Pentium History of Audiovision: History of Photography 2
- Course unit code:
- 373PDF2
- Course unit title:
- Pentium History of Audiovision: History of Photography 2
- Mode of delivery:
- zkouška
- Range:
- 4/T
- Type of course unit:
- Study plan Animovaná tvorba - bakalář – compulsory optional subject
Study plan Dokumentární tvorba - magistr – compulsory optional subject
Study plan Dokumentární tvorba - bakalář – compulsory optional subject
Study plan Animovaná tvorba - magistr – compulsory optional subject
Study plan Scenáristika a dramaturgie - bakalář – compulsory optional subject
Study plan Scenáristika a dramaturgie - magistr – compulsory optional subject
Study plan Režie - bakalář – compulsory optional subject
Study plan Režie - magistr – compulsory optional subject
Study plan Kamera - bakalář – compulsory optional subject
Study plan Kamera - magistr – compulsory optional subject
Study plan Produkce - bakalář – compulsory optional subject
Study plan Produkce - magistr – compulsory optional subject
Study plan Audiovizuální studia - bakalář – compulsory optional subject
Study plan Střihová skladba - bakalář – compulsory optional subject
Study plan Střihová skladba - magistr – compulsory optional subject
Study plan Zvuková tvorba - bakalář – compulsory optional subject
Study plan Zvuková tvorba - magistr – compulsory optional subject
Study plan Fotografie CZ - bakalář – compulsory subject
Study plan Fotografie CZ - magistr – compulsory optional subject
Study plan Audiovizuální studia - magistr – compulsory optional subject
Study plan Fotografie CZ - magistr: restaurování – compulsory subject - Level of course unit:
- Year of study
- Study plan Fotografie CZ - bakalář – 1st nebo 2nd year
Study plan Fotografie CZ - magistr: restaurování – 1st nebo 2nd year - Semester when the course unit is delivered
- letní
- Number of ECTS credits allocated:
- 2
- Garant předmětu:
- Name of lecturer(s):
- Study Objectives:
- Mode of delivery:
- Prerequisites and co-requisites:
-
Assessment:
credit at the end of the semester.
Conditions: obligatory performance presentation of any photographer during the semester before the other students and submission of the essay for that presentation.
- Recommended optional programme components
- Course contents:
- Study materials:
-
Ammann, Jean-Christophe: XL-Photography: Art Collection Neue Borse
Badger, Gerry, Martin Parr : Photobook, The: A History - Volume I
Barrett, Terry: Criticizing Photographs: An Introduction to Understanding Images
Bates, David: Photography and Surrealism : Sexuality, Colonialism and Social Dissent
Birgus, V. - Scheufler, P.: Fotografie v českých zemích 1839 - 1999. Grada, Praha 1999
Boot, Chris: Magnum Stories
Brooks, Adam: Subjective Realities: The Refco Collection of Contemporary Photography
Brothers Caroline War and Photography: A Cultural History
Campany David: Art and Photography
Fernandez, Horacio: Fotografia Publica: Photography in Print
Finnegan, Cara A.: Picturing Poverty: Print Culture and Fsa Photographs
De Gouvion Saint-Cyr, Agnes, Jean-Claude Lemagny, Alain Sayag: 20th Century French Photography
Fogle, Douglas, Kathy Halbreich:The Last Picture Show: Artists Using Photography 1960-1982
Frizot M. (ed.): A New History of Photography. Könemenn, Köln 1998 Gernsheim, H. & A.: A Consice History On Photography. Thames and Hudson, London 1971
Grosenick, Uta, Ilka Becker: Women Artists in the 20th and 21st Century
Haworth-Booth, M.: The Golden Age of British Photography 1839 - 1900. Aperture, New York 1994
Stefan Iglhaut (Editor): Photography After Photography: Memory and Representation in the Digital Age
Janda, J.: Kamery obskury, fotografické přístroje z let 1840 - 1940. NTM, Praha 1986
Johnson, William S: Photography from 1839 to Today: George Eastman House, Rochester
Kertess, Klaus: Photography Transformed : The Metropolitan Bank and Trust Collection
Koetzle, H.-M.: Slavné fotografie. Historie skrytá za obrazy I. Taschen Slovart, Köln/Praha 2003
Krauss, Rosalind, Jane Livingston, Dawn Ades: L'Amour fou : Photography and Surrealism
Kruger, Barbara: Remote Control: Power, Cultures, and the World of Appearances
Lebeck, Robert: Kiosk. A History of Photojournalism
Lemagny, J.-C., Rouillé A.: A History of Photography. Cambridge University Press, Cambridge and
Levine, Robert M: Insights into American History: Photographs as Documents
Giovanni Lista: Futurism and Photography
Russell Miller: Magnum: Fifty Years at the Front Line of History:
Neto, Mario Cravo, Michael Herzog-Hans LA Mirada: Looking at Photography in Latin America Today
Rosenblum Naomi: A history of women photographers
Rosenbulum, N.: A World History of Photography. Abbeville Press, New York1997
Scheufler, P.: Historické fotografické techniky. IPOS ARTAMA. Praha 1993
Scheufler, P.: Teze k dějinám fotografie do roku 1914. Učební texty FAMU, Praha 2000
Scheufler, P.: Galerie c. k. fotografů. Grada, Praha 2001
Szarkowski, J.: Photography untill Now, The Museum of Modern Art, NY 1989
Yapp, N.: 150 Years of Photo Journalism. Volume I. Könemann, Köln 1995 (1.vyd.)
Co je fotografie, 150 let fotografie, Videopress, Praha1989
Warner Marien, Mary: Photography: A Cultural History
Weiermair, Peter: The Measure of All Things: The Synthesis of Photography and Text
- Planned learning activities and teaching methods
- Assessment methods and criteria
-
Each student is required during each semester to complete one essay in the history of photography on a topic of their choice. (Limited only in time to the 20th century - but not in space or method.) A requirement of the work is working with sources and their presentation. This essay must be supplemented with a image section and presented as a lecture for their co-students in the same study year. This presentation is necessary for student assessment. Required is the personal viewpoint as well as the ability to work with literature. Each lecture should be a combination of multiple resources and an evaluation of those resources. Those resources must be presented precisely. The student receives an assessment from the instructor and their classmates for their lecture. That assessment is not only feedback but an activation of critical skills of the other students.
Aside from general fundamental literature, an emphasis is placed on original books and monographs and linked to theory literature.
- Language of instruction:
- Czech
- Work placement(s):
- Pracovní stáž není u tohoto předmětu zavedena.
- Course web page:
- Note:
-
This course is for the 1st and 2nd years of study together and takes place once every two years. It is registered for the 2010-2011 school year.
- Further information:
- No schedule has been prepared for this course
- The subject is a part of the following study plans:
-
- Animovaná tvorba - bakalář (faculty subject, optional subject)
- Dokumentární tvorba - magistr (faculty subject, optional subject)
- Dokumentární tvorba - bakalář (faculty subject, optional subject)
- Animovaná tvorba - magistr (faculty subject, optional subject)
- Scenáristika a dramaturgie - bakalář (faculty subject, optional subject)
- Scenáristika a dramaturgie - magistr (faculty subject, optional subject)
- Režie - bakalář (faculty subject, optional subject)
- Režie - magistr (faculty subject, optional subject)
- Kamera - bakalář (faculty subject, optional subject)
- Kamera - magistr (faculty subject, optional subject)
- Produkce - bakalář (faculty subject, optional subject)
- Produkce - magistr (faculty subject, optional subject)
- Audiovizuální studia - bakalář (qualification subject, faculty subject, optional subject)
- Střihová skladba - bakalář (faculty subject, optional subject)
- Střihová skladba - magistr (faculty subject, optional subject)
- Zvuková tvorba - bakalář (faculty subject, optional subject)
- Zvuková tvorba - magistr (faculty subject, optional subject)
- Fotografie CZ - bakalář (faculty subject, optional subject)
- Fotografie CZ - magistr (faculty subject, optional subject)
- Audiovizuální studia - magistr (qualification subject, faculty subject, optional subject)
- Fotografie CZ - magistr: restaurování (qualification subject, faculty subject, optional subject)