Compositions Study 4

Subject guarantor:

Iva OPLIŠTILOVÁ, Lukáš MATOUŠEK

Name of lecturer(s):

Iva OPLIŠTILOVÁ, Lukáš MATOUŠEK

Learning outcomes of the course unit:

The instruction focus lies in the study and analysis of selected compositions representing the main currents of music from the second half of the 20th century to the present.

Mode of study:

The most challenging course in composition analysis for composers and conductors. At the beginning of the semester the instructor prepares for the students several example analyses. During the second half of the semester the students independently analyse a selected composition from the second half of the 20th century to the present. General attention in analysis is devoted to the techtonic composition technique used. Part of the course work is a comparison of procedures determined in various categories of modern music and composers.

Prerequisites and co-requisites:

At the end of the year each student submits the course paper documenting in written form the results of the analytical work.

Recommended optional programme components:

No elective requirements for this course.

Course contents:

The instruction material list originates in the course assignments for each student. Each student is required during the semester to present at least one paper during the semester and participate in discussions over the papers of classmates and those presented by the instructor. At the end of the year, each student submits a course paper documenting, in writing, the results of their analyses.

Recommended or required reading:

HONS, Miloš: Hudební analýza, Togga, Praha 2011

HONS, Miloš: Hudba zvaná symfonie, Togga, Praha 2005

HŮLA, Zdeněk: Nauka o harmonii, SNKLU, Praha 1956

HŮLA, Zdeněk: Nauka o kontrapunktu. Editio Supraphon, Praha 1985.

JANEČEK, Karel: Hudební formy. SNKLHU, Praha 1955.

JANEČEK, Karel: Melodika. SNKLHU, Praha 1956.

JANEČEK, Karel: Harmonie rozborem. SHV Praha l963.

JANEČEK, Karel: Tektonika. Supraphon, Praha 1968.

JANEČEK, Karel: Základy moderní harmonie. Nakladatelství ČSAV, Praha 1965.

KOHOUTEK, Ctirad: Hudební styly z hlediska skladatele, Panton, Praha 1976.

LOUDOVÁ, Ivana: Moderní notace a její interpretace, Nakladatelství AMU,Praha 1998.

Orchestrace jako proces, sborník studií Katedry skladby HAMU, Praha 2010

RISINGER, Karel: Hierarchie hudebních celků v novodobé evropské hudbě. Panton, Praha 1969

RYCHLÍK, Jan, Moderní Instrumentace, Panton Praha 1968

TICHÝ, Vladimír: Harmonicky myslet a slyšet. HAMU, Praha 1996.

TICHÝ, Vladimír: Úvod do studia hudební kinetiky. HAMU, Praha.

Planned learning activities and teaching methods:

Classes

Assessment methods and criteria:

Credit is awarded based on class participation, completion and presentation of the semester paper which the student presents in class and submits in written form. Students sit a test which checks the knowledged acquired during the course in analyses and adoption of analytical methods. The overall grading is comprised of 60% for class participation and 40% for the written course paper.

Course web page:

Note:

none

Schedule for winter semester 2013/2014:

The schedule has not yet been prepared

Schedule for summer semester 2013/2014:

	06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Fri	místnost 2026 Učebna KTDH 2026 (Lichenštejnský palác) OPLIŠTILOVÁ I. 13:40–15:10 (přednášková par. 1)
Thu
Fri

Date	Day	Time	Tutor	Location	Notes	No. of paralel
	Fri	13:40–15:10	OPLIŠTILOVÁ I.	Učebna KTDH 2026 Lichenštejnský palác		přednášková par. 1

The subject is a part of the following study plans:

• Obor Hudební teorie (Bc) (next compulsory subject)
• Obor Skladba (Bc) (next compulsory subject)
• Obor Hudební režie (Bc) (next compulsory subject)
• Obor Dirigování (Bc) (next compulsory subject)
• Obor Zvuková tvorba (Mg) (optional subject)