History of Stage and Costume Design 1
- Course unit code:
- 203DSK1
- Course unit title:
- History of Stage and Costume Design 1
- Mode of delivery:
- zápočet
- Range:
- 2/T
- Type of course unit:
- compulsory subject
- Level of course unit:
- Year of study
- 1st year
- Semester when the course unit is delivered
- zimní
- Number of ECTS credits allocated:
- 4
- Garant předmětu:
- Vlasta KOUBSKÁ
- Name of lecturer(s):
- Vlasta KOUBSKÁ
- Study Objectives:
-
Seznámit studenty s historií kostýmního výtvarnictví a scénografie na evropském kontinentu, jejími nejvýznamnějšími etapami a vlivem na scénografii na českém území. Obeznámit studenty s metodami, jenž se využívaly při utváření scénického prostoru a kostýmní tvorby a ozřejmit jejich principy.
- Mode of delivery:
-
Lectures on samples of the work of the most significant world and Czech costumming artist and set-designers, Sources of inspiration and relationships to European set-design.
- Prerequisites and co-requisites:
-
Maturita exam, general pre-college knowledge of the history of the fine arts.
- Recommended optional programme components
-
Visits to contemporary productions and subsequent analysis from a scenic design viewpoint.
- Course contents:
-
Lectures and classes with presentations of the most important costuming and set design works from the Baroque set design and costuming artists to the beginning of modern set design. A course paper on a selected topic in the history of set design. Searching for sources of inspiration and contexts of set design.
- Baroque costuming and set design
- Costuming and set design types of the 19th century
- Other Baroque theatres in Bohemia (survey, characteristics, Valtice, Kačina, Mnichovo Hradiště, Náchod), Zámecké theatre in Litomyšl (J. Platzer)
- Giuseppe Galli-Bibiena and co., principles of illusion perspective setting
- Zámecké Theatre in Český Krumlov (Johann Wetschel, Leo Merkel)
- Scene types of the 19th century / quaglio, Brioschi-Burghardt-Kautsky. Moessner/Karel Štapfer - stage realistic illusionism, František Kolár, Josef Macourek, Robert Holzer
- Entrance of modern artistic directions in costuming and set design
- Modern theatre costuming and set design - Bauhaus, Russian Avant garde, German Expressionism, Italian Futurism, Appia, Craig, Diagelev's ballets.
- Study materials:
-
Oskar Schlemmer, Böblingen 1988
El Teatro de los Pintores, Madrid 2000
Die Russische Avantgarde und die Bühne 1890-1930, Schleswig 1991
Le Danza delle Avanguardie, Milano 2005
Ribi H., E.G.Craig, Figur und Abstraktion, Basel 2000
- Planned learning activities and teaching methods
-
Analysis of contemporary productions from the viewpoint of knowledge of traditional scenic design methods. Practical application of trade terminology. Visits to exhibitions and subsequent classes on methods applied in fine arts exhibitions (exhibition content, scientific contributions, exhibition critique, architectural treatment, graphics, lighting, etc.)
- Assessment methods and criteria
-
75% attendance at lectures and classes, independent creation of the course paper and its presentation (approx. 10 pages of text), oral credit.
- Language of instruction:
- Czech
- Work placement(s):
- Pracovní stáž není u tohoto předmětu zavedena.
- Course web page:
- Note:
- Schedule for winter semester 2011/2012:
-
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Fri Thu Fri Datum Den Čas Tutor Místo Notes Č. paralelky Fri 13:00–14:30 KOUBSKÁ V. paralelka 1 - Schedule for summer semester 2011/2012:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
-
- Scénografie - kostým a maska (Mgr.) (compulsory subject)