Camera Work Seminar 8
- Course unit code:
- 304SK8
- Course unit title:
- Camera Work Seminar 8
- Mode of delivery:
- zápočet
- Range:
- 2/T
- Type of course unit:
- Study plan Kamera - magistr – compulsory subject
Study plan Scénografie - film a televize (Mgr.) – compulsory optional subject - Level of course unit:
- Year of study
- Study plan Kamera - magistr – 1st year
- Semester when the course unit is delivered
- letní
- Number of ECTS credits allocated:
- 1
- Garant předmětu:
- Vladimír SMUTNÝ
- Name of lecturer(s):
- Vladimír SMUTNÝ
- Study Objectives:
-
Připravit posluchače na práci kameramana
- Mode of delivery:
-
Předávání praktických znalostí pedagoga,projekce a analýza filmů
- Prerequisites and co-requisites:
-
Prakticke a teoreticke znalosti z oboru kamera
- Recommended optional programme components
-
Nejsou žádné nepovinné složky nutné pro absolvování tohoto předmětu
- Course contents:
-
The higher-level education cycle covers the complete activity of the main cameraman with a view to the creation of drama and of course does not omit the sense of expert erudition nor other genres.
A particular emphasis is placed by the instructor on the cameraman's dramaturgy methods in application as laid out and presented below.
Topics:
- The screenplay and cameraman dramaturgy
- The characteristics of of B/W cinematography and creation of the lighting mood
- Studio lighting - What types of light sources do we use? - Day, Evening, Night, facial, window, lighting sources in the image, exposure - how actor and camera movement complicates all of this.
- Cameraman opportunities and styles - „Film look“, Fashionableness - Timelessness.
- Ambient lighting - reducing contrast using artificial sources - pitfalls in linking interior and exterior images, large exteriors - churces - stations - and the like.
- Exteriors - landscape - city
- Night as a particularly difficult cameraman task.
- Advertisements, documentaries, the TV medium and multimedia.
- The actor in the light, lenses and movement.
- Cameraman schools (CZ, USA, F, UK, I, G and others).
- The cameraman as a consistent technician, original distribution (mass) copies as a result of the cameraman's work.
- Theory and practical preparations for student exercises.
- Study materials:
-
Ján Šmok:Teorie skladby fotografického obrazu
Kris Malkiewicz: Film Lighting
Gerald Millerson:Technique of Lighting for Television and Film
Journal:American Cinematographer
- Planned learning activities and teaching methods
-
Seminář,doplněný projekcí filmů.
- Assessment methods and criteria
-
Podmínky úspešného ukončení předmětu:aktivní účast na seminářích! Seminární práce: Posluchač si vybere povídku. Připraví si kameamanskou explikaci, pro její filmovou realizaci. Smyslem seminární práce je ztah mezi verbálního vyjádření příběhu či poselství a jejich následným audiovizuálním artefaktem.
- Language of instruction:
- Czech
- Work placement(s):
- Pracovní stáž není u tohoto předmětu zavedena.
- Course web page:
- Note:
- Schedule for winter semester 2010/2011:
- The schedule has not yet been prepared
- Schedule for summer semester 2010/2011:
-
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Fri Thu Fri - The subject is a part of the following study plans:
-
- Kamera - magistr (qualification subject)
- Scénografie - film a televize (Mgr.) (compulsory optional subject)