In these classes the relationship to the space object is consolidated and is a path to systematic work on oneself. These are the principles: Regularity, sufficient intensity considered in the physical and concetration investment. An understanding of the relationship of the mind-body method with the performers work. Learning, not only movement but other artistic techniques. Creation of the basic concept of the structure and function of one's body (creating one's concept of the body, one's performance in space).

Professional methods.

Mental and physical fitness.

No elective requirements.

Syllabus: In classes the basics of movement techniques are practiced (for example: Dance Buto, Viewpoints by Anne Bogard, The Jose Limon Technique, Methodic links to theatre anthropology terminology (Eugenio Barba). The result is to be control of the body as an important instrument for the performer.

Kroschlová Eva, Jevištní pohyb, Divadelní fakulta AMU, Praha 2003

Payneová H., Kreativní pohyb a tanec, Praha 1999

Kyliánova Foundation: Recordings of prominent artists' performances which link acting with movement or dance.

Anne Bogart, Tina Landau: Viewpoints

Eugenio Barba, Nicola Savarese: Slovník divadelní antropologie

study exercises

Credit is awarded for class participation (80% attendance) and the final summary exam.

Instruction schedule see: www DAMU / katedra ALD / Rozvrhy hodin

• Performerství alternativního divadla (Bc.) programu Divadelní tvorba v netradičních prostorech (compulsory subject)
• Scénografie alternativního divadla (Bc.) programu Divadelní tvorba v netradičních prostorech (compulsory subject)
• Režie a dramaturgie alternativního divadla (Bc.) programu Divadelní tvorba v netradičních prostorech (compulsory subject)