Chapters from the History of Film Editing 1
Code | Completion | Credits | Range | Language Instruction | Semester |
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306KDSS1 | Z | 2 | 2/T | Czech | summer |
- Subject guarantor:
- Martin ČIHÁK
- Name of lecturer(s):
- Martin ČIHÁK
- Learning outcomes of the course unit:
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To guide the student to a general consideration of the history and theory of editing and to evoke their own considerations of the relation between theory and practice in film.
- Mode of study:
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Discussions, analyses of media recording samples, text analyses.
- Prerequisites and co-requisites:
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Completion of „Introduction to Editing Studies.“
- Recommended optional programme components:
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No elective requirements necessary.
- Course contents:
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The objective of the course is to introduce students to general reflections on the history and theory of editing, and to stimulate independent reflections on the relationship between theory and practice in editing. Seminar presentation themes will be selected based on the composition and interests of students and the presentations will form the basis for subsequent dialogue.
- Recommended or required reading:
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Barry Salt: Filmový styl a filmová technika 1895 - 1900, Iluminace 1 /95
André Bazin: Co je to film? (ČFÚ 1979) - vybrané kapitoly: Montáž zakázána; Vývoj filmové střihové skladby od nástupu zvuku; Vývoj filmové řeči.
Angloamerické studie, sborník filmové teorie (ČFÚ 1991) - vybrané kapitoly: James Monaco: Znaky a syntax; F. E. Sparshott: Základy filmové estetiky; Noell Carroll: Síla filmu; Sol Worth: Obrazy nemohou říkat ne.
Tartuská škola, sborník filmové teorie (NFA, 1995) - vybrané kapitoly: M. B. Jampolskij: Dialog a struktura filmového prostoru; J. G. Civjan: K symbolice vlaku v počátcích filmu; J. G. Civjan: K metasémiotickému popisu vyprávění ve filmu.
Artur Pelešjan: Distanční montáž, Film a doba 4 / 1986
Stanislav Ulver: Čas a globální čas ve filmu, Iluminace 2 / 1989
Maurice Merleau - Ponty: Film a nová psychologie, Iluminace 2 / 1989
Victor A. Grauer: Brakhage a teorie filmové montáže, Iluminace 3 / 1999
Jean Epstein: Poetika obrazů, Herrmann a synové 1997
Vlastimil Jiřík: Kinematografický obraz, skripta FAMU1994
Peter Mihálik: Kapitoly z filmovej teórie, Tatran 1983
Jan Bernard: Jazyk, kinematografie, komunikace, NFA 1995
D. R. Hofstadter: Gödel, Escher, Bach, Světová literatura 1/1993
Peter Gidal: Teorie & definice strukturálního/materiálního filmu. Iluminace 3/99
Geometrie živého, matematické modely morfogeneze - sborník přednášek, ČSVTS 1989
- Planned learning activities and teaching methods:
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classes
- Assessment methods and criteria:
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Class activity
Development of the paper and its presentation
- Course web page:
- Note:
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- Further information:
- This course is an elective for all AMU students
- Schedule for winter semester 2014/2015:
- The schedule has not yet been prepared
- Schedule for summer semester 2014/2015:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Wed Thu Fri Date Day Time Tutor Location Notes No. of paralel Thu 18:10–19:45 ČIHÁK M. Učebna KSS 311
Lažanský palácpřednášková par. 1 - The subject is a part of the following study plans:
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- Animation - Master (optional subject)
- Documentary Film - Master (optional subject)
- Documentary Film - Bachelor (optional subject)
- Animation - Master (optional subject)
- Scriptwriting and Dramaturgy - Bachelor (optional subject)
- Scriptwriting and Dramaturgy - Master (optional subject)
- Film Directing - Bachelor (optional subject)
- Film Directing - Master (optional subject)
- Cinematography - Bachelor (optional subject)
- Cinematography - Master (optional subject)
- Production - Bachelor (optional subject)
- Production - Master (optional subject)
- Audiovisual Studies - Bachelor (optional subject)
- Editing - Bachelor (optional subject)
- Editing - Master (optional subject)
- Sound Design - Bachelor (optional subject)
- Sound Design - Master (optional subject)
- Photography CZ - Bachelor (optional subject)
- Photography CZ - Master (optional subject)
- Audiovisual Studies - Master (optional subject)
- Restoring of Photogrphy (optional subject)