Theory of Sound Production 5

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Subject guarantor:

Martin PINKAS

Name of lecturer(s):

Martin PINKAS

Learning outcomes of the course unit:

Course content creates a greater aspect of creative work with sound in uniting and comparing general aesthetic, psychological and artistic perspectives with technical conditions of contemporary sound design considering the arts profile of the listener and requirements of instruction in sound.

Mode of study:

contact instruction

Prerequisites and co-requisites:

Knowledge of general sound design theory at the bachelor's level of Sound Design at HAMU.

Recommended optional programme components:

None

Course contents:

The composition of a sound work and its dramaturgy.

Sound contrast and unity, gradation, stagnation and degradation of sound information.

The techtonics of a sound work, sound rhythm and interpunctuation, repetition and retrace.

Time expansion, compression and freezing sound, time, transition, edit and jump.

Timing sound information, time and content capacity of a sound surface.

Quantitative and qualitative stylizations, idealization and deformation of sound information

Sound effects and aesthetics of sound deformation

Recommended or required reading:

Syrový Václav, Teorie zvukové tvorby, rukopisné poznámky, 2006

Planned learning activities and teaching methods:

Lectures

Assessment methods and criteria:

Activity in lectures.

Course web page:

Note:

none

Schedule for winter semester 2014/2015:

The schedule has not yet been prepared

Schedule for summer semester 2014/2015:

The schedule has not yet been prepared

The subject is a part of the following study plans:

• Sound Design (Mg) (compulsory subject of the main qualification)