Bassoon Playing 2
- Course unit code:
- 106FG2
- Course unit title:
- Bassoon Playing 2
- Mode of delivery:
- zkouška
- Range:
- 2/T
- Type of course unit:
- compulsory subject
- Level of course unit:
- bakalářský
- Year of study
- 1st year
- Semester when the course unit is delivered
- letní
- Number of ECTS credits allocated:
- 9
- Garant předmětu:
- František HERMAN, Jiří SEIDL
- Name of lecturer(s):
- František HERMAN, Jiří SEIDL
- Study Objectives:
-
Pomocí snadnějších etud a přednesů byly pojmenovány a definovány nedostatečnosti ve hře. V tomto předmětu se hledá optimální cesta k nápravě.
- Mode of delivery:
-
On-going participation in symphony and opera orchestra auditions.
- Prerequisites and co-requisites:
-
Instrument skills at the level corresponding to the study year and student profile.
- Recommended optional programme components
-
Chamber literature of duets, trios and other combinations of wind, string, keyboard and percussion instruments.
- Course contents:
-
This course provides the students with technique, tone quality, intonation and performance skills to withstand well competition in the soloist, chamber and orchestral music fields. The course guides the future artist to independence, fulfillment of their own ideas and defense of their thoughts. Considering that each student has differing skills in reacting to new situations, or has other physical talents for mastering individual aspects of playing, individual paths for each are chosen which allows for the quick learning of proper habits and eliminating everything that is not part of Bassoon playing. The course intent is to find the proper road to removing these deficiencies, improving proper techniqe, continuing in the practice of proper breathing, etc. Rhythmic, intonation and metric precision is practiced in etudes - Pivoňka, Milde. Students learn to master individual fingers such they they will be able with any of them to hold any and every tone which seems important or interesting to emphasize. In high-Classic and Baroque works Bassoon playing technique becomes more precise but also learned is the structure of a classic concert and the nature of music. The selection of recital pieces are oriented towards the works of Graupner, Telemann, Hummel, etc. An effort to master all attributes of playing the instrument at the most equal levels is necessary.
- Study materials:
-
Pivoňka, Karel: Technické a rytmické etudy
Milde, L : Technické etudy
Graupner, Ch: Koncert pro fagot
Telemann, Georg Philip: Sonáta f a e moll
Hummel,,Jan, Nepomuk : Grand concerto F dur
- Planned learning activities and teaching methods
-
Participation of students in auditions for symphonic and opera orchestras.
- Assessment methods and criteria
-
Evaluation of instrument and orchestra playing, completion of the established repertoire, AKS verification, all concluded with the award of credit.
- Language of instruction:
- Czech
- Work placement(s):
-
Not established. Instructors use opportunities to observe students in their orchestras.
- Course web page:
- http://www.hamu.cz/katedry/katedra-dechovych-nastroju
- Note:
-
Instructors manage the alternation of individual orchestra parts according to composer notes.
- Schedule for winter semester 2011/2012:
- The schedule has not yet been prepared
- Schedule for summer semester 2011/2012:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
-
- Obor Fagot (Bc) (compulsory subject of the main qualification)