Současný zahraniční dokumentární film 8

Garant předmětu:

Petr KUBICA

Jméno vyučujícího (jména vyučujících):

Petr KUBICA

Výsledky učení dané vzdělávací složky:

Forma studia:

Předpoklady a další požadavky:

Doporučené volitelné vzdělávací složky:

Obsah kurzu:

Presentation of films which in the frame of one year delve into the development of documentary cinema and rest on the conviction that a documentary should be presented as a necessarily artistic creation, opening itself up to the point of how it is perceived by the activity of the viewers, Documentary film students.

This course presents profound, thematically and genre diverse films of „Modern International Documentary film.“ Students are presented with films which within one year delve into the development of documentary cinematography. Its content defines current times: simple current recordings, of course, do not exclude that presentation of films that are significant, transcending their own time and space. The selection of documentaries from a wide stream of yearly international production is not the work of coincidence and personal taste. The consistent and indisputable criteria for selection is the classification whose flexibility reflects the time's audiences' taste, represented in time through individual prize-giving circles of world film festivals. The selection of a film at a festival, its eventual circulation at multiple festivals and the subsequent selection by individual juries are sufficient reasons for wanting to get to know some works. Other criteria for the life of a work in public through national or international festivals are the knowledge of films through reviews and discussions in professional publications. Finally, the dramaturgical knowledge of the instructor plays a role in the selection of a film. Compared to an analysis course (Selected works of International Documentaries) the basis of this course Modern International Documentary Film is the presentation of films in which at least three study-year students come together (the films do not repeat). Preliminarily is the film categorized by authorial creation, appropriate national production, but more broadly to world cinematography. After taking this in follows moderated discussions: the essence of direct reaction, frequent emotional, subjectiv and largely the haphazard investigation of the sense of the work. The collective presentation of the works depends upon the conviction that a documentary should be presented as an original artistic unit, open only to the point of the reaction of the audience, students of documentary direction. The reception of a selected film is understood in an essay on which besides the basic requirements credit is awarded. In an addendum is a list of selected festivals whose dramaturgical structure is one of the starting points for selecting documentary films for the course.

Doporučená nebo povinná literatura:

Plánované vzdělávací činnosti a výukové metody:

Hodnoticí metody a kritéria:

Webová stránka předmětu:

Poznámka:

Rozvrh na zimní semestr 2012/2013:

Rozvrh zatím není připraven

Rozvrh na letní semestr 2012/2013:

	06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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Út	místnost 217 Učebna KDT (Lažanský palác) KUBICA P. 12:20–14:15 (paralelka 1)
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Čt
Pá

Datum	Den	Čas	Vyučující	Místo	Poznámky	Č. paralelky
	Út	12:20–14:15	KUBICA P.	Učebna KDT Lažanský palác		paralelka 1

Předmět je součástí následujících studijních plánů:

• Dokumentární tvorba - magistr (oborový předmět)