Atelier - Specific Photography Studios 2
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 307EAS2 | Z | 1 | 13/S | English | summer |
- Subject guarantor:
- Robert SILVERIO, Štěpánka ŠIMLOVÁ
- Name of lecturer(s):
- Robert SILVERIO, Štěpánka ŠIMLOVÁ, Štěpán GRYGAR, Robert PORTEL, Rudolf PREKOP, Viktor KOLÁŘ
- Learning outcomes of the course unit:
-
The objective of the Studio of Creative Photography is to support and further develop the individual creative skills of the students as much as possible. Emphasis is put on conceptual work and creativity.
- Mode of study:
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1. STUDIO OF STUDIO PHOTOGRAPHY
Graded credit: granted on the basis of submission of all prescribed assignments and evaluation of submitted photographs. The basic pre-requisites for grading are the student?s participation within at least 60% of the lectures, participation in posted mandatory joint consultations specified in the beginning of the course, as well as the submission of agreed on photographs in digital form ? resolution 300 dpi with the length of the longer side of the format being 250mm.
2. STUDIO OF DOCUMENTARY PHOTOGRAPHY
The student?s assignments will be evaluated by supervising teacher /V.K./, also the personal attendance of the seminars and workshops /hours of attendance set by the Department/, individual engagement will contribute as well to final grading.
3. STUDIO OF CREATIVE PHOTOGRAPHY
Graded credit: granted on the basis of submission of all prescribed assignments and evaluation of submitted photographs. The basic pre-requisites for grading are the student?s participation within at least 60% of the lectures, participation in posted mandatory joint consultations specified in the beginning of the course, as well as the submission of agreed on photographs in digital form ? resolution 300 dpi with the length of the longer side of the format being 210mm.
4. STUDIO OF OUTDOOR PHOTOGRAPHY
Graded credit: granted on the basis of submission of all prescribed assignments and evaluation of submitted photographs. The basic pre-requisites for grading are the student?s participation within at least 60% of the lectures, participation in posted mandatory joint consultations specified in the beginning of the course. A condition for assessment is the handing-in of all photographs in digital form in TIF format with a resolution of 300 dpi and the longer side of each photograph being 250 mm.
- Prerequisites and co-requisites:
-
Completion of „Studio - Specific Photography Studio 1.“
- Recommended optional programme components:
- Žádné další nepovinné vzdělávací složky.
- Course contents:
-
This studio provides creative space for students to practice genres throughout the entire photography expression spectrum. The program includes and analysis of the borders between graphic, documentary, multimedia, or other forms of image communication. This is to accentuate the communication itself.
In this „Autonomous Studio“ individual semester exercises are implemented, as assigned, which do not change, but on the contrary, react to the „spirit of the times“.
Emphasis is placed on the thought basis, sensitivity and individual position of each student, which in interaction and discussion with the instructor the students express their creative approach, as well as the results of the whole process.
- Recommended or required reading:
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Berger, John. Ways of Seeing, Penguin Books,London, 1972
Barthes, Roland: Camera lucida: reflections on photography, New York: Hill and Wang, 1981
Barthes, Roland: Criticim and Truth, London: Athlone, 1987
Barthes, Roland: Mythologies, London: J.Cape, 1972
Campany, David, Art and Photography, London, Phaidon 2003
Cotton Charlotte The Photography as Contemporary Art, London, Thames Hudson, 2004
Danto Arthur. The Philosophical Disenfranchisement of Art, Columbia University Press, NY, 1986
Frizot, Michel, Nouvelle Histoire de la Photographie, Larousse-Bordas, Paris, 1996
Flusser Vilem.
Towards a philosophy of photography, Reaktion, London 2000
Greenberg, Clement: Die Essenz der Moderne, Fundus, Dresden, 1997
Honnef, Klaus. Nichts als Kunst, Dumont, Koln, 1997
Lucie-Smith, Edward. Art Today, Phaidon, London, 1995
Mayo, Nuria Enquita - Johnston Pamela (ed.), Viktor Burgin, Barcelona: Fundació Antoni Tapies, 2001
Orvell, Miles. American Photography, Oxford University Press, London, 2003
Osborne Peter. Conceptual Art, Phaidon, London 2002
Reimschneider, Burkhard, Grosenick, Uta. Art at Turn of the Millenium, Taschen, Koln, 1999
Reimschneider, Burkhard, Grosenick, Uta. Art Now, Taschen 2002
Rusch Michael. New Media in Late 20th Century, Thames & Hudson, London 1999
Susan Sontag: On Photography, Farrar, Straus and Giroux, NY. 1977
Stiles, Kristine, Selz Peter. Theories and Documents of Contemporary Art, University of California Press, London,
Wall, Jeff. Scenarien im Bildraum der Wirklichkeit, Fundus, Dresden, 1997
Wells, Liz. The Photography Reader, Routledge, London, 2003
2. STUDIO OF DOCUMENTARY PHOTOGRAPHY
Viktor Kolář: „Seminar in documentary Photography“, AMU-FAMU 2000.
Eugen Herrigel: „Zen in The Art of Archery“.
Carla Gustav Jung: „Volumes“
Zykmunt Bauman: „Liquid modernity“
The other important titles for you will be mentioned during our seminars.
- Planned learning activities and teaching methods:
- Assessment methods and criteria:
-
1. STUDIO OF STUDIO PHOTOGRAPHY
Graded credit: granted on the basis of submission of all prescribed assignments and evaluation of submitted photographs. The basic pre-requisites for grading are the student?s participation within at least 60% of the lectures, participation in posted mandatory joint consultations specified in the beginning of the course, as well as the submission of agreed on photographs in digital form ? resolution 300 dpi with the length of the longer side of the format being 250mm.
2. STUDIO OF DOCUMENTARY PHOTOGRAPHY
The student?s assignments will be evaluated by supervising teacher /V.K./, also the personal attendance of the seminars and workshops /hours of attendance set by the Department/, individual engagement will contribute as well to final grading.
3. STUDIO OF CREATIVE PHOTOGRAPHY
Graded credit: granted on the basis of submission of all prescribed assignments and evaluation of submitted photographs. The basic pre-requisites for grading are the student?s participation within at least 60% of the lectures, participation in posted mandatory joint consultations specified in the beginning of the course, as well as the submission of agreed on photographs in digital form ? resolution 300 dpi with the length of the longer side of the format being 210mm.
4. STUDIO OF OUTDOOR PHOTOGRAPHY
Graded credit: granted on the basis of submission of all prescribed assignments and evaluation of submitted photographs. The basic pre-requisites for grading are the student?s participation within at least 60% of the lectures, participation in posted mandatory joint consultations specified in the beginning of the course. A condition for assessment is the handing-in of all photographs in digital form in TIF format with a resolution of 300 dpi and the longer side of each photograph being 250 mm.
- Course web page:
- Note:
- Schedule for winter semester 2013/2014:
- The schedule has not yet been prepared
- Schedule for summer semester 2013/2014:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Fri Thu Fri Date Day Time Tutor Location Notes No. of paralel Tue 13:10–16:25 KOLÁŘ V. Učebna KF
Tržiště 20, Praha 1 (vchod z Rektorátu AMU, Malostranské nám. 12)přednášková par. 1 Tue 14:00–17:15 GRYGAR Š. Učebna KF
Tržiště 20, Praha 1 (vchod z Rektorátu AMU, Malostranské nám. 12)přednášková par. 1 Tue 14:00–17:15 PREKOP R. Ateliér A KF
Lažanský palácpřednášková par. 1 Tue 14:00–17:15 ŠIMLOVÁ Š. Učebna KF
Lažanský palácpřednášková par. 1 - The subject is a part of the following study plans:
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- Photography EN - Bachelor (qualification subject)