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Welcome page > HAMU > Department of Music Theory and History >  Historically Educated Interpretation 1

 Historically Educated Interpretation 1

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Course unit code:
108HPI1
Course unit title:
 Historically Educated Interpretation 1
Mode of delivery:
zápočet
Range:
1+1/T
Type of course unit:
Study plan Obor Flétna (Bc) – compulsory optional subject
Study plan Obor Housle (Bc) – compulsory optional subject
Study plan Obor Klarinet (Bc) – compulsory optional subject
Study plan Obor Hoboj (Bc) – compulsory optional subject
Study plan Obor Fagot (Bc) – compulsory optional subject
Study plan Obor Lesní roh (Bc) – compulsory optional subject
Study plan Obor Trubka (Bc) – compulsory optional subject
Study plan Obor Pozoun (Bc) – compulsory optional subject
Study plan Obor Tuba (Bc) – compulsory optional subject
Study plan Obor Klavír (Bc) – compulsory optional subject
Study plan Obor Varhany (Bc) – compulsory optional subject
Study plan Obor Cembalo (Bc) – compulsory optional subject
Study plan Obor Viola (Bc) – compulsory optional subject
Study plan Obor Violoncello (Bc) – compulsory optional subject
Study plan Obor Kontrabas (Bc) – compulsory optional subject
Study plan Obor Harfa (Bc) – compulsory optional subject
Study plan Obor Kytara (Bc) – compulsory optional subject
Study plan Obor Bicí nástroje (Bc) – compulsory optional subject
Study plan Obor Zpěv (Bc) – compulsory optional subject
Study plan Obor Operní režie (Bc) – compulsory optional subject
Study plan Obor Hudební teorie (Bc) – compulsory subject
Study plan Obor Skladba (Bc) – compulsory optional subject
Study plan Obor Dirigování (Bc) – compulsory optional subject
Study plan Obor Dirigování (Mg) – compulsory optional subject
Study plan Obor Hudební management (Bc) – compulsory optional subject
Study plan Obor Zvuková tvorba (Bc) – compulsory optional subject
Study plan Obor Bicí nástroje-jazz (Bc) – compulsory optional subject
Study plan Obor Saxofon-jazz (Bc) – compulsory optional subject
Study plan Obor Klavír-jazz (Bc) – compulsory optional subject
Study plan Obor Kontrabas-jazz (Bc) – compulsory optional subject
Level of course unit:
bakalářský
Year of study
Study plan Obor Hudební teorie (Bc) – 2nd year
Semester when the course unit is delivered
zimní
Number of ECTS credits allocated:
1
Garant předmětu:
Lukáš MATOUŠEK
Name of lecturer(s):
Lukáš MATOUŠEK
Study Objectives:

Práce v semináři:

- praktické otázky interpretace (porozumění notovému záznamu a formálnímu členění skladeb, problém tempa, hlasy a nástroje)

- poslechy a analýzy

- samostatná práce s edicemi a s literaturou.

Mode of delivery:

Students are introduced to the basic of the ars nova music form, issues in perfect and imperfect (double and triple) subdivision of note values, issues in determining tempo, and voice performance with and without text. All presented issues are fundamental, note material as well as comparisons of recordings of performers.

Prerequisites and co-requisites:

No requirements.

Recommended optional programme components

No elective requirements.

Course contents:

Lecture content:

- understanding of historic music notation

- edition issues (transcription of measure notation)

- forms (ballads, rondeau, virelai/ballata, lay, madrigal, caccia/chase, motet, ....)

- principles of isorhythm, musica ficta.

Study materials:

Medieval Music in general:

HOPPIN, Richard H.: Medieval Music, London 1978

More detailed about some aspects of medieval music:

ČERNÝ, Jaromír: Proměny rytmiky a metriky ve středověké a renesanční hudbě, in: Čas v hudbě, sborník, SČSKU, Praha 1984, s. 14 - 24

Notation editions (general):

ČERNÝ, Jaromír (ed): Historická antologie hudby v českých zemích (do ca 1530), KLP (Koniasch Latin Press), Praha 2005, ISBN 80-86791-11-4

DAVISON, T. Archibald T. and APPEL, Willi: Historical Anthology of Music, Harvard University Press, Cambridge, Massachutsetts 1966

MARROCCO, W. Thomas and SANDON, Nicholas (ed.): Medieval Music, The Oxford Anthology of Music, Oxford University Press 1977

LUDWIG, Friedrich (ed): Guillaume de Machaut, Musikalische Werke (Band I ? III), VEB Breitkopf & Härtel, Leipzig (this edition is recommended over than the later Schrady edition which is less precise)

WOLF, Johannes - (ed.): Der Squarcialupi Codex Pal. 87, Der Biblioteca Medicea Laurenziana zu Florenz, Lippstadt 1955

APEL, Willi (ed): French Secular Music of the Late Fourteenth Century, Medieval Academy of America, Cambridge, Massachutsetts 1950

PLAMENAC, Dragan (ed): Keyboard Music of the Late Middle Ages in Codex Faenza 117, Americn Institute of Musicology 1972

Medieval Music performance:

LEECH-WILKINSON, Daniel: Articulation Ars Subtilior Songs, in: Early Music, Vol. 31, No. 1, February 2003, str. 6 ?19

STONE, Anne: Self-reflexieve songs and their readers in the late 14th century, in: Early Music, Vol. 31, No. 2, April 2003, str. 180 ? 195, in: Early Music, Vol. 31, No. 2, April 2003, str. 180 - 195

GREIG Donald: Ars Subtilior repertory as performance palimpsestEarly Music 2003 XXXI: 196 ? 209

GULLO Salvatore: Das Tempo in der Musik des XIII. und XIV. Jahrhunderts (professional publication intended for study/research)

McGEE, Timothy J.: Medieal and Renaissance Music, A Performer?s Guide, Scolar Press, UK 1990 ? (strongly not recommended, there is a lot of mere imagination in parts)

About Medieval music notation (this is for professional researchers but of informational interest):

APEL, Willi: Die Notation der Polyphonen Musik 900 ? 1600, VEB Breitkopf & Härtel, Leipzig 1970 (German translation of the original English). The Notation of Polyphonic Music 900 - 1600)

MUŽÍK, František: Úvod do kritiky hudebního zápisu, Universita Karlova, Praha 1961

Various periodicals:

Miscellanea musicologica, sborníky prací katedry hudební vědy FF UK

Early Music, quarterly, vydává Oxford University Press

Planned learning activities and teaching methods

lecture and exercises

Assessment methods and criteria

Credit is awarded based on student activity and knowledge acquired during lecture.

Language of instruction:
Czech
Work placement(s):

none

Course web page:
Note:

none

Schedule for winter semester 2011/2012:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Fri
Thu
místnost 2057
Učebna KTDH 2057
(Lichenštejnský palác)
MATOUŠEK L.
08:40–10:10
(přednášková par. 1)
Fri
Datum Den Čas Tutor Místo Notes Č. paralelky
Thu 08:40–10:10 MATOUŠEK L. Učebna KTDH 2057
Lichenštejnský palác 		přednášková par. 1
Schedule for summer semester 2011/2012:
The schedule has not yet been prepared
The subject is a part of the following study plans:
Generated on 2012-6-25
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