The aim is to expand one's individual bearing in the selected intention and develop one's creative approach leading to independent artistic practice (see more in the textbook).

Arstist dialogue, exercises, one's work on projects and implementations. Analysis of recorded examples and their presentation.

No requirements for registration.

No limits.

The study content is an interdisciplinary research of human situations in multi-dimensional space, from the physical through mental (emotional, rational and spiritual), to social and cultural relations and interaction in informational and idea spaces, where the protagonist is not only a participant but also a co-creator of changes functioning on the principle of feedback (for more see the textbook)

Curriculum:

(for details see the textbook)

I. Series: The static image - composition on a surface

1st block: Still life (object) - observation and vision

2nd block: Portrait (subject) - expression (image)

II series: Image movement - composition in space

3rd block: Shape and space - external space, mental and spiritual dimensions

4th block: Figure (body) - internal (personal) space (intimacy)

III series

5th block: Object in movement (machine/robot) - mechanic rhythm

6th block: Figure in movement (gesture/dance/voice) - biological rhythm

IV series: Image of events - composition in context

7th block: Action (in an environment) - construction/deconstruction

8th block: Story (in society) - composition/decomposition

V series: Presentation - medialization

9th block: Communication and context

10th block Complex systems

VI series: Final work - individual topic

Required Reading:

Skripta - Divadlo v netradičním prostoru, performance a site specific

Performance Art: from Futurism to the Present, RoseLee Goldberg, T & H ? London

Recommended reading:

Performance: Live Art Since 1960, RoseLee Goldberg, Abrams ? New York

Live: Art and performance, Adrian Heathfield, Tate ? London

Out of Actions, Paul Schimmel, MOMA ? Los Angeles

(see textbook)

Lectures, screenings, exercises, consultations.

Attendance and initiative.

Completed etudes and exercises

Attendance at colloquiums and group events

Project concept and implementation

One's activity

(Individual evaluation criteria reasonably weighted)

Instruction schedule see: www DAMU / katedra ALD / Rozvrhy hodin

• Performerství alternativního divadla (Bc.) programu Divadelní tvorba v netradičních prostorech (compulsory subject)
• Scénografie alternativního divadla (Bc.) programu Divadelní tvorba v netradičních prostorech (compulsory subject)
• Režie a dramaturgie alternativního divadla (Bc.) programu Divadelní tvorba v netradičních prostorech (compulsory subject)