Atelier - Specific Photography Studios 5
Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
---|---|---|---|---|---|
307EAS5 | Z | 1 | 26/S | anglicky | zimní |
- Garant předmětu:
- Štěpán GRYGAR, Viktor KOLÁŘ, Rudolf PREKOP, Robert PORTEL
- Jméno vyučujícího (jména vyučujících):
- Štěpán GRYGAR, Viktor KOLÁŘ, Rudolf PREKOP, Robert PORTEL
- Výsledky učení dané vzdělávací složky:
-
The objective of the Studio of Creative Photography is to support and further develop the individual creative skills of the students as much as possible. Emphasis is put on conceptual work and creativity.
5. ATELIÉR ŠTĚPÁNKY ŠIMLOVÉ
viz. obsah předmětu
- Forma studia:
-
1. STUDIO OF STUDIO PHOTOGRAPHY
Graded credit: granted on the basis of submission of all prescribed assignments and evaluation of submitted photographs. The basic pre-requisites for grading are the student?s participation within at least 60% of the lectures, participation in posted mandatory joint consultations specified in the beginning of the course, as well as the submission of agreed on photographs in digital form ? resolution 300 dpi with the length of the longer side of the format being 250mm.
2. STUDIO OF DOCUMENTARY PHOTOGRAPHY
The student?s assignments will be evaluated by supervising teacher /V.K./, also the personal attendance of the seminars and workshops /hours of attendance set by the Department/, individual engagement will contribute as well to final grading.
3. STUDIO OF CREATIVE PHOTOGRAPHY
Graded credit: granted on the basis of submission of all prescribed assignments and evaluation of submitted photographs. The basic pre-requisites for grading are the student?s participation within at least 60% of the lectures, participation in posted mandatory joint consultations specified in the beginning of the course, as well as the submission of agreed on photographs in digital form ? resolution 300 dpi with the length of the longer side of the format being 210mm.
5. ATELIÉR ŠTĚPÁNKY ŠIMLOVÉ
Projekt je vystaven nebo jinak prezentován. Autor svůj projekt představí a krátce o něm pohovoří, vedoucí ateliéru přednese svoje hodnocení, po otevřené diskuzi s dalšími posluchači je projekt ohodnocen známkou. Hodnocení probíhá u všech frekventantů ateléru společně.
- Předpoklady a další požadavky:
-
Absolvování předmětu Atelier - Specific Photography Studios 1, 2, 3, 4
5. ATELIÉR ŠTĚPÁNKY ŠIMLOVÉ
Pohovor a veřejná prezentace záměru či projektu v rámci ateliérové výuky
- Doporučené volitelné vzdělávací složky:
- Obsah kurzu:
-
1. STUDIO OF STUDIO PHOTOGRAPHY
Supervised by: Mgr. Rudo Prekop
Contact: 737 609 562, rudoprekop@hotmail.com
The Studio includes lectures, seminars, consultations of final exhibition, bachelor, and master series.
Assignments: (assignments 4P1, 5P1)
Part of the Studio is one mandatory assignment for:
3rd year students: FIGURE - ENVIRONMENT - PROPS, collection of 8 and more photos
4th year students: MAN - publication or its mutation, minimum 15 photos.
5th year students: PROBLEM - arbitrary form of execution.
Time schedule: Prior to the beginning of the photographic work, student explains his or her intention to the pedagogue and once agreed on within a mutual dialogue, implements the assignment.
Deadline for submission: by the end of the summer semester - second half of May.
Every year, three personalities from the area of photography, but also graphic design, are invited as lecturers within the Studio, based on the selection of the supervising pedagogue. These workshops are either one or two semesters long and take place in frequency according to the time schedule specified by the given lecturer. The purpose of this arrangement is the time-limited confrontation of students with a wide spectrum of individual personalities, who provide all the participating students with their creative and real-life experience, their opinions, attitudes, and spirit.
2. STUDIO OF DOCUMENTARY PHOTOGRAPHY
Name of the lecturer: prof. Viktor Kolář
Contact: viktor.kolar@cbox.cz , phone: 596 126 536
List of assignments ? 4th year (choice between the two)
Theme 1: ?His/her/their? story /documentary project/
Visual narrative about looking for one?s path, a road we usually call a ?road of life?. Discovering such a road and then keep walking on it seems to be more important than anything else. Before we step on such a road we face various problems as for instance: drug culture, participation in extreme political movements, religious sects, etc. next to personal failures, suffering from mental disorders, unemployment, abuse in childhood, homelessness, will make such a search more problematic. Almost each person in my neighbourhood can tell a different story?
The creative outcome: 15-20 bw or color images of cca 24x30cm
Deadline: June 2008
Theme 2: ?Consumerism as a lifestyle? /documentary project/
Western model of consumerism can be blamed as responsible for defeat of communist ideology and further fall of communism in Czech Republic. The mode of consuming that comes after as a leading factor in shaping people?s lifes today. Purchasing products, using many level services in huge shopping centres as Tesco, Kaufland, Ikea, etc.are leading them to spend more time there. For some people consumption is becoming an obsession with all side effects. It becomes a drug after all and must be medically cured. People buy things they do not need, spend money they did not earn. They also try to buy new identities on the market. Record on your film all possible manifestations of such lifestyle from your point of view.
The creative outcome: 15-20 bw or color images cca 24x30cm
Deadline: June 2008
3. STUDIO OF CREATIVE PHOTOGRAPHY
Name of the Lecturer: Štěpán Grygar
Contact: 732 661 938, grygar@famu.cz
Course Description:
I give the importance to critical distance from one?s own work that results in its classification within a wider context. The Studio consists of theoretical seminars, consultations of final exhibition, bachelor, and master series.
Assignment: (4P1, 5P1)
Description: This mandatory assignment is practical and students have to submit at least eight photographs. Emphasis is put on the ability to come up with an innovative solution to the given assignment. Conceptual work is recommended. A written explanation must be handed in prior to starting with the assignment.
Assignment: To create a series of at least eight photographs asan individual interpretation of specific theme (not mere illustration). The theme will be announced in the beginning of semester.
Time schedule: WS: Brief, written explanation by the end of November. The series must be in a shape of work in progress by the end of the winter semester.
SS: The final output (eight photographs) has to be submitted by the end of the summer semester.
5. ATELIÉR ŠTĚPÁNKY ŠIMLOVÉ
Výuka v ateliéru je určena zejména pro posluchače, kteří se chtějí zabývat experimentálním pojetím fotografie nebo její medium rozšířit formou instalace, přesahem do pohyblivého obrazu, videa nebo animace. Posluchači pracují na vlastním projektu, který je předem prodiskutován a specifikován. Důraz je kladen především na dlouhodobý vývoj projektu, který je podmíněn pregnantním vyjádřením záměru s reflexí kontextu, hledáním nejvhodnějších forem vyjádření, produkčními schopnostmi a realizací ve výstavním prostoru. Čas na zpracování projektu je jeden školní rok, tzn. 2 semestry. Mimo hlavní projekt posluchači pracují na krátkodobých zadáních, které vyplývají z aktuálních témat v současném kulturním a společenském dění.
- Doporučená nebo povinná literatura:
-
Berger, John. Ways of Seeing, Penguin Books,London, 1972
Barthes, Roland: Camera lucida: reflections on photography, New York: Hill and Wang, 1981
Barthes, Roland: Criticim and Truth, London: Athlone, 1987
Barthes, Roland: Mythologies, London: J.Cape, 1972
Campany, David, Art and Photography, London, Phaidon 2003
Cotton Charlotte The Photography as Contemporary Art, London, Thames Hudson, 2004
Danto Arthur. The Philosophical Disenfranchisement of Art, Columbia University Press, NY, 1986
Frizot, Michel, Nouvelle Histoire de la Photographie, Larousse-Bordas, Paris, 1996
Flusser Vilem.
Towards a philosophy of photography, Reaktion, London 2000
Greenberg, Clement: Die Essenz der Moderne, Fundus, Dresden, 1997
Honnef, Klaus. Nichts als Kunst, Dumont, Koln, 1997
Lucie-Smith, Edward. Art Today, Phaidon, London, 1995
Mayo, Nuria Enquita - Johnston Pamela (ed.), Viktor Burgin, Barcelona: Fundació Antoni Tapies, 2001
Orvell, Miles. American Photography, Oxford University Press, London, 2003
Osborne Peter. Conceptual Art, Phaidon, London 2002
Reimschneider, Burkhard, Grosenick, Uta. Art at Turn of the Millenium, Taschen, Koln, 1999
Reimschneider, Burkhard, Grosenick, Uta. Art Now, Taschen 2002
Rusch Michael. New Media in Late 20th Century, Thames & Hudson, London 1999
Susan Sontag: On Photography, Farrar, Straus and Giroux, NY. 1977
Stiles, Kristine, Selz Peter. Theories and Documents of Contemporary Art, University of California Press, London,
Wall, Jeff. Scenarien im Bildraum der Wirklichkeit, Fundus, Dresden, 1997
Wells, Liz. The Photography Reader, Routledge, London, 2003
2. STUDIO OF DOCUMENTARY PHOTOGRAPHY
Viktor Kolář: „Seminar in documentary Photography“, AMU-FAMU 2000.
Eugen Herrigel: „Zen in The Art of Archery“.
Carla Gustav Jung: „Volumes“
Zykmunt Bauman: „Liquid modernity“
The other important titles for you will be mentioned during our seminars.
5. ATELIÉR ŠTĚPÁNKY ŠIMLOVÉ
Studijní materiály jsou flexibilní. Doporučená literatura, filmy, videa a prezentace umělců se odvíjejí od témat na nichž se pracuje v rámci krátkodobých zadání.
- Plánované vzdělávací činnosti a výukové metody:
- Hodnoticí metody a kritéria:
-
1. STUDIO OF STUDIO PHOTOGRAPHY
Graded credit: granted on the basis of submission of all prescribed assignments and evaluation of submitted photographs. The basic pre-requisites for grading are the student?s participation within at least 60% of the lectures, participation in posted mandatory joint consultations specified in the beginning of the course, as well as the submission of agreed on photographs in digital form ? resolution 300 dpi with the length of the longer side of the format being 250mm.
2. STUDIO OF DOCUMENTARY PHOTOGRAPHY
The student?s assignments will be evaluated by supervising teacher /V.K./, also the personal attendance of the seminars and workshops /hours of attendance set by the Department/, individual engagement will contribute as well to final grading.
3. STUDIO OF CREATIVE PHOTOGRAPHY
Graded credit: granted on the basis of submission of all prescribed assignments and evaluation of submitted photographs. The basic pre-requisites for grading are the student?s participation within at least 60% of the lectures, participation in posted mandatory joint consultations specified in the beginning of the course, as well as the submission of agreed on photographs in digital form ? resolution 300 dpi with the length of the longer side of the format being 210mm.
5. ATELIÉR ŠTĚPÁNKY ŠIMLOVÉ
Základem hodnoceni je umělecká kvalita realizovaného projektu. Nezbytnou součástí výuky v ateliéru je 100% aktivní účast během společných ateliérových konzultací. Absence je tolerována ve vyjímečných případech na základě předchozí, osobní domluvy. Součástí hodnocení je i práce a její přínos na krátkodobých úkolech. Důraz je kladen na reflexi vlastního kreativního procesu. V případě stáže je posluchač vyvázán ze všech úkolů a podmínky splní prezentací své práce během pobytu jinde.
- Webová stránka předmětu:
- Poznámka:
- Rozvrh na zimní semestr 2012/2013:
- Rozvrh zatím není připraven
- Rozvrh na letní semestr 2012/2013:
- Rozvrh zatím není připraven
- Předmět je součástí následujících studijních plánů:
-
- Fotografie EN - magistr (oborový předmět)