The Interpretation of the contemporary Music 1

Subject guarantor:

Slavomír HOŘÍNKA, Luboš MRKVIČKA, Marek KOPELENT

Name of lecturer(s):

Hanuš BARTOŇ, Michal RATAJ, Slavomír HOŘÍNKA, Luboš MRKVIČKA, Marek KOPELENT

Learning outcomes of the course unit:

Mode of study:

Prerequisites and co-requisites:

Recommended optional programme components:

none

Course contents:

Recommended or required reading:

Alberman, David: Abnormal Playing Techniques in the String Quartets of Helmut Lachenman. Contemporary Music Review, Volume 24, Issue 1 February 2005 , pages 39-51.

Arditti, Irvine: Reflections on performing the string music of Iannis Xenakis. Contemporary Music Review, Volume 21, Numbers 2-3, Numbers 2-3/June/September 2002 , pp. 85-89

Bartolozzi, Bruno: New sounds for Woodwins. Oxford University Press, London 1967.

Dick, Robert: The Other Flute: Tone Development Through Extended Techniques. Edu-Tainment Publishing Co., New Yourk 1978.

Dempster, Stuart: The modern trombone : a definition of its idioms. Berkeley : University of California Press, 1979.

Dohnal, Karel: Technika a výrazové prostředky klarinetu používané v současné hudbě. Disertační práce HAMU, Praha 2005.

Edgerton, Michael Edward: The 21st Century Voice, Contemporary and Traditional Extra-Normal Voice. Scarecrow Press, 2006.

Loudová, Ivana: Moderní notace a její interpretace. AMU, Praha 1998.

Lachenmann, Helmut: On My Second String Quartet. Contemporary Music Review, Volume 23, Issue 3 & 4 September 2004 , pages 59-79.

Möller, Mats: New Sounds for Flute. http://www.sfz.se/flutetech/index.htm

Rehfeld, Phillip: New Directions for Clarinet. University of Carolina Press, Berkley - Los Angeles - London 1977.

Spring, Robert S.: How Can I Learn Circular Breathing? http://www.woodwind.org/clarinet/Study/CircularBreathing.html

Strange, Allen; Strange, Patricia: The Contemporary Violin: Extended Performance Techniques. Scarecrow Press, 2001.

Turetzky, Bertram: The contemporary contrabass. Berkeley: University of California Press, 1989.

Veale, Peter; Mahnkopf, Claus-Steffen: Die Spieltechnik der Oboe. Bärenreiter, Kassel 2005.

Planned learning activities and teaching methods:

lecture

exercises

classes

Assessment methods and criteria:

Course web page:

http://katedraskladby.hamu.cz/

Note:

12 hours per semester in 3 blocks of 4 hours.

Schedule for winter semester 2012/2013:

The schedule has not yet been prepared

Schedule for summer semester 2012/2013:

The schedule has not yet been prepared

The subject is a part of the following study plans:

• Obor Flétna (Mg) (optional subject)
• Obor Klarinet (Mg) (optional subject)
• Obor Cembalo (Mg) (optional subject)
• Obor Klavír (Mg) (optional subject)
• Obor Varhany (Mg) (optional subject)
• Obor Hoboj (Mg) (optional subject)
• Obor Fagot (Mg) (optional subject)
• Obor Lesní roh (Mg) (optional subject)
• Obor Trubka (Mg) (optional subject)
• Obor Pozoun (Mg) (optional subject)
• Obor Tuba (Mg) (optional subject)
• Obor Harfa (Mg) (optional subject)
• Obor Kontrabas (Mg) (optional subject)
• Obor Kytara (Mg) (optional subject)
• Obor Housle (Mg) (optional subject)
• Obor Violoncello (Mg) (optional subject)
• Obor Viola (Mg) (optional subject)
• Obor Bicí nástroje (Mg) (optional subject)
• Obor Zpěv (Mg) (optional subject)
• Obor Dirigování (Mg) (optional subject)
• Obor Komorní hra (Mg) (optional subject)