Seminar on Theory Photography 4

Course unit code:

307ES4

Course unit title:

Mode of delivery:

zkouška

Range:

13/S

Type of course unit:

Study plan Fotografie EN - magistr – compulsory subject
Study plan Fotografie EN - magistr: restaurování – compulsory subject

Level of course unit:

Year of study

Study plan Fotografie EN - magistr – 1st nebo 2nd year
Study plan Fotografie EN - magistr: restaurování – 1st nebo 2nd year

Semester when the course unit is delivered

letní

Number of ECTS credits allocated:

Garant předmětu:

Robert SILVERIO

Name of lecturer(s):

Robert SILVERIO

Study Objectives:

This seminar is aimed at a deep analysis of the theory of photography.

Mode of delivery:

Students shall be asked to prepare papers on various texts (see lit.) and also on various exhibitions (according to the given possibilities). The papers request deep-going research. Literature used must be stated. They will present them in front of the other students and thus subdue these essays to their critical discussion.

[Each student has to give one presentation for one semester.]

Prerequisites and co-requisites:

Absolvování předmětu Seminar on Theory of Photography 1-3

Recommended optional programme components

Course contents:

Description:

It is going more into deep but methodologically and thematically it is very much the sma as Theory of photograpohy I in BA study. Reading of theoretical literature on photography (and culture in general) and its critical judgement is demanded. It connects photography with semiotics and interculturual disciplines.

Assignments:

[Each student has to give one presentation for one semester.]

Name of the Lecturer: Robert Silverio PhD.

Contact: 267 711 836, silverio@volny.cz

Study materials:

Adorno Theodor: The Culture Industry, Routledge, London 2001

Barrett Terry: Criticizing Photographs: An Introduction to Understanding Images

Barthes Rola nd: Camera Lucida, any edition

Barthes Roland: Image, Music Text, Hill and Wang, NY 1978

Benjamin Walter: Work in the Time of Mechanical Reproduction any edition

Bourdieu Pierre: Photography: A Middle-brow Art, Stanford University Press, Stanford 1990

Victor Burgin: The End of Art Theory (Communications & Culture)

Burgin Victor (ed.): Thinking Photography, MacMillan Press , London 1982

Burgin Victor: In/Different Spaces, University of California Press Berkley and Los Angeles 1996

Eco, Umberto: History of Beauty, any edition

Eco, Umberto: Opened Work, any edition

Carroll Noel: A Philosophy of Mass Art

Flusser Vilém: Towards a Philosophy of Photography, European Photography, Göttingen 1984

McLuhan Marshal: Understanding Media, McGraw-Hill, New York 1965

Squires Carol: OverExpeosed, The New Press, NY 1999

Sontag Susan: On Photography, any edition after 1977

Sontag, Susan: Regardong the Pain of the Ohers

Tagg: John The Burden of Representation: Essays on Photographies and Histories

Wells, Liz (ed.) The Photography Reader, Routledge, London 2003

Planned learning activities and teaching methods

Assessment methods and criteria

Grading:

Participation in discussions: 45%

Presentation of essays in front of other students: 45%

Participation in course 10% (however not less than 60%)

Language of instruction:

English

Work placement(s):

Pracovní stáž není u tohoto předmětu zavedena.

Course web page:

Note:

On alternate year for 1. and 2. class (2010/11).

Schedule for winter semester 2010/2011:

The schedule has not yet been prepared

Schedule for summer semester 2010/2011:

	06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Fri
Thu	místnost 110 Pracovna vedoucího KF (Lažanský palác) SILVERIO R. 14:00–16:25 EVEN WEEK (paralelka 1)
Fri

The subject is a part of the following study plans:

Fotografie EN - magistr (qualification subject)
Fotografie EN - magistr: restaurování (qualification subject)