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STUDY PLANS

Theory of Photography 2

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Course unit code:
307ETH2
Course unit title:
Theory of Photography 2
Mode of delivery:
zkouška
Range:
26/S
Type of course unit:
compulsory subject
Level of course unit:
Year of study
2nd nebo 3rd year
Semester when the course unit is delivered
letní
Number of ECTS credits allocated:
3
Garant předmětu:
Robert SILVERIO
Name of lecturer(s):
Robert SILVERIO
Study Objectives:

The course is an introduction to the main problems of the theory of photography. It surveys its history from the origins of photography to the present, but it follows a thematic approach rather than a chronological one. Each of the themes will be discussed in relation to a selected chapter from the history of photography.

Mode of delivery:
Prerequisites and co-requisites:

Requirements:

It is assumed that students have a basic knowledge of the history of photography. Winter semester: written assignments, 2 credits (students will write two short essays on a given theme, 3 and 5 pages in the middle and at the end of the term). Spring: written assignment and an oral exam (4 credits).

Recommended optional programme components
Course contents:

Syllabus:

Introduction: photography between technology and discourse.

Photography and subject I: the perceiver.

Photography and subject II: the perceived.

Visibility and visualization.

The materiality of images.

Photography analogue and digital.

Photography as universal language.

Photography as universal equivalent.

Arrangements of images: collage, montage, series.

Photography and modernity.

Weimar theories of photography.

Media and ideology critique: apparatus, dispositive, program.

Media specificity I: photography as photography.

Photography and semiotics.

Media specificity II: post-photography.

Photography as interface.

Remediation and postproduction.

Supervised by: Mgr. Tomáš Dvořák

Study materials:

Recommended readings:

Geoffrey Batchen, Burning with Desire. The Conception of Photography. Cambridge - London: The MIT Press 1997; Each Wild Idea: Writing, Photography, History. Cambridge - London: The MIT Press 2001.

Richard Bolton (ed.), The Contest of Meaning. Critical Histories of Photography. Cambridge - London: The MIT Press 1999.

Vicky Goldberg (ed.), Photography in Print. Writings from 1816 to the Present. Albuquerque: University of New Mexico Press 1981.

Liz Heron - Val Williams (eds.), Illuminations. Women Writing on Photography from the 1850s to the Present. Durham: Duke University Press 1996.

Beaumont Newhall (ed.), Photography: Essays and Images. New York: The Museum of Modern Art 1980.

Christopher Phillips (ed.), Photography in the Modern Era. European Documents and Critical Writings, 1913-1940. New York: Aperture 1989.

Carol Squiers (ed.), Overexposed. Essays on Contemporary Photography. New York: The New Press 1999.

Planned learning activities and teaching methods
Assessment methods and criteria
Language of instruction:
English
Work placement(s):
Pracovní stáž není u tohoto předmětu zavedena.
Course web page:
Note:

On alternate year for 2. and 3. class (2010/11).

Schedule for winter semester 2010/2011:
The schedule has not yet been prepared
Schedule for summer semester 2010/2011:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Fri
Thu
místnost 112
Učebna KF

(Lažanský palác)
SILVERIO R.
13:10–14:45
EVEN WEEK

(přednášková par. 1)
Fri
The subject is a part of the following study plans:
Generated on 2011-6-17
Updates of the above given information can be found on http://studijniplany.amu.cz/en/predmet307ETH2.html