Documentary Workshop 8

Subject guarantor:

Karel VACHEK

Name of lecturer(s):

Rudolf ADLER, Karel VACHEK, Miroslav JANEK, Helena TŘEŠTÍKOVÁ, Martin ŘEZNÍČEK, Martin MAREČEK

Learning outcomes of the course unit:

Students are introduced to the complete dramaturgy, implementation and composition processes of a documentary project, in order to be able to independently and creatively implement assigned group and study exercises according to the study plan corresponding to the study year and level of study.

Mode of study:

Moderated discussion, collective and individual consultations, analysis of recorded material.

Prerequisites and co-requisites:

Overview of arts disciplines, economic and political events, social issues.

Analytical and review skills.

Creativity.

Recommended optional programme components:

Continual monitoring of all types of art, philosophy, politics, economics is recommended and their relationships.

Course contents:

The Implementation workshop is the main professional course for Documentary Dept. students. The focal point of its content is the most intensive communication with the workshop lead instructor. The Implementation workshop is a community arising from the mutual selection of the students and teachers in which free creative impulses arise and in the process of creation projects are improved in an atmosphere of regular collaboration, educationally effective sharing of experience in all phases of the rise of a work and in open discussions in which personal viewpoints, art and personal signature are refined and consolidated.

The foundation of the work is a thorough analysis of student proposals in a collective workshop and indivudal discussions about their social and artistic effect and a systematic presentation of how to proceed in their execution. The the work creation phase (shooting and composition finishing) the instructor analyses material, primarily in the editing room.

The Implementation workshop guides the student to no succumb to professional habits, but to try through their own investigations and searching for forms to surprise not only viewers but themselves as well. This leads the students to investigating manners of how to understand the current events and period in which we live and an ability to review and document it on film.

Recommended or required reading:

BILL NICHOLS, Úvod do dokumentárního filmu, Akademie múzických umění v Praze a Jihlavský spolek amatérských filmařů, 2010, ISBN 978-80-7331-181-0

Guido Aristarco, Dějiny filmových teorií, ORBIS, Praha,1968

Guy Gauthier, Dokumentární film, jiná kinematografie, AMU, Praha, MFDF, Jihlava, 2004ISBN 80-7331-023-6

Gilles Deleuze, Film 1 Obraz-Pohyb, Národní filmový archiv, Praha, 2000, ISBN 80-7004-098-X

Gilles Deleuze, Film 2 Obraz-Čas, Národní filmový archiv, Praha, 2006, ISBN 80-7004-127-7

Rudolf Adler, Cesta k filmovému dokumentu, FAMU, AMU, Praha, 2001 /třetí rozšířenné vydání/ISBN 80-8588š-72-4

Jerzy Płažewski, Dějiny filmu 1895 - 2005, ACADEMIA, Praha, 2009, ISBN 978-80-200-1689-8

Béla Balázs, FILM, Vývoj a podstata nového umenia SVKL, Bratislava, 1958

Planned learning activities and teaching methods:

Classes, individual and group consultation, moderated discussion.

Assessment methods and criteria:

Conditions for successfully completing the course:

Attendance, participation in discussions, participation in dramaturgy preparations, implementation and completion of the year's exercises in consultation with the instructor and results quality of the group and study exercises.

Course web page:

Note:

Rudolf Adler:

The aim and purpose of this course and program is the constructive and positive concept of the „Creative Workshop,“ reminiscent of the traditional painters' and sculptors' studios of the distant past and the group efforts of defined arts groups in various creative fields of the recent past and modernity.

The course is imagined as a volutary society of enthusiastic, hard-working, skilled, morally sound and mutually responsibe creative persons, artistically inclined and in opinion and emotion going in the same direction. A society where impulses freely arise and the creative process develops results in an atmosphere of working collaboration, sharing of professional experience and knowledge in all phases of the project and, as well, open discussion in which personal standpoints, artistic manifestations and individual signatures are refined

Schedule for winter semester 2013/2014:

The schedule has not yet been prepared

Schedule for summer semester 2013/2014:

	06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon	místnost 211 Sborovna KDT (Lažanský palác) JANEK M. 09:50–12:15 (paralelka 1)místnost 210 Kancelář vedoucího KDT (Lažanský palác) VACHEK K. 13:10–15:35 (paralelka 3) místnost 212 Střižna avid KDT (Lažanský palác) TŘEŠTÍKOVÁ H. 09:50–12:15 (paralelka 2)místnost 211 Sborovna KDT (Lažanský palác) ADLER R. 13:10–15:35 (paralelka 4) místnost 217 Učebna KDT (Lažanský palác) ŘEZNÍČEK M. 13:10–15:35 (paralelka 5)
Tue	místnost 217 Učebna KDT (Lažanský palác) MAREČEK M. 15:40–17:15 (paralelka 6)
Fri
Thu
Fri

Date	Day	Time	Tutor	Location	Notes	No. of paralel
	Mon	09:50–12:15	JANEK M.	Sborovna KDT Lažanský palác		paralelka 1
	Mon	09:50–12:15	TŘEŠTÍKOVÁ H.	Střižna avid KDT Lažanský palác		paralelka 2
	Mon	13:10–15:35	VACHEK K.	Kancelář vedoucího KDT Lažanský palác		paralelka 3
	Mon	13:10–15:35	ADLER R.	Sborovna KDT Lažanský palác		paralelka 4
	Mon	13:10–15:35	ŘEZNÍČEK M.	Učebna KDT Lažanský palác		paralelka 5
	Tue	15:40–17:15	MAREČEK M.	Učebna KDT Lažanský palác		paralelka 6

The subject is a part of the following study plans:

• Documentary Film - Master (qualification subject)