| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 204NPS5 | Z | 2 | 5/T | Czech | winter |
- Subject guarantor:
- Name of lecturer(s):
- Learning outcomes of the course unit:
-
In these classes the relationship of space to object is consolidated and the path to systematic work on oneself is built. The prinicples are: regularity, sufficient intensity, thought in the physical investment as well as concentration. An understanding of the relationship of the mind-body method of working with a performer. Mastering not only the movement but also other artistic techniques. Creating a basic concept of the structure and function of one's body (creating one's idea of the body. one containment in a space).
- Mode of study:
-
Professional methods
- Prerequisites and co-requisites:
-
Student physical and mental fitness
- Recommended optional programme components:
- Žádné další nepovinné vzdělávací složky.
- Course contents:
-
Syllabus: In classes, work on the basics of some movement techniques, ex: dance buto, Anne Bogart's viewpoints, Jose Limon Technique. Methodic links to theatre anthropology terminology (Eugenio Barba). The result is to be the perfect mastery of the body as an important tool for performer creations.
- Recommended or required reading:
-
Kroschlová Eva, Jevištní pohyb, Divadelní fakulta AMU, Praha 2003
Payneová H., Kreativní pohyb a tanec, Praha 1999
Kyliánova nadace : Video recordings of performances by leading artists which join acting with movement or dance.
Anne Bogart, Tina Landau: Viewpoints / Úhly pohledu
Eugenio Barba, Nicola Savarese: Slovník divadelní antropologie
- Planned learning activities and teaching methods:
-
Exercises
- Assessment methods and criteria:
-
Credit is awarded for class participation (80% attendance) and the final summary exam.
- Course web page:
- Note:
- Further information:
- No schedule has been prepared for this course
- The subject is a part of the following study plans: