The Theory of Editing 3

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Subject guarantor:

Georgy BAGDASAROV

Name of lecturer(s):

Georgy BAGDASAROV

Learning outcomes of the course unit:

The aim of the course is to introduce students to the changes in editing compostion from the beginning of cinematography to the present.

Mode of study:

Discussions, analyses of media recording samples, text analyses

Prerequisites and co-requisites:

Completion of „Editing Composition Theory 1 and 2“.

Recommended optional programme components:

No elective requirements necessary.

Course contents:

The basic topic is a comparison of the modern theories and practices of distinguished world cinematography filmakers who have no only enriched film composition processes but also were able to reflect upon their own theory items and considerations.

Recommended or required reading:

Victor A. Grauer, Montage, realism and the Act of Vision.

Andrej Tarkovskij, Zapečatanoje vremja.

James Monaco, How to read a film.

Robert Bresson, Poznámky o kinematografu.

Planned learning activities and teaching methods:

přednáška

Assessment methods and criteria:

Activity in lectures

Text analyses

Completion of the final exam

Course web page:

Note:

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Schedule for winter semester 2014/2015:

	06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon	místnost 311 Učebna KSS 311 (Lažanský palác) BAGDASAROV G. 14:00–16:25 ODD WEEK (přednášková par. 1)
Tue
Wed
Thu
Fri

Date	Day	Time	Tutor	Location	Notes	No. of paralel
	Mon	14:00–16:25	BAGDASAROV G.	Učebna KSS 311 Lažanský palác		přednášková par. 1

Schedule for summer semester 2014/2015:

The schedule has not yet been prepared

The subject is a part of the following study plans:

• Editing - Bachelor (qualification subject)