Compositions Study 2

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Subject guarantor:

Otomar KVĚCH

Name of lecturer(s):

Otomar KVĚCH

Learning outcomes of the course unit:

Knowledge of the widest range of the latest domestic and foreign compositions.

Mode of study:

Lecture, score listenings, discussion, concert attendance

Prerequisites and co-requisites:

General knowledge of 20th Century music compostions in Bohemia and around the world.

Recommended optional programme components:

None

Course contents:

A description of the instruction material originates in the course assignments of individual students. Each student is obligated, during the semester, to at least once present a paper and participate in discussions about the papers of other students. At the end of the year each student submits a course paper documenting in written form the results of their analysis.

Recommended or required reading:

HONS, Miloš: Hudební analýza, Togga, Praha 2011

HONS, Miloš: Hudba zvaná symfonie, Togga, Praha 2005

HŮLA, Zdeněk: Nauka o harmonii, SNKLU, Praha 1956

HŮLA, Zdeněk: Nauka o kontrapunktu. Editio Supraphon, Praha 1985.

JANEČEK, Karel: Hudební formy. SNKLHU, Praha 1955.

JANEČEK, Karel: Melodika. SNKLHU, Praha 1956.

JANEČEK, Karel: Harmonie rozborem. SHV Praha l963.

JANEČEK, Karel: Tektonika. Supraphon, Praha 1968.

JANEČEK, Karel: Základy moderní harmonie. Nakladatelství ČSAV, Praha 1965.

KOHOUTEK, Ctirad: Hudební styly z hlediska skladatele, Panton, Praha 1976.

LOUDOVÁ, Ivana: Moderní notace a její interpretace, Nakladatelství AMU,Praha 1998.

Orchestrace jako proces, sborník studií Katedry skladby HAMU, Praha 2010

RISINGER, Karel: Hierarchie hudebních celků v novodobé evropské hudbě. Panton, Praha 1969.

RYCHLÍK, Jan, Moderní Instrumentace, Panton Praha 1968

TICHÝ, Vladimír: Harmonicky myslet a slyšet. HAMU, Praha 1996.

TICHÝ, Vladimír: Úvod do studia hudební kinetiky. HAMU, Praha.

Planned learning activities and teaching methods:

None.

Assessment methods and criteria:

Credit is awarded based on participation in class, development and presentation of a semester paper which is presented in class.

Overall grading is comprised of 60% for class participation and 40% for the paper presentation.

Course web page:

Note:

None.

Schedule for winter semester 2014/2015:

The schedule has not yet been prepared

Schedule for summer semester 2014/2015:

	06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Wed	místnost 2057 Učebna KTDH 2057 (Lichenštejnský palác) KVĚCH O. 10:20–11:50 (přednášková par. 1)
Thu
Fri

Date	Day	Time	Tutor	Location	Notes	No. of paralel
	Wed	10:20–11:50	KVĚCH O.	Učebna KTDH 2057 Lichenštejnský palác		přednášková par. 1

The subject is a part of the following study plans:

• Music Theory (Bc) (next compulsory subject)
• Composition (Bc) (next compulsory subject)
• Music Directing (Bc) (next compulsory subject)
• Conducting (Bc) (next compulsory subject)
• Sound Design (Bc) (optional subject)
• Sound Design (Mg) (optional subject)