Acting with the Inner Partner 2
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
202DVP2 | ZK | 2 | 2/T | summer |
- Subject guarantor:
- Michal ČUNDERLE, Jan HANČIL
- Name of lecturer(s):
- Michal ČUNDERLE, Jan HANČIL, Martina MUSILOVÁ
- Learning outcomes of the course unit:
-
Dialogue behaviour with an internal partner is a physical-mental discipline whose creator is Prof. Ivan Vyskočil. Largely this can be:
- a path to self-discovery, self-acquaintance, self-acceptance and self-actualization.
- creation of the physical-mental condition for creative commuications „conductive“ empathy.
- experience, recognition and study of drama acting principles
- experience, recognition and study of non-subject acting
- a path to understanding, „embodiment“ and realization of defined challenges, questions, defined tasks, texts.
- method of trying, searching, perceiving, being attentive and finding.
- Mode of study:
-
Individual attempts in groups
- Prerequisites and co-requisites:
-
Creativity, analysis and crictical skills.
- Recommended optional programme components:
-
No elective requirements.
- Course contents:
-
A mental-physical discipline created by Prof. Ivan Vyskočil. The foundation is experience and trials in behaviour (speaking, acting) with oneself (with and internal partner), in principle, alone - self-dialogue. To learn authentic, spontaneous, acting and interplay behaviour (behaviour and experience) and produce publically in situations of „public aloneness“ (Stanislavsky), with the presence and attention of „the audience“. In situations when - that is if - friends, observers are not there and the exclusion of visual and tactile contact.
- Recommended or required reading:
-
Buber, Martin: Já a ty. Olmouc: Votobia 1995.
Fink, Eugen: Oáza štěstí. Praha: Mladá fronta 1992.
Vyskočil, Ivan a kol. Dialogické jednání s vnitřním partnerem. Brno: JAMU 2004. (Zde i další doporučená literatura.)
Sborníky KATaP a Ústavu pro výzkum a studium autorského herectví:
Dialogické jednání jako otevřená otázka. Praha: AMU 1997.
Psychosomatický základ veřejného vystupování. Praha: AMU 2000.
Hic sunt leones /o autorském herectví/. Praha: Ústav pro výzkum a studium autorského herectví DAMU 2003.
Herecká propedeutika proč, pro koho a jak? Praha: Ústav pro výzkum a studium autorského herectví DAMU 2006.
Hlas, mluva, řeč/Řeč, mluva, hlas. Praha: Ústav pro výzkum a studium autorského herectví DAMU
Psychosomatika & Pohyb. Praha: Ústav pro výzkum a studium autorského herectví DAMU 2008.
Osobnostní herectví - učitelství. Praha: 2010.
Autor - autorství. Praha: NAMU 2010.
- Planned learning activities and teaching methods:
-
exercises
- Assessment methods and criteria:
-
Credit is awarded primarily based on one's experience in the classes of dialogue negotiations. A condition for successfull completion of the course is two written reviews per semester. As well, an acquaintance with the recommended literature is required.
- Course web page:
- Note:
-
This course may be either in Czech or English.
- Further information:
- This course is an elective for all students of this school
- Schedule for winter semester 2013/2014:
- The schedule has not yet been prepared
- Schedule for summer semester 2013/2014:
-
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Fri Thu Fri Date Day Time Tutor Location Notes No. of paralel Mon 10:30–12:00 MUSILOVÁ M. Učebna
Karlova 26, Praha 1přednášková par. 1 - The subject is a part of the following study plans:
-
- Directing and Dramaturgy for Dramatic Theatre (B.A.) (optional subject)
- Dramaturgy for Dramatic Theatre (M.A.) (optional subject)
- Theory and criticism (B.A.) (compulsory subject)
- Directing for Dramatic Theatre (M.A.) (optional subject)
- Directing for Dramatic Theatre in English (M.A.) (optional subject)