AMU = DAMU + FAMU + HAMU
STUDY PLANS

Contemporary Photography

Register Display Schedule
Course unit code:
307SOF
Course unit title:
Contemporary Photography
Mode of delivery:
zkouška
Range:
2/T
Type of course unit:
Study plan Animovaná tvorba - bakalář – optional subject
Study plan Dokumentární tvorba - magistr – optional subject
Study plan Dokumentární tvorba - bakalář – optional subject
Study plan Animovaná tvorba - magistr – optional subject
Study plan Scenáristika a dramaturgie - bakalář – optional subject
Study plan Scenáristika a dramaturgie - magistr – optional subject
Study plan Režie - bakalář – optional subject
Study plan Režie - magistr – optional subject
Study plan Kamera - bakalář – optional subject
Study plan Kamera - magistr – optional subject
Study plan Produkce - bakalář – optional subject
Study plan Produkce - magistr – optional subject
Study plan Audiovizuální studia - bakalář – optional subject
Study plan Střihová skladba - bakalář – optional subject
Study plan Střihová skladba - magistr – optional subject
Study plan Zvuková tvorba - bakalář – optional subject
Study plan Zvuková tvorba - magistr – optional subject
Study plan Fotografie CZ - bakalář – compulsory subject
Study plan Fotografie CZ - magistr – optional subject
Study plan Audiovizuální studia - magistr – optional subject
Study plan Fotografie CZ - magistr: restaurování – optional subject
Level of course unit:
Year of study
Study plan Fotografie CZ - bakalář – 2nd nebo 3rd year
Semester when the course unit is delivered
zimní
Number of ECTS credits allocated:
2
Garant předmětu:
Robert SILVERIO
Name of lecturer(s):
Robert SILVERIO
Study Objectives:

seznámení studentů s tendencemi ve fotografii výtvarné i dokumentární za poslední dvě dekády

Mode of delivery:

přednášky a vložené studentské tematické

prezentace/semináře

Prerequisites and co-requisites:
Recommended optional programme components
Course contents:

A lecture cycle of modern photography focused on the development of photography from the 1990s to the present and in all forms - from staged through documentary to post-conceptual. This course covers photography inter-medial overlapping.

Aside from and introduction to basic facts there is an emphasis on analysis and effects of the given development.

Study materials:

Books and memoirs:

Araki by Araki: The Photographer's Personal Selection 1963-2002

Tina Barney Photographs: Theaters of Manners

Nancy Burson: Seeing and Believing: The Art of Nancy Burson

Jean-Marc Bustamante: Tableaux, 1978-1982

Sophie Calle: Did You See Me?

Luc Delahaye: Winterreise

Lucinda Devlin: The Omega Suites

William Eggleston's Guide

Donna Ferrato: Living with the Enemy

Robert Frank: Moving Out

Nan Goldin: The Ballad of Sexual Dependency

Andreas Gursky: Photographs from 1984 to the Present by Marie Luise Syring

Naoya Hatakeyama

Jenny Holzer

Jeff Koons: Pictures 1980-2002

Brabara Kruger: Love for Sale

The Essential Duane Michals -- by Marco Livingstone

Boris Mikhailov: A Retrospective

Boris Mikhailov: Case History

Tracey Moffatt: laudanum

Tracey Moffatt

Mariko Mori by Mariko Mori, Lisa Corrin

Ryuji Miyamoto

Walter Niedermayr: Zivile Operationen/Civil Operations

Robert Polidori: Zones of Exclusion: Pripyat and Chernobyl

Richard Prince by Jeff Rian, Rosetta Brooks

Richard Prince: Women

Arnulf Rainer: Retrospective 1948-2000

Stephen Shore: Uncommon Places : The Complete Works L. Tillman, S. Schmidt-Wulffen

Joel Sternfeld: American Prospects

Thomas Struth: 1977-2002 by Douglas Eklund

Hiroshi Sugimoto Portraits¨

Hiroshi Sugimoto Architecture of Time

Sam Taylor-Wood

Juergen Teller: Zwei Schäuferle mit Kloß und eine Kinderportion Schnitzel mit Pommes Frites

Juergen Teller: Märchenstüberl

Wolfgang Tillmans: Concorde

Wolfgang Tillmans : If One Thing Matters, Everything Matters

Jeff Wall by Thierry Duve

Theory literature:

Adam Brooks: Subjective Realities: The Refco Collection of Contemporary Photography

Victor Burgin: The End of Art Theory (Communications & Culture)

Victor Burgin: The End of Art Theory (Communications & Culture)

David Campany: Art and Photography

Noel Carroll: A Philosophy of Mass Art

Charlotte Cotton:

The Photograph as Contemporary Art

Umberto Eco: The Open Work

Umberto Eco: History of Beauty

Barbara Kruger: Remote Control: Power, Cultures, and the World of Appearances

Warren Neidich: Blow-Up: Photography, Cinema and the Brain

Diane Neumaier , Anne Wilkes Tucker: Reframings: New American Feminist Photographies

Peter Osborne: Conceptual Art (Themes and Movements)

Peter Weiermair: The Measure of All Things: The Synthesis of Photography and Text in Contemporary Art

Liz Wells: The Photography Reader

Tracey Warr: The Artist's Body (Themes and Movements)

Planned learning activities and teaching methods
Assessment methods and criteria

The student is required, during study, to prepare about a 15min presentation of the creations and analysis of the creation of one photographer, or a tendency or analysis of a theory issue topic in the area of contemporary photography. The presentation requires the preparation of image material and a list of literature. The topic is proposed by the student but must be approved by the instructor. At the end of the year is an oral exam - a discussion over prominent representatives of tendencies in the last 2 decades.

Language of instruction:
Czech
Work placement(s):
Pracovní stáž není u tohoto předmětu zavedena.
Course web page:
Note:
Schedule for winter semester 2011/2012:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
místnost TR 328
Učebna KF

(Tržiště 20, Praha 1)
SILVERIO R.
12:20–13:55
(přednášková par. 1)
Tue
Fri
Thu
Fri
Datum Den Čas Tutor Místo Notes Č. paralelky
Mon 12:20–13:55 SILVERIO R. Učebna KF
Tržiště 20, Praha 1
přednášková par. 1
Schedule for summer semester 2011/2012:
The schedule has not yet been prepared
The subject is a part of the following study plans:
Generated on 2012-6-25
Updates of the above given information can be found on http://studijniplany.amu.cz/en/predmet307SOF.html