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Welcome page > FAMU > Department of Audiovisual Studies > Examples of Authorship in Independent Animation

Examples of Authorship in Independent Animation

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Code Completion Credits Range Language Instruction Semester
373PANA Z 2 2/T Czech summer
Subject guarantor:
Helena BENDOVÁ
Name of lecturer(s):
Eliška Děcká, Helena BENDOVÁ
Learning outcomes of the course unit:

The course aim is to acquaint students with the works and various approaches in the originality of several selected foreign independent animators.

Mode of study:

Classes with screenings, related readings and subsequent discussions.

Prerequisites and co-requisites:

Some texts in English, a passive knowledge is required.

Recommended optional programme components:

None

Course contents:

Independent New York animation scene (Bill Plympton, Signe Baumane, Andy & Carolyn London)

National Film Board of Canada (Caroline Leaf, Janet Pearlman)

Independent animation in Great Britain (Channel 4, Ruth Lingford, Joanna Quinn, Animate Project)

Slovak new animation wave (Katarína Kerekesová, OvePictures, Ivana Šebestová, Ivana Laučíková)

Spanish Animation (María Lorenzo Hernández)

Japanese animation and anime (Koji Yamamura)

Czech-Slovak animation (Vlasta Pospíšilová, Milada Marešová)

Recommended or required reading:

Paul Wells, Animation - Genre and Authorship. London ? New York: Wallflower Press 2002.

Brigitt Wagner - Waltraud Grausgruber (eds.), Tricky Women AnimationsfilmKunst von Frauen. Marburg: Schüren 2011.

Paul Ward, Několik úvah o vztahu teorie a praxe v oboru animačních studií. Iluminace 21, 2009, No#. 4, s. 41-54.

Paul Wells, Understanding Animation. London: Routledge 2000.

María Lorenzo Hernández, Through the Looping Glass: The Self-Portrait of the Artist and the Re-Start of Animation. Animation Studies 4, 2010, No#. 5, s. 4-58.

María Lorenzo Hernández, A Film of One?s Own: The Animated Self-Portraits of Young Contemporary Female Animators. Animation: An Interdisciplinary Journal 2, 2011, č. 6, s. 73-90.

Maureen Furniss, Art in Motion: Animation Aesthetics. London: John Libbey Publishing 2005.

Benjamin Cook - Gary Thomas (eds.), The Animate! Book: Rethinking Animation. London: LUX 2006.

Jayne Pilling, A Reader in Animation Studies. Sydney: John Lingey 1997.

Chris Robinson, Unsung Heroes of Animation. London: John Libbey Publishing 2005

Kateřina Surmanová (ed.), Ostrovy animace. Olomouc: Pastiche Filmz, o. s., 2010.

Planned learning activities and teaching methods:

Classes

Assessment methods and criteria:

To receive credit class participation and writing of the course paper of at least 3 standard pages (1 standard page = 1800 characters including spaces) is required.

Course web page:
Note:

Lecturer:Eliška Děcká. MA.

Further information:
This course is an elective for all students of this school
Schedule for winter semester 2014/2015:
The schedule has not yet been prepared
Schedule for summer semester 2014/2015:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon
Tue
Wed
Thu
místnost 423
Učebna CAS 423
(Lažanský palác)
Děcká E.
16:30–18:05
EVEN WEEK
(paralelka 1)
Fri
Date Day Time Tutor Location Notes No. of paralel
Thu 16:30–18:05 Děcká E. Učebna CAS 423
Lažanský palác 		paralelka 1
The subject is a part of the following study plans:
Generated on 2015-06-16