The Theory of Editing 3
- Course unit code:
- 306TSS3
- Course unit title:
- The Theory of Editing 3
- Mode of delivery:
- zkouška
- Range:
- 2/T
- Type of course unit:
- Study plan Animovaná tvorba - bakalář – optional subject
Study plan Dokumentární tvorba - magistr – optional subject
Study plan Dokumentární tvorba - bakalář – optional subject
Study plan Animovaná tvorba - magistr – optional subject
Study plan Scenáristika a dramaturgie - bakalář – optional subject
Study plan Scenáristika a dramaturgie - magistr – optional subject
Study plan Režie - bakalář – optional subject
Study plan Režie - magistr – optional subject
Study plan Kamera - bakalář – optional subject
Study plan Kamera - magistr – optional subject
Study plan Produkce - bakalář – optional subject
Study plan Produkce - magistr – optional subject
Study plan Audiovizuální studia - bakalář – optional subject
Study plan Střihová skladba - bakalář – compulsory subject
Study plan Střihová skladba - magistr – optional subject
Study plan Zvuková tvorba - bakalář – optional subject
Study plan Zvuková tvorba - magistr – optional subject
Study plan Fotografie CZ - bakalář – optional subject
Study plan Fotografie CZ - magistr – optional subject
Study plan Audiovizuální studia - magistr – optional subject
Study plan Fotografie CZ - magistr: restaurování – optional subject - Level of course unit:
- Year of study
- Study plan Střihová skladba - bakalář – 2nd nebo 3rd year
- Semester when the course unit is delivered
- zimní
- Number of ECTS credits allocated:
- 2
- Garant předmětu:
- Name of lecturer(s):
- Study Objectives:
-
The aim of the course is to introduce students to the changes in editing compostion from the beginning of cinematography to the present.
- Mode of delivery:
-
Discussions, analyses of media recording samples, text analyses
- Prerequisites and co-requisites:
-
Completion of „Editing Composition Theory 1 and 2“.
- Recommended optional programme components
-
No elective requirements necessary.
- Course contents:
-
The basic topic is a comparison of the modern theories and practices of distinguished world cinematography filmakers who have no only enriched film composition processes but also were able to reflect upon their own theory items and considerations.
- Study materials:
-
Victor A. Grauer, Montage, realism and the Act of Vision.
Andrej Tarkovskij, Zapečatanoje vremja.
James Monaco, How to read a film.
Robert Bresson, Poznámky o kinematografu.
- Planned learning activities and teaching methods
-
přednáška
- Assessment methods and criteria
-
Activity in lectures
Text analyses
Completion of the final exam
- Language of instruction:
- Czech
- Work placement(s):
- Pracovní stáž není u tohoto předmětu zavedena.
- Course web page:
- Note:
- Further information:
- No schedule has been prepared for this course
- The subject is a part of the following study plans:
-
- Animovaná tvorba - bakalář (optional subject)
- Dokumentární tvorba - magistr (optional subject)
- Dokumentární tvorba - bakalář (optional subject)
- Animovaná tvorba - magistr (optional subject)
- Scenáristika a dramaturgie - bakalář (optional subject)
- Scenáristika a dramaturgie - magistr (optional subject)
- Režie - bakalář (optional subject)
- Režie - magistr (optional subject)
- Kamera - bakalář (optional subject)
- Kamera - magistr (optional subject)
- Produkce - bakalář (optional subject)
- Produkce - magistr (optional subject)
- Audiovizuální studia - bakalář (optional subject)
- Střihová skladba - bakalář (qualification subject, optional subject)
- Střihová skladba - magistr (optional subject)
- Zvuková tvorba - bakalář (optional subject)
- Zvuková tvorba - magistr (optional subject)
- Fotografie CZ - bakalář (optional subject)
- Fotografie CZ - magistr (optional subject)
- Audiovizuální studia - magistr (optional subject)
- Fotografie CZ - magistr: restaurování (optional subject)