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ACADEMY OF PERFORMING ARTS IN PRAGUE

Subject is not scheduled Not scheduled

Code Completion Credits Range Semester
204NMO1 Z 2 3/T winter
Subject guarantor:
Name of lecturer(s):
Learning outcomes of the course unit:

The aim is to expand one's individual bearing in the selected intention and develop one's creative approach leading to independent artistic practice (see more in the textbook).

Mode of study:

Arstist dialogue, exercises, one's work on projects and implementations. Analysis of recorded examples and their presentation.

Prerequisites and co-requisites:

No requirements for registration.

Recommended optional programme components:

No limits.

Course contents:

The study content is an interdisciplinary research of human situations in multi-dimensional space, from the physical through mental (emotional, rational and spiritual), to social and cultural relations and interaction in informational and idea spaces, where the protagonist is not only a participant but also a co-creator of changes functioning on the principle of feedback (for more see the textbook)

Curriculum:

(for details see the textbook)

I. Series: The static image - composition on a surface

1st block: Still life (object) - observation and vision

2nd block: Portrait (subject) - expression (image)

II series: Image movement - composition in space

3rd block: Shape and space - external space, mental and spiritual dimensions

4th block: Figure (body) - internal (personal) space (intimacy)

III series

5th block: Object in movement (machine/robot) - mechanic rhythm

6th block: Figure in movement (gesture/dance/voice) - biological rhythm

IV series: Image of events - composition in context

7th block: Action (in an environment) - construction/deconstruction

8th block: Story (in society) - composition/decomposition

V series: Presentation - medialization

9th block: Communication and context

10th block Complex systems

VI series: Final work - individual topic

Recommended or required reading:

Required Reading:

Skripta - Divadlo v netradičním prostoru, performance a site specific

Performance Art: from Futurism to the Present, RoseLee Goldberg, T & H ? London

Recommended reading:

Performance: Live Art Since 1960, RoseLee Goldberg, Abrams ? New York

Live: Art and performance, Adrian Heathfield, Tate ? London

Out of Actions, Paul Schimmel, MOMA ? Los Angeles

(see textbook)

Planned learning activities and teaching methods:

Lectures, screenings, exercises, consultations.

Assessment methods and criteria:

Attendance and initiative.

Completed etudes and exercises

Attendance at colloquiums and group events

Project concept and implementation

One's activity

(Individual evaluation criteria reasonably weighted)

Course web page:
Note:

Instruction schedule see: www DAMU / katedra ALD / Rozvrhy hodin

Further information:
No schedule has been prepared for this course
The subject is a part of the following study plans:
Generated on 2015-06-16