Communication techniques for interpretative Fields 1

Subject guarantor:

Noemi ZÁRUBOVÁ-PFEFFERMANNOVÁ

Name of lecturer(s):

Noemi ZÁRUBOVÁ-PFEFFERMANNOVÁ

Learning outcomes of the course unit:

Communication techniques for performing arts aid artists in harmonize their performance art with other elements of verbal and non-verbal communication. The artist must know how to express themself on stage freely without inhibitions. They must be able to communicate with students, conductors, musician colleagues. Covered also is communication with the media (television, press, radio). Particular attention is devoted to conductors where all kinds of non-verbal communication which is independent of conducting technique.

Mode of study:

contact instruction

Prerequisites and co-requisites:

None

Recommended optional programme components:

None

Course contents:

Communication techniques for peformance studies helping performers to attune their performance art with other elements of verbal and non-verbal communication. The performer must know how to express themselves on stage without barriers, to communicate with the audience, the conductor and music colleagues. Communication with the media (television, press, radio) is covered. Particular attention is paid to the conductor, where all non-verbal communication not related to conducting technique is covered.

Recommended or required reading:

Lotko, Edvard: Kapitoly ze současné rétoriky, Univerzita Palackého v Olomouci, 2009

Zárubová-Pfeffermannová, Noemi: Gesta a mimika, Akademie múzických umění v Praze, 2008

Thiele, Albert: Jak na „špinavé“ triky a útoky v komunikaci, Grada Publishing, a.s., 2010

Lewis, D.: Tajná řeč těla, Viktoria Publishing, 1995

Planned learning activities and teaching methods:

none

Assessment methods and criteria:

Activity in lecture.

Course web page:

Note:

none

Further information:

This course is an elective for all students of this school

Schedule for winter semester 2013/2014:

The schedule has not yet been prepared

Schedule for summer semester 2013/2014:

The schedule has not yet been prepared

The subject is a part of the following study plans:

• Obor Flétna (Bc) (optional subject)
• Obor Housle (Bc) (optional subject)
• Obor Klarinet (Bc) (optional subject)
• Obor Hoboj (Bc) (optional subject)
• Obor Fagot (Bc) (optional subject)
• Obor Lesní roh (Bc) (optional subject)
• Obor Trubka (Bc) (optional subject)
• Obor Pozoun (Bc) (optional subject)
• Obor Tuba (Bc) (optional subject)
• Obor Klavír (Bc) (optional subject)
• Obor Varhany (Bc) (optional subject)
• Obor Cembalo (Bc) (optional subject)
• Obor Viola (Bc) (optional subject)
• Obor Violoncello (Bc) (optional subject)
• Obor Kontrabas (Bc) (optional subject)
• Obor Harfa (Bc) (optional subject)
• Obor Kytara (Bc) (optional subject)
• Obor Bicí nástroje (Bc) (optional subject)
• Obor Zpěv (Bc) (optional subject)
• Obor Dirigování (Bc) (optional subject)
• Obor Flétna (Mg) (optional subject)
• Obor Klarinet (Mg) (optional subject)
• Obor Cembalo (Mg) (optional subject)
• Obor Klavír (Mg) (optional subject)
• Obor Varhany (Mg) (optional subject)
• Obor Hoboj (Mg) (optional subject)
• Obor Fagot (Mg) (optional subject)
• Obor Lesní roh (Mg) (optional subject)
• Obor Trubka (Mg) (optional subject)
• Obor Pozoun (Mg) (optional subject)
• Obor Tuba (Mg) (optional subject)
• Obor Harfa (Mg) (optional subject)
• Obor Kontrabas (Mg) (optional subject)
• Obor Kytara (Mg) (optional subject)
• Obor Housle (Mg) (optional subject)
• Obor Violoncello (Mg) (optional subject)
• Obor Viola (Mg) (optional subject)
• Obor Bicí nástroje (Mg) (optional subject)
• Obor Zpěv (Mg) (optional subject)
• Obor Operní režie (Mg) (optional subject)
• Obor Dirigování (Mg) (optional subject)
• Obor Komorní hra (Mg) (optional subject)
• Obor Bicí nástroje-jazz (Bc) (optional subject)
• Obor Saxofon-jazz (Bc) (optional subject)
• Obor Klavír-jazz (Bc) (optional subject)
• Obor Kontrabas-jazz (Bc) (optional subject)