Fine Arts Of 20th Century 1
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
373VKM1 | ZK | 2 | 2/T | Czech | winter |
- Subject guarantor:
- Tomáš POSPISZYL
- Name of lecturer(s):
- Tomáš POSPISZYL
- Learning outcomes of the course unit:
-
The lecture aims, divided into two semester blocks, are to acquaint students with the development of the broadly defined fine arts from the beginning of the 20th century to the present. The presentation will not be limited to merely a description or comparison of individual artists or artistics currents but will focus on a wider social-historical context in the development of modern art including relations to related artistic disciplines. Individual topics, covered chronologically, present the social changes of the audience and artists, marking the relationships between technological development and artistic media and focuses on the contemporary arts scene in the globalized world. Attention will paid to modernism theor and possible methodological approaches to the culture of the 20th century. Independent blocks will be dedicated to important figures in art of the last 100 years but also topics in world mass culture of which the cultural production dynamics of our civilization will be explained.
- Mode of study:
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Lecture and presentation of image material, moderated discussion.
- Prerequisites and co-requisites:
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None
- Recommended optional programme components:
-
Required readings specified in the syllabus.
- Course contents:
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3, Oct.. What is modern art?
Urban capitalism, availability of depiction, Paris, museum, exhibitions, commodification of art, art reproduction.
Who is the modern artist?
Charles Baudelaire, Painter of Modern Life. In: Charles Baudelaire: Reflection on some Contemporaries, Odeon, Praha 1968, pps. 594 -600.
10. Oct. No lecture.
17. Oct.
Depiction, „reality,“ human vision and science, photography, impressionism, Cezanne, Kupka.
Splitting the atom and works of art. Cubism and exempt letters. Practical use of the avant garde art in war.
24. Oct.
Art and revolution: Futurism. From Dada to Collage. From Malevič and Tatlina to photomontage
31. Oct.
10. Marcel Duchamp
Recommended reading: Jindřich Chalupecký, Úděl umělce, Duchampovské meditace, Torst, Praha 1998
7. Nov.
Institutionally established modern art: Bauhaus, MoMA, Expansion of forms of modern art: Kinetism, Zdeněk Pešánek
Recommended readings: Paul Klee, Pedagogický náčrtník, Triáda, Praha 1999
Jiří Zemánek, Zdeněk Pe" Gánek 1896-1965, Národní galerie, Praha 1997
14. Nov. No lecture
21. Nov.
Reaction against modern art: High and low. art and kitsch. Art and ideology. Primitivism. Art Brute.
Recommended readings: Clement Greenberg, Avantgarda a kýč. In: Revue Labyrint, číslo 7 - 8, Praha 2000, str. 69 - 74.
Jean Dubuffet, Dusivá kultura, Herrmann a synové, Praha 1998
28 Nov. No lecture
5. Dec.
American Post-war art: Abstract Expressionism and Jackson Pollock: from painting to event art.
Required reading: Clement Greenberg, Modernistická malba. IN: Před Obrazem, OSVU, Praha 1998, str. 35-42.
12. Dec.
Post-war art in Europe: New Realism, Yves Klein
Recommended reading: Akce, slovo, pohyb, prostor, Galerie hlavního měta Prahz, 1999
19. Dec.
Situationism
Recommended reading: Guy Debord, Zpráva o konstrukci situací a o podmínkách organizace a působení mezinárodní situacionistické tendence. In: Sešit pro umění, teorii a příbuzné zóny, 4-5/2008, str. 7- 30.
Greil Marcus, Stopy rtěnky, tajná historie dvacátého století, Votobia, Olomouc 1998.
- Recommended or required reading:
-
Required:
Charles Baudelaire, Malíř moderního života. In: Charles Baudelaire: Úvahy o některých současnících, Odeon, Praha 1968, str. 594 - 600.
Clement Greenberg, Modernistická malba. IN: Před obrazem, OSVU, Praha 1998, str. 35-42.
Generally recommended:
Amy Dempseyová, Umělecké styly, školy a hnutí, nakladatelství Slovart, Praha 2002.
hal foster, Rosalind Kraussová, Yve-Alain Bois, Benjamin Buchloh, Umění po roce 1900, Slovart 2007
Richard Osborne, Dan Strugis, Natalie Turner, Teorie umění, Portál, Praha 2008
- Planned learning activities and teaching methods:
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Lecture
- Assessment methods and criteria:
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Lecture attendance and required text readings.
Completion of the oral exam: the student randomly picks a question related to one of the lecture topics.
Grading:
Attendance and participation in lectures: 20%
Oral exam: 80%
- Course web page:
- není
- Note:
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none
- Further information:
- This course is an elective for all AMU students
- Schedule for winter semester 2014/2015:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Wed Thu Fri Date Day Time Tutor Location Notes No. of paralel Thu 12:20–13:55 POSPISZYL T. Učebna 2
Lažanský palácpřednášková par. 1 - Schedule for summer semester 2014/2015:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
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- Theory and criticism (M.A.) (optional subject)
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- Documentary Film - Master (faculty subject, optional subject)
- Documentary Film - Bachelor (faculty subject, optional subject)
- Animation - Master (faculty subject, optional subject)
- Scriptwriting and Dramaturgy - Bachelor (faculty subject, optional subject)
- Scriptwriting and Dramaturgy - Master (faculty subject, optional subject)
- Film Directing - Bachelor (faculty subject, optional subject)
- Film Directing - Master (faculty subject, optional subject)
- Cinematography - Bachelor (faculty subject, optional subject)
- Cinematography - Master (faculty subject, optional subject)
- Production - Bachelor (faculty subject, optional subject)
- Production - Master (faculty subject, optional subject)
- Audiovisual Studies - Bachelor (qualification subject, faculty subject, optional subject)
- Editing - Bachelor (faculty subject, optional subject)
- Editing - Master (faculty subject, optional subject)
- Sound Design - Bachelor (faculty subject, optional subject)
- Sound Design - Master (faculty subject, optional subject)
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