Flute Playing 4

Subject guarantor:

Radomír PIVODA, Jiří VÁLEK

Name of lecturer(s):

Radomír PIVODA, Jiří VÁLEK

Learning outcomes of the course unit:

All issues regarding flute playing - fingering technique, intonation, proper breathing and interpretation are improved on more demanding etudes with and emphasis on those deficiences which have not yet been mastered. When single staccato is of a high quality, double staccato is improved.

1. More demanding etudes for fingering and rhythmic precision - Jeanjean, Tomaszewski, Tillmetz

2. Double staccato is improved and different types of tone release are improved.

3. More imaginative recital pieces - student use their own music ideas - Martinů, Migot, Quantz, Richter, Rivier, Andersen, Casella, Honegger.

Mode of study:

Individual contact instruction

Prerequisites and co-requisites:

None

Recommended optional programme components:

Chamber literature of duets, trios and other combinations of wind, string, keyboard and percussion instruments.

Course contents:

This course provides the student with technique, tone quality, intonation, performance skills such that they will succeed in orchestral, soloist, chamber work. The future artist is guided to independence, the realization of their own ideas and the defense of their thought. This is the basis of instruction. The development of the personality is the priority. All issues regarding playing the flute are improved in etudes by Jeanjean, Tomaszewski, Tillmetz with an emphasis on the deficiencies which have not yet been mastered. If simple staccato is not in order, a path is found for its improvement. As well a way to clear double staccato is investigated. Recital compositions are oriented toward works with greater imagination where the student must use their own thoughts and ideas - Martinů, Migot, Quanty, Richter, Rivier, Andersen, Casella, Rivier, Honegger.

Recommended or required reading:

Paul Jeanjean Etudes modernes pour Flute

Feliks Tomaszewski Výběr etud pro flétnu

Rudolf Tillmetz Triller- Studie

Bohuslav Martinů First Sonata fl. + kl.

Gearges Migot Sonate pour flute et piano

František Benda Sonáta pro flétnu a cemballo F dur

G. F. Händel Kammersonate Nr. 1

Johann Joachim Quantz Koncert pro flétnu A dur

Franz Xaver Richter Koncert D Dur

Jean Rivier Concerto pour Flute

W. A. Mozart Koncert D dur

Joachim Andersen Balada a tanec Sylfů

Alfredo Casella Siciliane et Bourlesque

Jean Rivier Oiseaux tendres pour Flute solo

Arthur Honegger Danse de la Chevre pour flute solo

Planned learning activities and teaching methods:

Participation of students in auditions for symphonic and opera orchestras.

Assessment methods and criteria:

Assessment of instrument and orchestra playing. Fulfillment of the established repertoire.

Course web page:

http://www.hamu.cz/katedry/katedra-dechovych-nastroju

Note:

Instructors manage the alternation of individual orchestra parts according to composer notes.

Schedule for winter semester 2013/2014:

The schedule has not yet been prepared

Schedule for summer semester 2013/2014:

The schedule has not yet been prepared

The subject is a part of the following study plans:

• Obor Flétna (Bc) (compulsory subject of the main qualification)