Joint Audiovisual Work 1 + 2

Course unit code:

308SAV

Course unit title:

Mode of delivery:

zápočet

Range:

Type of course unit:

compulsory subject

Level of course unit:

Year of study

2nd year

Semester when the course unit is delivered

letní

Number of ECTS credits allocated:

Garant předmětu:

Jiří MOUDRÝ

Name of lecturer(s):

Jiří MOUDRÝ, Vladimír SKALL, Jiří KŘÍŽ

Study Objectives:

The aim of the course is the implementation of the sound component of a challenging AV work while applying diverse technology and a creative approach.

Mode of delivery:

Student work on the sound component of an assigned practical exercise containing common technological procedures in AV creation.

In the first phase: Screenplay study, consultations with the director and Sound Dept. instructor, preparations for shooting and the shooting itself in defined surrondings (studio, exterior and on location).

In the second phase: Completing the work on ProTools - setting the sound to the image, cleaning, correction and sound mix synchronization of the prepared recording, set in several tracks.

In shooting, the student as sound master, who manages the work of the assistant as the „mike“ - in principle a Sound Dept. student from a lower study year.

An inseparable part of the exercise is the written explication, which must be submitted with the AV recorded exercise. In the written explication the student must demonstrate, along with creative talent, the ability for a rational view of professional issues, and is able to master the task not only practically but is able to systematically describe, analyse and understand the fundaments of the given issue and take away theory lessons from the experience.

Prerequisites and co-requisites:

Recommended optional programme components

No requirements.

Course contents:

Fourth-year students are required to create at least two joint audiovisual exercises. Depending on available options these can be joint exercises with the Directing Department, the Documentary Film Department, or the Animation Department. Students fully exercise the sound component in an assigned audiovisual project.

Study materials:

Bláha, I. (2004): Zvuková dramaturgie audiovizuálního díla. AMU, Praha. (ISBN 80-7331-010-4

Borwick, J. (1994): Sound Recording Practice. Oxford University Press, Oxford. (ISBN 0-19-816381-9)

http://www.filmsound.org/

Chion, M. (1994): Audio-Vision. Sound of Screen. Columbia University Press, New York. (ISBN 0-231-07899-4)

Kopecký, P. (2008): Základy elektronického zvuku a jeho kreativní zpracování. AMU, Praha. (ISBN 978-80-7331-121-6)

Kuna, M. (1969): Zvuk a hudba ve filmu. Panton, Praha.

Syrový, V. (2008): Hudební akustika. AMU, Praha. (ISBN 978-80-7331-127-8)

Syrový, V. (1990): Technické základy elektroakustické hudby. SPN, Praha.

Syrový, V. (2003): O původu zvuků. In DISK 4/2003, AMU, Praha. s. 48?50. (ISSN 1213-8665)

Webers, J. (2003): Handbuch der Tonstudiotechnik. Franzis Verlag, Poing. (ISBN3-7723-5528-5)

Planned learning activities and teaching methods

Exercises.

Moderated and non-moderated discussion; analysis of screenplays and shooting material, consultations on sound post-production, screenings of completed films.

Assessment methods and criteria

Credit is awarded based on the commission's evaluation of the submitted film and written explication.

Language of instruction:

Czech

Work placement(s):

Pracovní stáž není u tohoto předmětu zavedena.

Course web page:

Note:

Further information:

No schedule has been prepared for this course

The subject is a part of the following study plans:

Zvuková tvorba - magistr (qualification subject - practical seminar)