History of Stage and Costume Design 2
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
203DSK2 | ZK | 4 | 2/T | Czech | summer |
- Subject guarantor:
- Vlasta KOUBSKÁ
- Name of lecturer(s):
- Vlasta KOUBSKÁ
- Learning outcomes of the course unit:
-
To introduce students to the history of costuming design and set-design in the Czech lands, their most important stages and relations to European costuming design and set-design. To acquaint students with the methods used in the creation of modern theatre costuming and setting space and clarify their principles.
- Mode of study:
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Lectures on samples of the work of the most significant Czech costumming artist and set-designers, Sources of inspiration and relationships to European set-design and costuming.
- Prerequisites and co-requisites:
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DSK1 lectures.
- Recommended optional programme components:
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Visits to contemporary productions and subsequent analysis from a scenic design viewpoint.
- Course contents:
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Lectures and classes with presentations of the most important costuming and set-design works of the Czech Theatre avant garde of the 1920s and 30s. A course paper on a selected topic in the history of avant garde set-design. Searching for sources of inspiration and contexts of set-design.
- The start of Czech modern set-design and costuming.
- Modern Czech theatre costuming / inter-war yars - Zelenka, Feuerstein, Hrska, Čapek, Hofman, Kroha, Jirsiková, Muzika, etc.
- Czech theatre costuming - post-war years - Adof Wenig, Karel Svolinský, Josef Jelínek, Jan Kropáček, Zdeněk Seydl, etc.0
- Vlastislav Hosfman and the beginnings of Czech Theatre expressionism.
- Josef Čapek - relationship of painting and set-design
- František Troester - stage urbanism and imagination
- Theatregrapf, D 34, E.F: Burian, Laterna Magika - stage and film
- Alexandr Vladimír Hrska and Antonín Heythum
- František Zelenka - pre-war activity and Terezín
- Bedřich Feuerstein - Purism or Surrealism
- František Muzika - Poetic Surrealism
- Karel Svolinský, Jiří Trnka, František Tichý as Scenographers
- Josef Svoboda and new stage technology.
- Recommended or required reading:
-
-Tröster F., Vachtová L., Lukeš M. - Costume on the Stage, Prague 1962
-Ptáčková V.: Česká scénografie XX.století,, Praha 1982
-Černý J. a kolektiv : Dějiny českého divadla, díl III, díl IV., Praha 1983
-Obst M., Scherl A. : K dějinám české divadelní avantgardy, Praha 1962
-Píša A.M. Divadelní avantgarda, Praha 1978
-Monografie jednotlivých scénografů
- Planned learning activities and teaching methods:
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Visits to fine arts exhibits with an emphasis on clothing and and costuming creations. Excursions to the National Museum, Theatre Dept. costume depository.
- Assessment methods and criteria:
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75% attendance at lectures and classes, independent creation of the course paper and its presentation (approx. 10 pages of text), final test or oral exam.
- Course web page:
- Note:
- Schedule for winter semester 2012/2013:
- The schedule has not yet been prepared
- Schedule for summer semester 2012/2013:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
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- Scénografie - kostým a maska (Mgr.) (compulsory subject)