Selected Topics in Avant-Garde Film
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
373MTAF | Z | 1 | 6/H | English | summer |
- Subject guarantor:
- Henry Lyman HILLS
- Name of lecturer(s):
- Henry Lyman HILLS
- Learning outcomes of the course unit:
-
Supplementary to a historical survey of avant-garde film, it is useful to examine aspects of this often difficult but generally very rewarding approach to filmmaking and film thought from a variety of different perspectives. In this series of mini-modules we will explore lesser known works and longer works or we will explore a series of more familiar works thematically or juxtaposed in an unfamiliar manner or order, in order to open your eyes and hopefully give you some new ideas.
- Mode of study:
-
VIEWING AND DISCUSSING
- Prerequisites and co-requisites:
-
none
- Recommended optional programme components:
-
none
- Course contents:
-
class 1: VERTOV BEFORE AND AFTER MAN WITH A MOVIE CAMERA
?Man with a Movie Camera?, though forgotten from the beginning of WW2 until the mid-60's, is now regarded as one of the immortal masterpieces of cinema and is screened on a frequent basis in many classes at FAMU.
Although inexhaustibly interesting, it is only one work from the prolific and thoroughly uncompromised career of Dziga Vertov. In this class we will view and discuss two of his masterpieces which are subtly just as radical as (and radically different from) MWMC.
LENINIST KINO PRAVDA (#21) (1925) 43 min
ENTHUSIASM (1931) (Kubelka restoration) 104 min
class 2: FIVE MINUTES OR LESS FROM THE 20TH CENTURY AND IN ALPHABETICAL ORDER
#3 Harry Smith (2 soundtracks) 3 min each
48 KÖPFE AUS DEM SZONDI-TEST (2/60) Kurt Kren silent 4 min
AT THE ACADEMY Guy Sherwin 5 min
LE BAQUET DE MESMER George Melies silent 3 min
BLACK ICE Stan Brakhage silent 2 min
LE CERCEAU MAGIQUE Emil Cohl silent 5 min
COMMINGLED CONTAINERS Stan Brakhage silent 3 min
COSMIC RAY Bruce Conner 4 min
DICKSON EXPERIMENTAL SOUND FILM W.K.L.Dickson 2 min
EYE WASH Robert Breer (2 versions) silent 3 min each
FREE RADICALS Len Lye 5 min
THE GARDEN OF EARTHLY DELIGHTS Brakhage silent 2 min
GLIMPSE OF THE GARDEN Marie Menken 5 min
L?HALLUCINATION DE L?ALCHIMISTE George Melies silent 3 min
HAND MOVIE Yvonne Rainer silent 6 min
HOT LEATHERETTE Robert Nelson 4 min
INTERIOR NEW YORK SUBWAY Billy Bitzer silent 5 min
KINO DA! Henry Hills 2 min
LE KIRIKI Segundo de Chomon silent 3 min
KUSTOM KAR KOMMANDOS Kenneth Anger 3 min
KREISE Oskar Fischinger 2 min
LAPIN, RETOURNEMENT Etienne-Jules Marey & Georges Demeny 1 min
LULU Lewis Klahr 3 min
MARIO BANANA Andy Warhol (2 versions) silent 3 min each
NOIR ET BLANC Tacita Dean 5 min
NOTE TO COLEEN Saul Levine silent 5 min
NYMPH Ken Jacobs silent 2 min
LE RETOUR A LA RAISON Man Ray silent 3 min
SPIRALS Oskar Fischinger silent 3 min
TAUSENDJAHREKINO (49/95) Kurt Kren 3 min
TRADE TATTOO Len Lye 5 min
TV (15/67) Kurt Kren silent 4 min
WRESTLERS Marie Menken silent 2 min
- Recommended or required reading:
-
prior to class you are urged to view some of Vertov's earliest work, the Kinonedelia newsreel series, which are available streaming here:
- Planned learning activities and teaching methods:
-
SCREENING AND TALKING
- Assessment methods and criteria:
-
EVALUATION BASED ON ATTENDANCE AND JOURNAL. JOURNAL SHOULD INDICATE THAT STUDENTS HAVE WATCHED THESE FILMS AND PAID ATTENTION.
To receive credit, attendance at all screenings is mandatory. A journal describing your experience of these films (3 page minimum; plagiarism off the internet will result in failure) is due after the last class, in order to have your credit posted.
- Course web page:
- Note:
-
HENRY HILLS has been making dense, intensely rhythmic experimental films since 1975. A longtime resident of New York's East Village, he has been primarily living in Vienna since 2008. His work, which seeks abstraction within sharply-focused naturalistic imagery, the eternal within the temporal & the ethereal within the mundane, promotes an active attentiveness through a relentlessly concentrated montage.
Born in Atlanta, Georgia, he received an M.F.A in 1978 from the San Francisco Art Institute. He edited the avant-garde film journal CINEMANEWS from 1977-80. Moving to New York 1978, he began ongoing working relationships with the L=A=N=G=U=A=G=E Poets, composer John Zorn & various musicians in the Downtown Improv scene, and choreographer Sally Silvers. Since 2005 has been Visiting Professor at FAMU, the Czech national film academy in Prague, where he administers a visiting filmmaker series and programs avant-garde films for the Czech National Film Archive at their theater Ponrepo. He edited the last three features by his wife Austrian documentary director Martina Kudlacek (IN THE MIRROR OF MAYA DEREN, NOTES ON MARIE MENKEN, FRAGMENTS OF KUBELKA).
Hills was a 2009 John Simon Guggenheim Memorial Fellowship recipient, and his films, which are included in the permanent collection of the Museum of Modern Art, are available on DVD from Tzadik (www.tzadik.com). His most recent work, „arcana“, was awarded Best Experimental Film at both Curtas Vila do Conde festival in Portugal and the Melbourne International Film Festival in Australia. Retrospectives of his work were presented by the Austrian Film Museum in October, 2013, by the Flatpack Festival in Birmingham UK in March, 2014, in Los Angeles at REDCAT and the L.A.Filmforum in April/May 2014, at Media City in Windsor, Ontario in July 2014, and at the Experimentla Film Club of the Irish Film Institute in Dublin in December 2014.
- Schedule for winter semester 2014/2015:
- The schedule has not yet been prepared
- Schedule for summer semester 2014/2015:
-
Date Day Time Tutor Location Notes No. of paralel 20.02.2015 10:00–18:00 HILLS H. Projekce FAMU
Lažanský palácThe screenings are open to anyone wishing to attend even if not enrolled in class. paralelka 1 - The subject is a part of the following study plans:
-
- Animation - Master (optional subject)
- Documentary Film - Master (faculty subject, optional subject)
- Documentary Film - Bachelor (optional subject)
- Animation - Master (faculty subject, optional subject)
- Scriptwriting and Dramaturgy - Bachelor (optional subject)
- Scriptwriting and Dramaturgy - Master (faculty subject, optional subject)
- Film Directing - Bachelor (optional subject)
- Film Directing - Master (faculty subject, optional subject)
- Cinematography - Bachelor (optional subject)
- Cinematography - Master (faculty subject, optional subject)
- Production - Bachelor (optional subject)
- Production - Master (faculty subject, optional subject)
- Audiovisual Studies - Bachelor (optional subject)
- Editing - Bachelor (optional subject)
- Editing - Master (faculty subject, optional subject)
- Sound Design - Bachelor (optional subject)
- Sound Design - Master (faculty subject, optional subject)
- Photography CZ - Bachelor (optional subject)
- Photography CZ - Master (faculty subject, optional subject)
- Photography EN - Bachelor (optional subject)
- Photography EN - Master (optional subject)
- Audiovisual Studies - Master (faculty subject, optional subject)
- Erasmus (optional subject)
- Cinematography (optional subject)
- Cinema and Digital Media - Screenwriting-2014 (qualification subject, optional subject)
- Cinema and Digital Media - Directing (qualification subject, optional subject)
- Restoring of Photogrphy (optional subject)