Pentium History of Audiovision: History of Photography 1
- Course unit code:
- 373PDF1
- Course unit title:
- Pentium History of Audiovision: History of Photography 1
- Mode of delivery:
- zkouška
- Range:
- 4/T
- Type of course unit:
- Study plan Animovaná tvorba - bakalář – compulsory optional subject
Study plan Dokumentární tvorba - magistr – compulsory optional subject
Study plan Dokumentární tvorba - bakalář – compulsory optional subject
Study plan Animovaná tvorba - magistr – compulsory optional subject
Study plan Scenáristika a dramaturgie - bakalář – compulsory optional subject
Study plan Scenáristika a dramaturgie - magistr – compulsory optional subject
Study plan Režie - bakalář – compulsory optional subject
Study plan Režie - magistr – compulsory optional subject
Study plan Kamera - bakalář – compulsory optional subject
Study plan Kamera - magistr – compulsory optional subject
Study plan Produkce - bakalář – compulsory optional subject
Study plan Produkce - magistr – compulsory optional subject
Study plan Audiovizuální studia - bakalář – compulsory optional subject
Study plan Střihová skladba - bakalář – compulsory optional subject
Study plan Střihová skladba - magistr – compulsory optional subject
Study plan Zvuková tvorba - bakalář – compulsory optional subject
Study plan Zvuková tvorba - magistr – compulsory optional subject
Study plan Fotografie CZ - bakalář – compulsory subject
Study plan Fotografie CZ - magistr – compulsory optional subject
Study plan Audiovizuální studia - magistr – compulsory optional subject
Study plan Fotografie CZ - magistr: restaurování – compulsory subject - Level of course unit:
- Year of study
- Study plan Fotografie CZ - bakalář – 1st nebo 2nd year
Study plan Fotografie CZ - magistr: restaurování – 1st nebo 2nd year - Semester when the course unit is delivered
- zimní
- Number of ECTS credits allocated:
- 2
- Garant předmětu:
- Robert SILVERIO, Pavel SCHEUFLER
- Name of lecturer(s):
- Robert SILVERIO, Pavel SCHEUFLER
- Study Objectives:
- Mode of delivery:
- Prerequisites and co-requisites:
-
Evaluation:
Credit awarded at the end of each semester.
Condition: Obligatory interpretive presentation of any photographer during the semester before the other students and submission of the essay accompanying the presentation.
- Recommended optional programme components
- Course contents:
-
Course:
- Limits of Art-history research. Picasso's „The Young Ladies of Avignon“.
- What is Modern Art? Urban Capitalism, the availability of display, Paris, museum, exhibitions, Commodification of art, art reproduction.
- Who is the Modern Artist? What does the Modern Artist want to communicate? Art and insanity.
- What is visualization? Historical changes in the imagery of reality. Human vision and science, photography, impressionism, Cezanne, Kupka. Splitting the atom and artistic works. Cubism and free print. Camouflage: practical use of avante-gard art.
- Art, Science and Belief. The beginnings of the Abstract and Piet Mondrian. Functionalism, Surrealism and Marxist Ideology. Evolution theories of Modernism.
- Art and Originality. Walter Benjamin. Art in the age of mechanical reproduction. The loss of creators, decline of the traditional public.
- Marcel Duchamp. The visible and the invisible. Visual art and conceptual art. Ready-mades. Optical aparati and experiments with film. Is it a virtue or an attribute of the human eye.
Credit conditions:
100% attendance. Writing: Descripton of Kazimir Malevic's „Black Square“, 1914-1915, 79.5 x 79.6 cm. Minimum of 2 full pages to be submitted by the Dec. 12, 2006 at tomszyl@hotmail.com .
- Study materials:
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Ammann, Jean-Christophe: XL-Photography: Art Collection Neue Borse
Badger, Gerry, Martin Parr : Photobook, The: A History - Volume I
Barrett, Terry: Criticizing Photographs: An Introduction to Understanding Images
Bates, David: Photography and Surrealism : Sexuality, Colonialism and Social Dissent
Birgus, V. - Scheufler, P.: Fotografie v českých zemích 1839 - 1999. Grada, Praha 1999
Boot, Chris: Magnum Stories
Brooks, Adam: Subjective Realities: The Refco Collection of Contemporary Photography
Brothers Caroline War and Photography: A Cultural History
Campany David: Art and Photography
Fernandez, Horacio: Fotografia Publica: Photography in Print
Finnegan, Cara A.: Picturing Poverty: Print Culture and Fsa Photographs
De Gouvion Saint-Cyr, Agnes, Jean-Claude Lemagny, Alain Sayag: 20th Century French Photography
Fogle, Douglas, Kathy Halbreich:The Last Picture Show: Artists Using Photography 1960-1982
Frizot M. (ed.): A New History of Photography. Könemenn, Köln 1998 Gernsheim, H. & A.: A Consice History On Photography. Thames and Hudson, London 1971
Grosenick, Uta, Ilka Becker: Women Artists in the 20th and 21st Century
Haworth-Booth, M.: The Golden Age of British Photography 1839 - 1900. Aperture, New York 1994
Stefan Iglhaut (Editor): Photography After Photography: Memory and Representation in the Digital Age
Janda, J.: Kamery obskury, fotografické přístroje z let 1840 - 1940. NTM, Praha 1986
Johnson, William S: Photography from 1839 to Today: George Eastman House, Rochester
Kertess, Klaus: Photography Transformed : The Metropolitan Bank and Trust Collection
Koetzle, H.-M.: Slavné fotografie. Historie skrytá za obrazy I. Taschen Slovart, Köln/Praha 2003
Krauss, Rosalind, Jane Livingston, Dawn Ades: L'Amour fou : Photography and Surrealism
Kruger, Barbara: Remote Control: Power, Cultures, and the World of Appearances
Lebeck, Robert: Kiosk. A History of Photojournalism
Lemagny, J.-C., Rouillé A.: A History of Photography. Cambridge University Press, Cambridge and
Levine, Robert M: Insights into American History: Photographs as Documents
Giovanni Lista: Futurism and Photography
Russell Miller: Magnum: Fifty Years at the Front Line of History:
Neto, Mario Cravo, Michael Herzog-Hans LA Mirada: Looking at Photography in Latin America Today
Rosenblum Naomi: A history of women photographers
Rosenbulum, N.: A World History of Photography. Abbeville Press, New York1997
Scheufler, P.: Historické fotografické techniky. IPOS ARTAMA. Praha 1993
Scheufler, P.: Teze k dějinám fotografie do roku 1914. Učební texty FAMU, Praha 2000
Scheufler, P.: Galerie c. k. fotografů. Grada, Praha 2001
Szarkowski, J.: Photography untill Now, The Museum of Modern Art, NY 1989
Yapp, N.: 150 Years of Photo Journalism. Volume I. Könemann, Köln 1995 (1.vyd.)
Co je fotografie, 150 let fotografie, Videopress, Praha1989
Warner Marien, Mary: Photography: A Cultural History
Weiermair, Peter: The Measure of All Things: The Synthesis of Photography and Text
- Planned learning activities and teaching methods
- Assessment methods and criteria
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Každý posluchač bude povinen během každého semestru vypracovat jeden esej z dějin fotografie a to na téma dle svého vlastní výběru. (Omezeno pouze časově na dvacáté století - nikoli však prostorově, či metodologicky.) Podmínkou je práce s literaturou a její uvedení. Tento esej musí být doplněn o obrazovou část a uveden jako přednáška pro ročníkové kolegy. Tato presentace je nutnou podmínkou evaluace. Předpokládá se přitom jak osobní úhel pohledu studenta, tak schopnost práce s odbornou literaturou. Každá přednáška by měla být kombinací více pramenů a zhodnocením těchto pramenů. Tyto prameny musí být přitom přesně uvedeny. Studenti jak od pedagoga tak svých kolegů obdrží hodnocení své přednášeny, - toto hodnocení je nejen zpětnou vazbou, ale aktivací kritických schopností ostatních studentů.
Kromě obecné základní literatury, bude důraz kladen na autorské knihy a monografie a propojení s teoretickou literaturou.
- Language of instruction:
- Czech
- Work placement(s):
- Pracovní stáž není u tohoto předmětu zavedena.
- Course web page:
- Note:
-
This course takes place for first and second year students together every 2 years. It has been announced for the 2010/2011 school year.
- Further information:
- This course is an elective for all AMU students
- Schedule for winter semester 2010/2011:
-
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Fri Thu Fri - Schedule for summer semester 2010/2011:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
-
- Animovaná tvorba - bakalář (faculty subject, optional subject)
- Dokumentární tvorba - magistr (faculty subject, optional subject)
- Dokumentární tvorba - bakalář (faculty subject, optional subject)
- Animovaná tvorba - magistr (faculty subject, optional subject)
- Scenáristika a dramaturgie - bakalář (faculty subject, optional subject)
- Scenáristika a dramaturgie - magistr (faculty subject, optional subject)
- Režie - bakalář (faculty subject, optional subject)
- Režie - magistr (faculty subject, optional subject)
- Kamera - bakalář (faculty subject, optional subject)
- Kamera - magistr (faculty subject, optional subject)
- Produkce - bakalář (faculty subject, optional subject)
- Produkce - magistr (faculty subject, optional subject)
- Audiovizuální studia - bakalář (qualification subject, faculty subject, optional subject)
- Střihová skladba - bakalář (faculty subject, optional subject)
- Střihová skladba - magistr (faculty subject, optional subject)
- Zvuková tvorba - bakalář (faculty subject, optional subject)
- Zvuková tvorba - magistr (faculty subject, optional subject)
- Fotografie CZ - bakalář (faculty subject, optional subject)
- Fotografie CZ - magistr (faculty subject, optional subject)
- Audiovizuální studia - magistr (qualification subject, faculty subject, optional subject)
- Fotografie CZ - magistr: restaurování (qualification subject, faculty subject, optional subject)