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STUDY PLANS

The Theory of Editing 3

Subject is not scheduled Not scheduled
Course unit code:
306TSS3
Course unit title:
The Theory of Editing 3
Mode of delivery:
zkouška
Range:
2/T
Type of course unit:
Study plan Animovaná tvorba - bakalář – optional subject
Study plan Dokumentární tvorba - magistr – optional subject
Study plan Dokumentární tvorba - bakalář – optional subject
Study plan Animovaná tvorba - magistr – optional subject
Study plan Scenáristika a dramaturgie - bakalář – optional subject
Study plan Scenáristika a dramaturgie - magistr – optional subject
Study plan Režie - bakalář – optional subject
Study plan Režie - magistr – optional subject
Study plan Kamera - bakalář – optional subject
Study plan Kamera - magistr – optional subject
Study plan Produkce - bakalář – optional subject
Study plan Produkce - magistr – optional subject
Study plan Audiovizuální studia - bakalář – optional subject
Study plan Střihová skladba - bakalář – compulsory subject
Study plan Střihová skladba - magistr – optional subject
Study plan Zvuková tvorba - bakalář – optional subject
Study plan Zvuková tvorba - magistr – optional subject
Study plan Fotografie CZ - bakalář – optional subject
Study plan Fotografie CZ - magistr – optional subject
Study plan Audiovizuální studia - magistr – optional subject
Study plan Fotografie CZ - magistr: restaurování – optional subject
Level of course unit:
Year of study
Study plan Střihová skladba - bakalář – 2nd nebo 3rd year
Semester when the course unit is delivered
zimní
Number of ECTS credits allocated:
2
Garant předmětu:
Name of lecturer(s):
Study Objectives:

The aim of the course is to introduce students to the changes in editing compostion from the beginning of cinematography to the present.

Mode of delivery:

Discussions, analyses of media recording samples, text analyses

Prerequisites and co-requisites:

Completion of „Editing Composition Theory 1 and 2“.

Recommended optional programme components

No elective requirements necessary.

Course contents:

The basic topic is a comparison of the modern theories and practices of distinguished world cinematography filmakers who have no only enriched film composition processes but also were able to reflect upon their own theory items and considerations.

Study materials:

Victor A. Grauer, Montage, realism and the Act of Vision.

Andrej Tarkovskij, Zapečatanoje vremja.

James Monaco, How to read a film.

Robert Bresson, Poznámky o kinematografu.

Planned learning activities and teaching methods

přednáška

Assessment methods and criteria

Activity in lectures

Text analyses

Completion of the final exam

Language of instruction:
Czech
Work placement(s):
Pracovní stáž není u tohoto předmětu zavedena.
Course web page:
Note:
Further information:
No schedule has been prepared for this course
The subject is a part of the following study plans:
Generated on 2012-6-25
Updates of the above given information can be found on http://studijniplany.amu.cz/en/predmet306TSS3.html