The Interpretation of the contemporary Music 1

Course unit code:

101ISH1

Course unit title:

Mode of delivery:

zápočet

Range:

12/S

Type of course unit:

Study plan Obor Flétna (Mg) – compulsory optional subject
Study plan Obor Klarinet (Mg) – compulsory optional subject
Study plan Obor Cembalo (Mg) – compulsory optional subject
Study plan Obor Klavír (Mg) – compulsory optional subject
Study plan Obor Varhany (Mg) – compulsory optional subject
Study plan Obor Hoboj (Mg) – compulsory optional subject
Study plan Obor Fagot (Mg) – compulsory optional subject
Study plan Obor Lesní roh (Mg) – compulsory optional subject
Study plan Obor Trubka (Mg) – compulsory optional subject
Study plan Obor Pozoun (Mg) – compulsory optional subject
Study plan Obor Tuba (Mg) – compulsory optional subject
Study plan Obor Harfa (Mg) – compulsory optional subject
Study plan Obor Kontrabas (Mg) – compulsory optional subject
Study plan Obor Kytara (Mg) – compulsory optional subject
Study plan Obor Housle (Mg) – compulsory optional subject
Study plan Obor Violoncello (Mg) – compulsory optional subject
Study plan Obor Viola (Mg) – compulsory optional subject
Study plan Obor Bicí nástroje (Mg) – compulsory optional subject
Study plan Obor Zpěv (Mg) – compulsory optional subject
Study plan Obor Dirigování (Mg) – compulsory optional subject

Level of course unit:

magisterský

Year of study

předmět nemá určen ročník studia

Semester when the course unit is delivered

zimní

Number of ECTS credits allocated:

Garant předmětu:

Slavomír HOŘÍNKA, Luboš MRKVIČKA, Marek KOPELENT

Name of lecturer(s):

Hanuš BARTOŇ, Michal RATAJ, Slavomír HOŘÍNKA, Luboš MRKVIČKA, Marek KOPELENT

Study Objectives:

Mode of delivery:

Prerequisites and co-requisites:

Recommended optional programme components

none

Course contents:

Study materials:

Alberman, David: Abnormal Playing Techniques in the String Quartets of Helmut Lachenman. Contemporary Music Review, Volume 24, Issue 1 February 2005 , pages 39-51.

Arditti, Irvine: Reflections on performing the string music of Iannis Xenakis. Contemporary Music Review, Volume 21, Numbers 2-3, Numbers 2-3/June/September 2002 , pp. 85-89

Bartolozzi, Bruno: New sounds for Woodwins. Oxford University Press, London 1967.

Dick, Robert: The Other Flute: Tone Development Through Extended Techniques. Edu-Tainment Publishing Co., New Yourk 1978.

Dempster, Stuart: The modern trombone : a definition of its idioms. Berkeley : University of California Press, 1979.

Dohnal, Karel: Technika a výrazové prostředky klarinetu používané v současné hudbě. Disertační práce HAMU, Praha 2005.

Edgerton, Michael Edward: The 21st Century Voice, Contemporary and Traditional Extra-Normal Voice. Scarecrow Press, 2006.

Loudová, Ivana: Moderní notace a její interpretace. AMU, Praha 1998.

Lachenmann, Helmut: On My Second String Quartet. Contemporary Music Review, Volume 23, Issue 3 & 4 September 2004 , pages 59-79.

Möller, Mats: New Sounds for Flute. http://www.sfz.se/flutetech/index.htm

Rehfeld, Phillip: New Directions for Clarinet. University of Carolina Press, Berkley - Los Angeles - London 1977.

Spring, Robert S.: How Can I Learn Circular Breathing? http://www.woodwind.org/clarinet/Study/CircularBreathing.html

Strange, Allen; Strange, Patricia: The Contemporary Violin: Extended Performance Techniques. Scarecrow Press, 2001.

Turetzky, Bertram: The contemporary contrabass. Berkeley: University of California Press, 1989.

Veale, Peter; Mahnkopf, Claus-Steffen: Die Spieltechnik der Oboe. Bärenreiter, Kassel 2005.

Planned learning activities and teaching methods

lecture

exercises

classes

Assessment methods and criteria

Language of instruction:

Czech

Work placement(s):

Pracovní stáž není u tohoto předmětu zavedena.

Course web page:

http://katedraskladby.hamu.cz/

Note:

12 hours per semester in 3 blocks of 4 hours.

Schedule for winter semester 2011/2012:

The schedule has not yet been prepared

Schedule for summer semester 2011/2012:

The schedule has not yet been prepared

The subject is a part of the following study plans:

Obor Flétna (Mg) (optional subject)
Obor Klarinet (Mg) (optional subject)
Obor Cembalo (Mg) (optional subject)
Obor Klavír (Mg) (optional subject)
Obor Varhany (Mg) (optional subject)
Obor Hoboj (Mg) (optional subject)
Obor Fagot (Mg) (optional subject)
Obor Lesní roh (Mg) (optional subject)
Obor Trubka (Mg) (optional subject)
Obor Pozoun (Mg) (optional subject)
Obor Tuba (Mg) (optional subject)
Obor Harfa (Mg) (optional subject)
Obor Kontrabas (Mg) (optional subject)
Obor Kytara (Mg) (optional subject)
Obor Housle (Mg) (optional subject)
Obor Violoncello (Mg) (optional subject)
Obor Viola (Mg) (optional subject)
Obor Bicí nástroje (Mg) (optional subject)
Obor Zpěv (Mg) (optional subject)
Obor Dirigování (Mg) (optional subject)