Film Analysis Seminar
Code | Completion | Credits | Range | Language Instruction | Semester |
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373SFA | ZK | 3 | 2/T | Czech | summer |
- Subject guarantor:
- Helena BENDOVÁ
- Name of lecturer(s):
- Helena BENDOVÁ
- Learning outcomes of the course unit:
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Development of basic skills linked to analytical papers about audio-visual works.
- Mode of study:
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During the course a number of films are shown which the students analyse in their writings (each class, the students write a short, one-page paper except for those screened). Group discussions take place in class about the papers.
- Prerequisites and co-requisites:
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Intended for 1st year students in bachelor's study but also for those interested from other studies.
- Recommended optional programme components:
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No elective requirements.
- Course contents:
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This course is intended for the development of individual basic skills necessary for critical and analytical writings about audiovisual works. From week to week the students are assigned written tasks which are subsequently discussed in class.
In the course the students are to learn, among others, how to formally analyse the tools of a given work, general topics, acting performances, the narration or position of the writer in the work. During the classes students will view several films which will be the subject of analysis. More or less, each week the students receive and assignment to write a short text (1-2 pages) on a defined topic. During the week the papers of individual students will be discussed in group discussions.
Course preliminary plan:
1. 13.2. General introduction to issues in analysis (methods, history, analysis vs. interpretation, etc.) + writing assignment for the next (favorite film)
2. 20.2. Analysis of writings about favorite films
3. 27.2. Film: Providence (Dir: Alain Resnais) + writing assignment for the following week.
4. 5.3. Analysis of the theme of Providence
5. 12.3. Analysis of the narrative in Providence
6. 19.3. Film: Mého snu čert (Dir: Petr Marek + writing assignment for the next class.
7. 26.3. Analysis of the writer of Mého snu čert
8. 2.4. Film: On the Waterfront (Dir: Elia Kazan ) + writing assignment topic
9. 16.4. Analysis of formal tools (and their relation to content) in the film On the Waterfront.
10. 23.4. Analysis of acting performances in On the Waterfront.
11. 30.4. Film screening
12. 7.5. Critique analysis of artistic kitsch.
- Recommended or required reading:
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Nonobligatory literature (for students interested in the theory of interpration):
Aumont, Jacques; Marie, Michel: L´analyse des films.
Bazin, André: Co je to film?
Bílek, Petr A.: Hledání jazyka interpretace.
Bordwell, David: Making meaning. Inference and rhetoric?
Eco, Umberto: Interpretácia a nadinterpretácia.
Ricoeur, Paul: Teória interpretácie: diskurz a prebytok významu.
Todorov, Tzvetan: Symbolism and interpretation.
- Planned learning activities and teaching methods:
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Classes
- Assessment methods and criteria:
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Credit for the course is awarded based on submission of all required writings and class participation. In grading, the quality of the submitted writings (more than „talent“, also recognized is the effort and care with which the text is written.).
- Course web page:
- Note:
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The seminar is designed to help students develop the basic skills necessary for critical and analytical writing on audiovisual work. Each week students are given a short written assignment, which is then analysed in the seminar.
- Further information:
- This course is an elective for all AMU students
- Schedule for winter semester 2014/2015:
- The schedule has not yet been prepared
- Schedule for summer semester 2014/2015:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Wed Thu Fri Date Day Time Tutor Location Notes No. of paralel Mon 13:10–14:45 BENDOVÁ H. Učebna CAS 423
Lažanský palácparalelka 1 - The subject is a part of the following study plans:
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- Animation - Master (faculty subject, optional subject)
- Documentary Film - Master (optional subject)
- Documentary Film - Bachelor (faculty subject, optional subject)
- Animation - Master (optional subject)
- Scriptwriting and Dramaturgy - Bachelor (faculty subject, optional subject)
- Scriptwriting and Dramaturgy - Master (optional subject)
- Film Directing - Bachelor (faculty subject, optional subject)
- Film Directing - Master (optional subject)
- Cinematography - Bachelor (faculty subject, optional subject)
- Cinematography - Master (optional subject)
- Production - Bachelor (faculty subject, optional subject)
- Production - Master (optional subject)
- Audiovisual Studies - Bachelor (qualification subject, faculty subject, optional subject)
- Editing - Bachelor (faculty subject, optional subject)
- Editing - Master (optional subject)
- Sound Design - Bachelor (faculty subject, optional subject)
- Sound Design - Master (optional subject)
- Photography CZ - Bachelor (faculty subject, optional subject)
- Photography CZ - Master (optional subject)
- Audiovisual Studies - Master (qualification subject, optional subject)
- Restoring of Photogrphy (optional subject)