Photography Studio 1
- Course unit code:
- 307ATF1
- Course unit title:
- Photography Studio 1
- Mode of delivery:
- zápočet
- Range:
- 26/S
- Type of course unit:
- compulsory subject
- Level of course unit:
- Year of study
- 2nd year
- Semester when the course unit is delivered
- zimní
- Number of ECTS credits allocated:
- 1
- Garant předmětu:
- Robert PORTEL, Viktor KOLÁŘ, Rudolf PREKOP, Štěpán GRYGAR
- Name of lecturer(s):
- Robert PORTEL, Viktor KOLÁŘ, Rudolf PREKOP, Štěpán GRYGAR
- Study Objectives:
-
The aim of the creative photography studio is to support as much as possible the individual creative abilities of the students focusing on conceptual work. Work intended is to be in the context of modern art without limiting factors.
- Mode of delivery:
-
Analyses of exercises, presenting work which are related to the topic, independent creativity.
- Prerequisites and co-requisites:
-
General knowledge of the history of the creative arts and photography
General knowledge of modern visual art theory
Analytical abilities
Creativity.
- Recommended optional programme components
- Course contents:
-
Course description:
The studio provides a basis for individual work enabling a number of individual approaches but not strictly limited to the photography medium. Emphasis is placed on a critical distance from one's own work for arranging work into a wider context. Part of the studio is theory lecture, work on the summary and diploma collections and exercises.
Tasks: /exercises/
Complete work as an individual interpretive topic (not in the sense of a mere illustration). The topic is announced in the first class hour in the Winter semester.
Winter Semester: a brief explication by the end of November, developed collection by the end of the Winter semester.
Summer Semester: Final completion by the end of the Summer semester.
- Study materials:
-
Alberro, Alexander - Norvell, Patricia (ed.): Recording Conceptual Art, Berkeley,
Los Angeles a London: University of California Press, 2001
Alberro, Alexander, Sabeth Buchmann: Art After ConceptualArt, MIT Press,
Cambridge and London, 2006
Fried Michael: Why Photography Matters as Art as Never Before, Yale University
Press, New Haven 2008
Bourriaud, Nicolas: Postprodukce, Praha: Tranzit, 2004
Bourriaud, Nicolas: Relational Aesthetics, Dijon: Les presses du réel, 2002
Cotton Charlotte: The Photography as Contemporary Art, London, Thames
Hudson, 2004
Foster, Hal (ed): Postmodern Culture, London: Pluto Press, 1990
Foster, Hal; Krauss, Rosalind; Bois, Yves-Alain; Buchloh, Benjamin H.D.: Art
since 1900, London: Thames & Hudson, 2004
Michel Frizot: Nouvelle Histoire de la Photographie, Larousse-Bordas, Paris,
1996
Liz Wells. The Photography Reader, Routledge, London, 2003
Wall, Jeff: Selected Essays and Interviews, New York: The Museum of Modern
Art, 2007
- Planned learning activities and teaching methods
- Assessment methods and criteria
-
Grading:
Graded credit: awarded based on submitted exercises. The extent to which the assignment was fulfilled is evaluated, imaginativeness and quality of development.
Participation: A requirement for evaluating the student is a minimum of 60% participation in the classes and in obligatory group consultations established at the beginning of instruction.
- Language of instruction:
- Czech
- Work placement(s):
- Pracovní stáž není u tohoto předmětu zavedena.
- Course web page:
- Note:
- Schedule for winter semester 2010/2011:
-
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Fri Thu Fri - Schedule for summer semester 2010/2011:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
-
- Fotografie CZ - bakalář (qualification subject)