Changes of Authorship 2
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
202PAE2 | ZK | 2 | 2/T | Czech | summer |
- Subject guarantor:
- Přemysl RUT
- Name of lecturer(s):
- Přemysl RUT
- Learning outcomes of the course unit:
-
Student view their efforts as writers as a part of a broader context. They are better aware of their position and of advantages and pitfalls. They are to rid themselves of the feeling that originality only starts with their attempts.
What does it mean to be „creator?“ What are and how do conditions, forms and the results of creativy change? The relation of society to the creator (and with them and the creator's self-awareness) in various historical periods and situations is different: sometimes the creator's "usefulness' is a trade, sometimes the creator must fight for their existence. In some cultures the focal point of creativity is common narration, in other is shifts to the expression of one's unique experience. All these challenges, environmnents and concepts have, of course, a significant influence on creativity itself, that is the form and structure of the work.
- Mode of study:
-
Cycle of lectures (two semesters) in which individual creating modes are documented through examples of various areas of creative work (across arts' disciplines).
- Prerequisites and co-requisites:
-
Presumed in original efforts and not only spontaneous but conscious and confident. Aside from a systematic review of one's experience also an interest in the original works experience of others, particularly those who have provided evidence of it.
- Recommended optional programme components:
- Course contents:
-
Aside from a bearing in the approaches to original creations, this course involves the self-identification of each student: an awarenest of one's direction and idea foundations in which they begin.
- Recommended or required reading:
-
Literature on culture history and theory, author personal beliefs who reviewed their own works. Specific titles are recommended in classes considering personal topics of individual students.
Apollinaire: O novém umění
Brecht: Myšlenky
Bunin: Proklaté dny
Camus: Mýtus o Sisyfovi
Canetti: Svědomí slov
Cvetajevová: Básník a čas
Čapek: Marsyas
Dubuffet: Dusivá kultura
Durych: Váhy života a umění
Eliot: O básnictví a básnících
Flaubert: Dopisy
Gombrowicz: Deník I - II
Hugo: Předmluva ke Cromwellovi
Ionesco: Střípky deníku
Kafka: Deníky
Kandinsky: O duchovnosti v umění
Mann: Jak jsem psal Doktora Fausta
Milosz: Svědectví poezie
Musil: Eseje, Nezval: Moderní básnické směry
Paz: Luk a lyra
Poe: Filosofie básnické skladby
Proust: Eseje
Seifert: Všechny krásy světa
Sgallová - Kroupa (eds.): O umění básnickém a dramatickém (Lope de Vega, Racine...)
Verlaine: Prokletí básníci
Woolfová: Vlastní pokoj
Zábrana (ed.): Jak se dělá báseň (Poe, Kolář...)
Zahradníček: Oslice Balaamova
Chalupecký: Na hranicích umění
Tertullianus: O hrách
A.Vyskočil: Marginalia
- Planned learning activities and teaching methods:
-
Primarily original attempts without which it is impossible to understand the issues original creations of others.
- Assessment methods and criteria:
-
Asside from participation, an interest in diverse orginators' experience and (written) review of one's own is fundamental. The manner of acknowledgement of the course taken is semi-year credit. At the end of the year the exam is based on the defense of the written (self) review.
- Course web page:
- Note:
- Further information:
- This course is an elective for all students of this school
- Schedule for winter semester 2012/2013:
- The schedule has not yet been prepared
- Schedule for summer semester 2012/2013:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
-
- Herectví se zaměřením na autorskou tvorbu a pedagogiku (Mgr.) (compulsory subject)
- Herectví se zaměřením na autorskou tvorbu a pedagogiku (Bc.) (compulsory subject)