The Interpretation of the contemporary Music 1

Register Display Schedule

Subject guarantor:

Slavomír HOŘÍNKA, Luboš MRKVIČKA, Marek KOPELENT

Name of lecturer(s):

Hanuš BARTOŇ, Michal RATAJ, Slavomír HOŘÍNKA, Luboš MRKVIČKA, Marek KOPELENT

Learning outcomes of the course unit:

Mode of study:

Prerequisites and co-requisites:

Recommended optional programme components:

none

Course contents:

Recommended or required reading:

Alberman, David: Abnormal Playing Techniques in the String Quartets of Helmut Lachenman. Contemporary Music Review, Volume 24, Issue 1 February 2005 , pages 39-51.

Arditti, Irvine: Reflections on performing the string music of Iannis Xenakis. Contemporary Music Review, Volume 21, Numbers 2-3, Numbers 2-3/June/September 2002 , pp. 85-89

Bartolozzi, Bruno: New sounds for Woodwins. Oxford University Press, London 1967.

Dick, Robert: The Other Flute: Tone Development Through Extended Techniques. Edu-Tainment Publishing Co., New Yourk 1978.

Dempster, Stuart: The modern trombone : a definition of its idioms. Berkeley : University of California Press, 1979.

Dohnal, Karel: Technika a výrazové prostředky klarinetu používané v současné hudbě. Disertační práce HAMU, Praha 2005.

Edgerton, Michael Edward: The 21st Century Voice, Contemporary and Traditional Extra-Normal Voice. Scarecrow Press, 2006.

Loudová, Ivana: Moderní notace a její interpretace. AMU, Praha 1998.

Lachenmann, Helmut: On My Second String Quartet. Contemporary Music Review, Volume 23, Issue 3 & 4 September 2004 , pages 59-79.

Möller, Mats: New Sounds for Flute. http://www.sfz.se/flutetech/index.htm

Rehfeld, Phillip: New Directions for Clarinet. University of Carolina Press, Berkley - Los Angeles - London 1977.

Spring, Robert S.: How Can I Learn Circular Breathing? http://www.woodwind.org/clarinet/Study/CircularBreathing.html

Strange, Allen; Strange, Patricia: The Contemporary Violin: Extended Performance Techniques. Scarecrow Press, 2001.

Turetzky, Bertram: The contemporary contrabass. Berkeley: University of California Press, 1989.

Veale, Peter; Mahnkopf, Claus-Steffen: Die Spieltechnik der Oboe. Bärenreiter, Kassel 2005.

Planned learning activities and teaching methods:

lecture

exercises

classes

Assessment methods and criteria:

Course web page:

http://katedraskladby.hamu.cz/

Note:

12 hours per semester in 6 blocks of 2 hours.

Schedule for winter semester 2014/2015:

The schedule has not yet been prepared

Schedule for summer semester 2014/2015:

The schedule has not yet been prepared

The subject is a part of the following study plans:

• Flute (Mg) (optional subject)
• Clarinet (Mg) (optional subject)
• Harpsichord (Mg) (optional subject)
• Piano (Mg) (optional subject)
• Organ (Mg) (optional subject)
• Oboe (Mg) (optional subject)
• Bassoon (Mg) (optional subject)
• French Horn (Mg) (optional subject)
• Trumpet (Mg) (optional subject)
• Trombone (Mg) (optional subject)
• Tuba (Mg) (optional subject)
• Harp (Mg) (optional subject)
• Double Bass (Mg) (optional subject)
• Guitar (Mg) (optional subject)
• Violin (Mg) (optional subject)
• Cello (Mg) (optional subject)
• Viola (Mg) (optional subject)
• Percussion Instruments (Mg) (optional subject)
• Voice (Mg) (optional subject)
• Conducting (Mg) (optional subject)
• Chamber Performance (Mg) (optional subject)
• Guitar-Jazz (Mg) (optional subject)
• Percussion Instruments-Jazz (Mg) (optional subject)
• Double Bass-Jazz (Mg) (optional subject)
• Piano-Jazz (Mg) (optional subject)
• Saxophone-Jazz (Mg) (optional subject)