Dramaturgy 1
- Course unit code:
- 201DRR1
- Course unit title:
- Dramaturgy 1
- Mode of delivery:
- zkouška
- Range:
- 4/T
- Type of course unit:
- Study plan Režie činoherního divadla (Mgr.) – compulsory subject
Study plan Režie činoherního divadla v angličtině (Mgr.) – compulsory subject - Level of course unit:
- Year of study
- Study plan Režie činoherního divadla (Mgr.) – 1st year
Study plan Režie činoherního divadla v angličtině (Mgr.) – 1st year - Semester when the course unit is delivered
- zimní
- Number of ECTS credits allocated:
- 1
- Garant předmětu:
- Jana KUDLÁČKOVÁ
- Name of lecturer(s):
- Daria ULLRICHOVÁ, Jana KUDLÁČKOVÁ
- Study Objectives:
-
Znalosti a dovednosti, získané na bakalářském stupni studia dramaturgie, jsou dovršeny samostatnou tvůrčí prací. Studenti režie a dramaturgie společně vybírajíí tituly a sestavují dramaturgický plán školního divadla Disk. Přitom musí nejen usilovat o vyjádření svého postoje k světu a divadlu, ale také zohledňovat limity, dané možnostmi hereckého obsazení a nutností zajistit kvalitní práci pro celý herecký ansámbl svých spolužáků. Procházejí výcvikem v podmínkách, které simulují provoz běžného profesionálního činoherního divadla. Přitom nepřestávají prohlubovat své vzdělanostní zázemí a schopnost reflexe divadelního představení, tak aby možnosti jejich budoucího profesionálního uplatnění byly co nejširší.
1) Tvorba dramaturgického plánu a dramaturgie jednotlivých titulů ve školním divadle Disk, které je modelem provozu profesionálního činoherního divadla.
2) Literární příprava uváděného dramatického textu a tvorba dramaturgicko-režijní koncepce.
3) Písemná reflexe zkušebního procesu inscenace a jejího výsledku, včetně diváckých ohlasů.
- Mode of delivery:
-
Classes, staging preparations for DISK, review of the rehearsal process, course paper and discussions about it.
- Prerequisites and co-requisites:
-
Knowledge of dramaturgy at the level of completed bachelor's study.
- Recommended optional programme components
-
Monitor of the current forms of Czech and foreign theatre. Knowledge of novelties in drama and theory literature.
- Course contents:
-
A course intended for dramaturgy and directing master's students. This course completes the study from the previous years through independent work on the graduation performance. An important part is the written review of one's experience in the course work, culminating in the thesis. The course proceeds in the following phases:
1. Investigating appropriate writings fo ra creative team and acting cast.
2. Dramaturgy preparations for a particular piece, its analysis and interpretation
3) Creation of the dramaturgy-directing concept
4) Literature work with a particular writing: abbreviating, editing a translation, adjustments, adaptations, dramatizations.
5) Review of the rehearsal process, completion of the written record.
- Study materials:
-
Pavis, Patrice ? Dictionary of the theatre
Artaud, Antonin - The theater and its double
Bakhtin, M.M. - The dialogic imagination: four essays
Barba, Eugenio - The paper canoe: a guide to theatre anthropology
Bentley, Eric - The Life of the Drama
Bentley, Eric - The Theory of the Modern Stage: an introduction to modern theatre and drama
Bentley, Eric - What is Theatre?
Bowlt, J.E. - Russian art of avant-garde: theory and criticism: 1902 - 1934
Clark, B.H. - European theories of the drama with a supplement on the American drama
Elam, Keir - The Semiotics of Theatre and Drama
Fortier, Mark - Theory/Theatre: an introduction
Gajdoš, Július - From Drama Technique to Scenology
Ali, Moi - The DIY guide to public relations: [for charities voluntary organisations and community groups]
Älschitz, Jurij - 40 Questions of One Role: a method for the actor's self-preparation
Alschitz, Jurij - The Vertical of the Role: a method for the actor's self-preparation
Alschitz, Jurij - Training forever!
Aronson, Arnold - American avant-garde theatre: a history
Aronson, Arnold - Looking into the abyss: essays on scenography
Artaud, Antonin - The theater and its double
Astington, John H. - English court theatre: 1558-1642
Bakhtin, M.M. - The dialogic imagination: four essays
Baldwin, Peter - Toy theatres of the world
Ballet and modern dance
Barba, Eugenio - The paper canoe: a guide to theatre anthropology
Barton, John - Playing Shakespeare: an actor´s guide
Bartow, Arthur- Training of the American actor
Baur-Heinhold, Margarete - Baroque theatre
Baygan, Lee - Techniques of Three-Dimensional Makeup
Bennett, Susan - Theatre audiences: a theory of production and reception
Bentley, Eric - The Life of the Drama
Bentley, Eric - The Theory of the Modern Stage: an introduction to modern theatre and drama
Bentley, Eric - What is Theatre?
Bergan, Ronald - The Great Theatres of London
Bernstein, Joanne Scheff - Arts marketing insights: the dynamic of building and retaining performing arts audiences
Bial, Henry - The performance studies reader
Bicât, Tina; Baldwin, Chris (ed.) - Devised and Collaborative Theatre
Bigsby, Christopher - A critical introduction to twentieth-century American drama. [Volume] 3, Beyond Brodway
Bigsby, Christopher - Modern American drama 1945-2000
Bílková, Marie; Adamczyk, Vladimír - A mirror of world theatre: the Prague Quadrennial 1967 and 1991
Blum, Daniel - A pictorial history of the American theatre: 1900-1956
Boal, Augusto - Games for actors and non-actors
Bogart, Anne - A director prepares: seven essays on art and theatre
Bowlt, J.E. - Russian art of avant-garde: theory and criticism: 1902 - 1934
Brandesky, Joe (ed.) - Czech theatre design in the twentieth century: metaphor and irony revisited
Brandon, James R. (ed.) - The Cambridge Guide to Asian Theatre
Braun, Edward - Meyerhold: a revolution in theatre
Brazell, Karen - Traditional Japanese theatre: an anthology of plays
Brecht, Stefan - The Original Theatre of the City of New York
Brockett, Oscar G.; Hildy, Franklin J. - History of the theatre [2008]
Brook, Peter - The Empty Space [1969]
Brook, Peter - The Empty Space [1996]
Buchman, Herman - Stage Makeup
Burian, Jarka - Leading creators of twentieth-century Czech theatre
Burian, Jarka - Modern czech theatre: reflector and conscience of a nation
Celentano, Suzanne Carmack; Marshall, Kevin - Theatre management: a successful guide to producing plays on commercial and non-profit stages
Clark, B.H. - European theories of the drama with a supplement on the American drama
Clurman, Harold - The naked image: observations on the modern theatre
Colbert, François - Marketing culture and the arts
Corey, Irene - The mask of reality: an approach to design for theatre
Coward, Noël - Future indefitite: with the unfinished Past Conditional
Craig, Edward Gordon - On the art of the theatre [1957]
Craig, Edward Gordon - On the art of the theatre [2009]
Crossley, Michele L. - Introducing narrative psychology: self, trauma and the construction of meaning
CZ/PL: divadlo po rekonstrukci: teatr po przebudowie: the theatre after the reconstruction
Čechov, Michail Alexandrovič - The path of the actor
Čechov, Michail Alexandrovič - To the actor: on the technique of acting
Décorateurs de théatre Tchécoslovaques 1960-1970
Deren, Maya - Divine horsemen: the living gods of Haiti
Diggins, John Patrick - Eugene O´Neill´s America: desire under democracy
Diggle, Keith - Arts marketing
Docherty, Peter; White, Tim (ed.) - Design for performance: from Diaghilev to the Pet Shop Boys
Donnellan, Declan - The actor and the target
Earl, John - British theatres and music halls
Edström, Per - Why not theaters made for people?
Elam, Keir - The Semiotics of Theatre and Drama
Ellmeier, Andrea; Rasky, Bela - Differing diversities: eastern European perspectives: transversal study on the theme of cultural policy and cultural diversity: phase
Eva Farkašová: cesty, paths, Wege
Evans, G. Blakemore - Elizabethan-Jacobean drama: the theatre in its time
Evans, Mark - Jacques Copeau
Eyre, Richard - National service: diary of a decade at the national theatre
Eysteinsdóttir, Kristín (ed.) - Theatre in Iceland 2002-2004
Farber, Donald C. - Producing theatre: a comprehensive and legal business guide
Fencl, Otakar - The Czechoslovak theatre today
Finnegan, Ruth - Oral traditions and the werbal arts: a guide to research practise
Fischer-Lichte, Erika - Theatre, sacrifice, ritual: exploring forms of political theatre
Flanagan, Joan - Successful fundraising: a complete handbook for volunteers and professionals
Flint, Michael F. - A user's guide to copyright
Fo, Dario - The Tricks of the Trade
Fortier, Mark - Theory/Theatre: an introduction
Gajdoš, Július - From Drama Technique to Scenology
Gale, Maggie B. and Barker, Clive (ed.) - British theatre between the wars: 1918-1939
Gallerová, Vlasta; Ptáčková, Věra; Machalický, Jiří - Jaroslav Malina
Gaskill, William - A Sense of direction
Gassner, John - A Treasury of the theatre: from Henrik Ibsen to Arthur Miller: rev. ed. for colleges
Gassner, John - The theatre in our times: a survey of the men, materials and movements in the modern theatre
Gassner, John; Allen, Ralph G. - Theatre and Drama in the Making
Geever, Jane C.; McNeill, Patricia - Guide to Proposal Writing
Gilmore, James H.; Pine, B. Joseph - The Experience economy: work is theatre & every business a stage
Goldberg, Rose Lee - Performance art: from futurism to the present [1988]
Goldberg, Rose Lee - Performance art: from futurism to the present [2001]
Gordon, Robert ? The purpose of playing: modern acting theories in perspective
Grazia, Margreta de; Wells, Stanley (ed.) - Shakespeare
Grotowski, Jerzy - Towards a poor theatre
Hartley, John (ed.) - Creative Industries
Hartnoll, Phyllis - A concise history of the theater: 262 illustrations, 34 in colour
Hauser, Frank; Reich, Russell - Notes on Directing: 130 Lessons in Leadership from the Director`s Chair
Hazlitt, William - A view of the English stage: or a series of dramatic criticism (1906)
Heilbrun, James; Gray, Charles M. - The economics of art and culture
Herbert, Ian; Stefanova, Kalina (ed.) - Thetare and humanism ina world of violence
Herrick, James A. - The history and theory of rhetoric: an introduction
Hodge, Alison - Twentieth century actor training [2007]
Holdsworth, Nadine - Joan Littlewood
Hopkins, Albert A. - Magic: stage illusions, special effects and trick protography
Hüsken, Wim and Eisenbichler, Konrad (ed.) - Carnival and the carnivalesque: the fool, the reformer, the wildman, and others in early modern theatre
Chambers, Colin - Inside the Royal Shakespeare Company: creativity and the institution
Chorpenning, Charlotte B. - The twenty-one years with children´s theatre
Innes, Christopher - Avant Garde Theatre: 1892 - 1992
Innes, Christopher - Edward Gordon Craig - a Vision of Theatre
Innes, Christopher - Modern British drama: the twentieth century
Jackson, Russell - Victorian theatre: the theatre in its time
Johnstone, Keith - Impro for Storytellers: Theatresports and the Art of Making Things Happen
Johnstone, Keith - IMPRO: improvisation and the Theatre
Kaye, Nick - Postmodernism and performance
Kaye, Nick - Site-specific art: performance, place and documentation
Kazda, Jaromír - A Guide to the history of czech theatre
Kazda, Jaromír - A Guide to the history of czech theatre
Keefe, John; Murray, Simon - Physical theatres: a critical introduction
Keefe, John; Murray, Simon - Physical theatres: a critical reader
Kelly, Thomas A. - The Back stage guide to stage management
Kitchin, Laurence - Mid-Century Drama
Klein, Naomi - No space, no choice, no jobs, no logo
Kolankiewicz, Leszek (ed.) - On the road to active culture: the activities of Grotowski's Theatre Laboratory Institute in the years 1970-1977: [paper prep. in advance for participants in Symposium Milano, November - December 79]
Komissarževskij, B. - Moscow theatres
Krasner, David (ed.) - Method acting reconsidered: theory, practice, future
Kuhns, David F. - German expressionist theatre: the actor and the stage
Kurz, Iwona; Mencwel, Andrzej; Godlewski, Grzegorz (ed.) - Culture animation: looking back and forward
Kustow, Michael - Peter Brook: a biography
Lahr, John (ed.) - The diaries of Kenneth Tynan
Lajcha, Ladislav - Hommage to scenography 1920-2000
Langley, Stephen - Theatre management and production in America: commercial, stock, resident, college, community and presenting organizations
Langley, Stephen; Conte, David M. - Theatre management: producing and managing the performing arts
Language, Society and Power: An introduction
Lawson, Joan - Mime: the theory and practice of expressive gesture with a description of its historical developtmen
Lecoq, Jacques - The moving body: teaching creative theatre
Lecoq, Jacques; Bradby, David - Theatre of movement and gesture
Lewis, Justin; Miller, Toby (ed.) - Critical cultural policy studies: a reader
Lewis, Robert - Advice to the players
Linklater, Kristin - Freeing the natural voice
Luere, Jeane - Playwright Versus Director: Authorial Intentions and Performance Interpretations
Mamet, David Alan - Three uses of the knife: on the nature and purpose of drama
Mander, Raymond; Mitchenson, Joe - A picture history of the British theatre
Maťašík, Andrej - Slovak theatre [1997]
Maťašík, Andrej - Slovak theatre [1998]
Mattingly, Cheryl - Healing dramas and clinical plots: the narrative structure of experience
McClean, Daniel; Schubert, Karsten (ed.) - Dear images: art, copyright and culture
Medieval English theatre
Meinhof, Ulrike Hanna; Triandafyllidou, Anna - Transcultural Europe: cultural policy in a changing Europe
Merchant, W. Moelwyn - Shakespeare and the Artist
Merlin, Bella - Beyond Stanislavsky: the psycho-physical approach to actor training
Miholová, Kateřina - Ubu the King: Jarry & Grossman & Fára. Theatre on the Balustrade, 1964-1968. An Interactive Reconstruction
Miller, Judith G. - Ariane Mnouchkine
Miller, Toby; Yúdice, George - Cultural policy
Miloš Karásek
Mitter, Shomit - Systems of Rehearsal. Stanislavsky, Brecht, Grotowski and Brook
Moody, Jane and O´Quinn, Daniel (ed.) - The Cambridge Companion to British theatre: 1730-1830
Morash, Chris - A history of Irish theatre: 1601-2000
Morris, Eric - Acting from the ultimate consciousness
Nachmanovitch, Stephen - Free play: improvisation in life and art
Nánay, István; Tompa, Andrea - Hungarian Theatre at the Millennium
Nicoll, Allardyce - British drama: an historical survey from the beginnings to the present time
Nicoll, Allardyce - Stuart masques and the Renaissance stage
Nicoll, Allardyce - World Drama from Aeschylus to Anouilh
Nietzsche, Friedrich - The complete works of Friedrich Nietzsche: the first complete and authorised English translation. Volume three, The birth of tragedy
Oddey, Alison - Devising Theatre: a practical and theoretical Handbook
Oddey, Alison; White, Christine - The Potentials of Spaces: the theory and practice of scenography & performance
Ortolani, Benito - The Japanese theatre: from shamanistic ritual to contemporary pluralism
Pallen, Thomas A. - Vasari on Theatre
Parker, W. Oren; Smith, Harvey K.; Wolf, R. Craig - Scene design and stage lightning
Pavis, Patrice - Theatre at the crossroads of culture
Percival, John - Experimental Dance
Poláčková, Dagmar; Mojžišová, Iva - Slovenská divadelná scénografia 1920-2000
Prentki, Tim and Preston, Sheila (ed.) - The applied theatre reader
Promoting issues and ideas: a guide to public relations for nonprofit organizations
Quinn, Michael L. - The Semiotic stage: prague school theatre theory
Rähesoo, Jaak - Estonian theatre
Reiss, Alvin H. - Cash in!: funding and promoting the arts
Reiss, Alvin H. - Don't just applaud - send money!: the most successful strategies for funding and marketing the arts
Rentschler, Ruth (ed.) - Innovative arts marketing
Ridout, Nicholas; Kelleher, Joe - Contemporary theatres in Europe: a critical companion
Robb, David - Clowns, fools and picaros: popular forms in theatre, fiction and film
Roberts, Philip - The Royal Court Theatre and the Modern Stage
Rojek, Chris - Celebrity
Roose-Evans, James - Experimental theatre from Stanislavsky to Peter Brook
Rowntree, Julia - Changing the performance: a companion guide to arts, business and civic engagement
Rudlin, John - Commedia dell´arte: an actor´s handbook
Rudlin, John; Crick, Olly - Commedia dell´arte: a handbook for troupes
Savarese, Nicola; Barba, Eugenio (ed.) - A Dictionary of theatre anthropology: the secret art of the performer. Second edition
Scott, A. C. - The classical theatre of China
Seabrook, John - NoBrow: the culture of marketing the marketing of culture
Shagan, Rena - Booking & tour management for the performing arts
Scheff, Joane; Kotler, Philip - Standing room only: strategies for marketing the performing arts
Schechner, Richard - Performance studies: an introduction
Schechner, Richard - Performance studies: an introduction. Second edition
Schechner, Richard - Performance theory [2005]
Schechner, Richard - The future of ritual: wrtings on culture and performance
Siegfried, W. - Theatre, opera, ballet in Rumania
Sierz, Aleks - The theatre of Martin Crimp
Simonson, Lee - The stage is set
Smith, Chris - Creative Britain
Sorelius, Gunnar - Shakespere´s early comedies
Sorell, Walter - The Dance through the ages
Southern, Richard - The Seven Ages of the Theater
Southern, Richard - The staging of plays before Shakespeare
Spolin, Viola - Improvisation for the theater: a handbook of teaching and directing techniques
Stanislavski, Constantin - An actor´s handbook: an alphabetical arrangement of concise statements on aspects of acting
Stanislavski, Constantin - An actor´s work: a student´s diary
Stanton, Sarah; Banham, Martin - The Cambridge Paperback Guide to Theatre
Steiner, George - The Death of tragedy
Šormová, Eva; Eynat-Confino, Irene (ed.) - Space and the postmodern stage
Taylor, Diana - The archive and the repertoire: performing cultural memory in the americas
Taylor, Millie - British Pantomime Performance
The theater of the Bauhaus [1961]
The Theatre in front of the curtain
The theatre of the Bauhaus [1996]
The U.S. theater: past and present
Theatre profiles 10: the illustrated guide to America's nonprofit professional theatre
Thomas, James Michael - Script analysis for actors, director and designers
Three decades OISTAT
Tonkin, Elisabeth - Narrating our pasts: the social construction of oral history
Toshio, Kawatake - Kabuki: baroque fuszon of the arts
Towse, Ruth - A Handbook of cultural economics
Turner, Victor - The anthropology of performance
Turner, Victor Witter - From ritual to theatre: the human seriousness of play
Unwin, Stephen - So you want to be a theatre director?
Vansina, Jan - Oral tradition as history
Volz, Jim - How to run a Theatre: a Witty, Practical, and Fun Guide to Arts Management
Warre, Michael - Designing and making stage scenery
Warshow, Robert - The immediate experience: movies, comics, theatre and other aspects of popular culture
Wilbur, Robert H. - The complete guide to nonprofit management
Wilmeth, Don B. - The Cambridge Guide to American Theatre
Wilson, Stephen - Information arts: intersections of art, science and technology
Wolford, Lisa; Schechner, Richard (ed.) - The Grotowski sourcebook [1997]
Wood, David; Grant, Janet - Theatre for children: guide to writing, adapting, directing
Young, Joyce; Wyman, Ken; Swaigen, John - Fundraising for nonprofit groups
Zarrilli, Phillip B. - Psychophysical acting: an intercultural approach after Stanislavski
- Planned learning activities and teaching methods
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Play literary preparations or the graduation performance project. Creation of the dramaturgic-directorial concept. Collaboration of the director with the dramaturg. Review of the rehearsal process. Completion of the course paper.
- Assessment methods and criteria
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Conditions for successfull completion of the course: class participation, completion and on-going presentation of parts of creative tasks, systematic and complete preparations for the graduation performance. During the course independent reading and participation in class discussions, minimum 70% attendance are required. The overal grading is comprised of 30% for class participation and 70% for the creation of the dramaturgical-directorial concept.
- Language of instruction:
- Work placement(s):
- Pracovní stáž není u tohoto předmětu zavedena.
- Course web page:
- Note:
- Schedule for winter semester 2011/2012:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Fri Thu Fri Datum Den Čas Tutor Místo Notes Č. paralelky Fri 13:00–14:00 KUDLÁČKOVÁ J. Pracovna pedagogů
Karlova 26, Praha 1paralelka 2 Thu 15:00–18:00 ULLRICHOVÁ D. Pracovna pedagogů
Karlova 26, Praha 1paralelka 1 - Schedule for summer semester 2011/2012:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
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- Režie činoherního divadla (Mgr.) (main subject)
- Režie činoherního divadla v angličtině (Mgr.) (main subject)