Introduction to the Soundrack
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
311IS | Z | 2 | 2/T | English | summer |
- Subject guarantor:
- Eric ROSENZVEIG
- Name of lecturer(s):
- Eric ROSENZVEIG
- Learning outcomes of the course unit:
-
The first objective of this course is to be able to clearly hear a film. Not always an easy thing due to the privileging of vision when experiencing cinema. Once we can start to more clearly listen to and hear films we can then start learning the methods used to construct the sound space for your own works.
- Mode of study:
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Class lectures involve watching excerpts or full length films and discussing them both from technical and aesthetic perspectives; students provide their own comments related to films they suggest as a catlyst for classrooom discussion; watching of video tutorials as a basis for learning software; theoretical texts used as a basis for lecture material.
- Prerequisites and co-requisites:
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None.
- Recommended optional programme components:
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No
- Course contents:
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A theoretical & practical course in creating the digital sound space for film & video. The course will focus on the fundamentals of using sound to furnish meaning, whether for narrative, documentary or abstract works. We will follow the thread of production through the various elements that comprise a soundtrack, based on our real time limitations and available tools. Basic precepts, tips and tricks: from conception to sound capture to edit to mix to output - via the building blocks of the soundtrack including dialogue, narration, music, foley, ambient sound, and most importantly sound effect/sound design. We will work in the Final Cut and Soundtrack programs.
- Recommended or required reading:
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Readings, bibliography & URLs, DVD examples will be provided.
Audio-Vision, Michel Chion
Sound Theory Sound Practice, Rick Altman ed.
www.filmsound.org
video tutorials provided on the FAMU Int. computer (editing room E1)
- Planned learning activities and teaching methods:
-
Depending on particular public events corresponding with classes, film screenings might be suggested.
- Assessment methods and criteria:
-
Class attendance & participation - 10%
Brief analysis of a short section of a film you bring to class - 10%
2 page analysis of a film watched in class - 20%
2 short sound exercises (1. sound recording / 2. sound editing) - 30%
Final exam - 30%
- Course web page:
- Note:
-
Class 1. theory & elements of the soundtrack
Introduction: how sound is represented in film; dialogue, narration, music, foley, ambient sound, sound effect/sound design.
Class 2. the sound event & the digital audio file + film aesthetics
basic introduction to sound, acoustics, digital audio, file formats + examples from films
Class 3. microphones & recorders
Hard disc recording equipment, microphone selection and use, patterns, types, accessories, handling in the studio and on location
Class 4. full feature film presentation
Class 5. studio & location recording
studio recording - dialogue, foley, effects
location recording - lavalier mics, boom technique, location tips
Class 6. Final Cut Audio
basic to intermediate audio in Final Cut Pro (depending on level of students)
Class 7. signal processing
EQ, reverb, compression explained
Class 8. Soundtrack Program
audio in Soundtrack (Mac program) -> beyond Final Cut
Class 9. Creative approaches to sound design
techniques and examples from the worlds of experimental, electroacoustic and 20th century classical musics and extraordinary film soundtracks
Class 10. Mixing & Mastering
mixing multiple audio tracks, creating the filmic sound space, outputting your soundtrack/mastering
Class 11. Course Summary
review of course materials
Class 12. Final Exam
Exam covers all aspects of course material, technical and aesthetic
- Further information:
- This course is an elective for all students of this school
- Schedule for winter semester 2012/2013:
- The schedule has not yet been prepared
- Schedule for summer semester 2012/2013:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
-
- Audiovizuální studia - bakalář (qualification subject)
- Fotografie EN - bakalář (optional subject)
- Fotografie EN - magistr (optional subject)
- Audiovizuální studia - magistr (qualification subject)
- Cinema and Digital Media - Cinematography (qualification subject, optional subject)
- Cinema and Digital Media - Screenwriting (optional subject)
- Cinema and Digital Media - Directing (qualification subject, optional subject)
- Cinematography (optional subject)