Theory of Sound Production 3

Subject guarantor:

Martin PINKAS

Name of lecturer(s):

Martin PINKAS

Learning outcomes of the course unit:

To equip future sound professionals with theory abilities in the field.

Mode of study:

contact instruction.

Prerequisites and co-requisites:

Good bearing in basic concepts of acoustics and sound technology.

Recommended optional programme components:

none

Course contents:

The composition of a sound work and its dramaturgy.

Sound contrast and unity, gradation, stagnation and degradation of sound information.

The techtonics of a sound work, sound rhythm and interpunctuation, repetition and retrace.

Time expansion, compression and freezing sound, time, transition, edit and jump.

Timing sound information, time and content capacity of a sound surface.

Quantitative and qualitative stylizations, idealization and deformation of sound information

Psychological effect of sound. Pitch, dynamic, color and space viewpoints.

Sound association and imagination, synthesis

Sound consonance and dissonance

Sound mood, tools, climate, atmosphere, ecology and terrorism

Recommended or required reading:

V. Syrový, Teorie zvukové tvorby, rukopisné poznámky, 2006

I. Bláha: Zvuková dramaturgie audiovizuálního díla, AMU 2004

Planned learning activities and teaching methods:

Lectures

Assessment methods and criteria:

Activity in lectures.

Course web page:

Note:

none

Schedule for winter semester 2013/2014:

The schedule has not yet been prepared

Schedule for summer semester 2013/2014:

The schedule has not yet been prepared

The subject is a part of the following study plans:

• Obor Zvuková tvorba (Bc) (compulsory subject of the main qualification)