Lighting 1
- Course unit code:
- 304OS1
- Course unit title:
- Lighting 1
- Mode of delivery:
- zápočet
- Range:
- 2/T
- Type of course unit:
- compulsory subject
- Level of course unit:
- Year of study
- 1st year
- Semester when the course unit is delivered
- zimní
- Number of ECTS credits allocated:
- 1
- Garant předmětu:
- Jaromír ŠOFR
- Name of lecturer(s):
- Jaromír ŠOFR
- Study Objectives:
-
Understanding and mastery of functional objective depiction with lighting, different from its photographic reproduction.
- Mode of delivery:
-
Kontaktní výuka s předváděním.
- Prerequisites and co-requisites:
-
Knowledge of the culture if visual depiction in a historical context. Physics and particularly optics at the primary school level.
- Recommended optional programme components
- Course contents:
-
Syllabus Overview:
Three functions in the use of lighting in film and television:
1. Light as a basic technical condition for generating the optical depiction.
2. Light from the viewpoint of information about the characteristics of the subject of the scene, their textures and reflection.
3. Light as a means of artistic optical depiction stylization.
Light.
Light and its exposure effects are from the cameraman's viewpoint is evaluated in three aspects:
A. Quality, this is - a) given quality of its spectral composition
b) given quality by the character of the light source (point, diffuse).
B. Direction - from the viewpoint of: a) support or muting the perception of the space depiction.
b) support or negation the perception of the real form and dimension of the depicted object.
C. Intensity - a) intensity of a single source and its modifications and distance.
b) intensity composition of multiple sources: main lighting, supplemental and auxilliary.
Practical exponometry.
A. Analysis of scene lighting measuring the light flow on a single lighted object.
B. Analysis of scene lighting from the viewpoint of its brightness structure - points exponometry.
Sources of light and lights.
A. Means of changing the spectral composition of the artificial light sources.
B. Means of changing the characeter of the light source (diffusers, grids).
C. Regulating the nature of the emitted beam flux
Fundamental Lighting Concepts
Scene space lighting construction methods
A. Styles of mimitating primary real lighting
B. Professional convention styles - avoiding strictly logical lighting
C. Lighting activity suporting important gestures of dramatic action, including creative application of aesthetic values and unusual character.
Scene space lighting construction.
- Study materials:
-
Bojanovský: Základní principy osvětlování
Bojanovský: Filmovým objektivem roč. 1961 č. 1-12, roč. 1962 č. 1-9
Taraba: Ateliérová technika
Taraba: Zdroje světla str. 11-14
A.Golovňa: Umění kameramana
L.Baran: Portrét ve fotografii
J. Šmok: Úvod do teorie skladby kinematografického obrazu
Firemní katalogy s přehledem o světelných zdrojích
- Planned learning activities and teaching methods
- Assessment methods and criteria
-
Účast + aktivita v atelieru a při laboratorním zpracování. Kvalita fotografických kopií s hlediska světelných řešení.
- Language of instruction:
- Czech
- Work placement(s):
- Pracovní stáž není u tohoto předmětu zavedena.
- Course web page:
- Note:
- Schedule for winter semester 2010/2011:
-
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Fri Thu Fri - Schedule for summer semester 2010/2011:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
-
- Kamera - bakalář (qualification subject)