Film Aesthetics Seminar
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
301SFE | Z | 2 | 2/T | Czech | winter |
- Subject guarantor:
- Stanislav ULVER
- Name of lecturer(s):
- Stanislav ULVER
- Learning outcomes of the course unit:
-
The course aim is along with introducing the works of the afore-named theorists (see syllabus), discussion skills and investigating societal and historical contexts.
- Mode of study:
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Presentation of a selected writer and his selected work supplemented with readings, discussions and analyses.
- Prerequisites and co-requisites:
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No requirements.
- Recommended optional programme components:
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Screenings of selected films based on the current discussion topics.
- Course contents:
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After an informative view into the history of aethetics, the course focuses on film analysis related to a view of its critical potential, form and content in the second half of the 20th century. The course is particularly interested in: James Monaco, Marshall McLuhan, Gene Youngblood, Vivian Sobchack, Jan Mukařovský, Antonín Syschra, Umberto Eco, Siegfried Kracauer, Christian Metz, etc. Upon agreement the student may select one for study which will be subject to a detailed extensive analysis.
- Recommended or required reading:
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Guido Aristarco, Dějiny filmových teorií, Orbis, Praha 1968.
Další doporučená literatura:
Benjamin, Walter, Dílo a jeho zdroj, Odeon, Praha 1979
Deleuze, Gilles, Film 1 (Obraz-pohyb), NFA, Praha 2000.
Effenberger, Vratislav, Realita a poesie, Mladá fronta, Praha 1969
Gabliková, Suzi, Selhala moderna, Votobia, Olomouc 1995
Kroutvor, Josef, Hlava Medusy, Jazzpetit, Praha
McLuhan, Marshall, Jak rozumět médiím, Odeon, Praha 1991
Metz, Christian, Imaginární signifikant, NFA Morpurgo-Tagliabue, Guido, Současná estetika, Odeon, Praha 1985
Mukařovský, Jan, Studie z estetiky, Odeon, Praha 1966
Souriau, Étienne, Encyklopedie estetiky, Victoria Publishing, Praha 1994
Sborník filmové teorie 1. (Angloamerické studie), ČFÚ, Praha 1991.
Required knowledge: Fundamental film history and theory.:
Základy dějin a teorie filmu
- Planned learning activities and teaching methods:
-
Presentation of a selected writer and his selected work supplemented with readings, discussions and analyses.
- Assessment methods and criteria:
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Obligatory presentation of at least one of the selected filmmakers also in written form, activity in class - discussion. Attendance is also important.
- Course web page:
- Note:
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No note.
- Schedule for winter semester 2013/2014:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Fri Thu Fri Date Day Time Tutor Location Notes No. of paralel Fri 18:10–19:45 ULVER S. Učebna KSD 432
Lažanský palácpřednášková par. 1 - Schedule for summer semester 2013/2014:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
-
- Scriptwriting and Dramaturgy - Bachelor (qualification subject)