. Concrete work by individual practitioners (using graphic and video documentation) makes it possible to analyse the puppet?s role in theatre both in Europe and beyond it. This is joined with work by contemporary figures working in foreign theatre whose productions and opinions on the puppet?s role in theatre will form the subject of a more detailed analysis. By studying the work of individual artists we gain an overview of the latest trends and techniques in some of the less common genres (teatrum mundi, shadow theatre, paper theatre) and their new possibilities.

Study materials:

Craig, E.G.: The Actor and Uber-Marionette, Loutkář 1993 č. 1O-12

Jurkowski, Henryk: Magie loutky, Nakladatelství.Studia Ypsilon,Praha 97

Magnin,Charles: Dějiny loutkového divadla v Evropě I. díl, AMU, Praha 2005

Seriál Osobnosti v časopise Loutkář 1996,1997,1998.1999

Malgorzata Semil, Elizbieta Wysinska: Slovník světového divadla, Divadelní ústav

1998

Note:
Further information:
This course is an elective for all students of this school
Schedule for winter semester 2009/2010:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Fri
místnost S201
Hallerův sál
(Karlova 26, Praha 1)
MALÍKOVÁ N.
17:00–18:30
(paralelka 1)
Thu
Fri
místnost S201
Hallerův sál
(Karlova 26, Praha 1)
MALÍKOVÁ N.
09:00–10:30
(paralelka 1)
Schedule for summer semester 2009/2010:
The schedule has not yet been prepared
The subject is a part of the following study plans:
Generated on 2010-4-26
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