The Godfather I analysis
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
300MTGI | Z | 1 | 15/S | English | summer |
- Subject guarantor:
- Name of lecturer(s):
- Learning outcomes of the course unit:
- Mode of study:
- Prerequisites and co-requisites:
- Recommended optional programme components:
- No further recommended optional study components.
- Course contents:
-
Instructor: Giovanni Robbiano,coordinator Pavel Jech
Date and time: Friday , April 15 and Saturday April16, 2011,9:30 ?17(lunch break 12:30 ? 14),
FAMU room 1, in english
Assignement: 1 credit for 100%participation
The Godfather I analysis
By Giovanni Robbiano, screenwriter, director, producer; Professor, University of Genova, Italy
April 15-16, FAMU, Room U1
Friday, April 15
9.30 - 17.00 (lunch break 12.30 - 14.00)
Saturday, April 16
9.30 - 17.00 (lunch break 12.30 - 14.00)
Few films can reveal film language, structure, purpose and elements of film such as Francis Ford Coppola's „godfather“, tragic epic about the Corleone's mob family in postwar USA. A movie portraying so many issues and characters to fill a dozen good films, yet so beautifully constructed and crafted to become a landmark in film history, one of the most acclaimed, successful and fascinating films ever, as well as for our purposes, one of the most analyzed „texts“: excellent study material for any aspiring filmmaker.
After a previous screening of the film we will get back to some of the sequences in detail and examine character's nature, motivation, predicament as well as story development, plot, implication, and the overall movies' thrust: the power of change and the consequences of this force.
NB: Participants are asked to view the movie in advance; screening of the movie in full length is not part of the module.
- Recommended or required reading:
- Planned learning activities and teaching methods:
- Assessment methods and criteria:
- Course web page:
- Note:
- Further information:
- No schedule has been prepared for this course
- The subject is a part of the following study plans:
-
- Animation - Master (optional subject)
- Documentary Film - Master (faculty subject, optional subject)
- Documentary Film - Bachelor (optional subject)
- Animation - Master (faculty subject, optional subject)
- Scriptwriting and Dramaturgy - Bachelor (optional subject)
- Scriptwriting and Dramaturgy - Master (faculty subject, optional subject)
- Film Directing - Bachelor (optional subject)
- Film Directing - Master (faculty subject, optional subject)
- Cinematography - Bachelor (optional subject)
- Cinematography - Master (faculty subject, optional subject)
- Production - Bachelor (optional subject)
- Production - Master (faculty subject, optional subject)
- Audiovisual Studies - Bachelor (optional subject)
- Editing - Bachelor (optional subject)
- Editing - Master (faculty subject, optional subject)
- Sound Design - Bachelor (optional subject)
- Sound Design - Master (faculty subject, optional subject)
- Photography CZ - Bachelor (optional subject)
- Photography CZ - Master (faculty subject, optional subject)
- Audiovisual Studies - Master (faculty subject, optional subject)
- Restoring of Photogrphy (optional subject)