History of Stage Design 1
Code | Completion | Credits | Range | Language Instruction | Semester |
---|---|---|---|---|---|
203DSF1 | Z | 6 | 3/T | Czech | winter |
- Subject guarantor:
- Vlasta KOUBSKÁ
- Name of lecturer(s):
- Vlasta KOUBSKÁ
- Learning outcomes of the course unit:
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To introduce students to the history of set-design on the European continent, its most important stages and the influence on set-design in the Czech Republic. To acquaint students with methods used in the creation of a setting space and clarify their principles.
- Mode of study:
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Lectures on samples of work by the most important world theatre and film set-designers. Classes on searching for sources of inspiration and relations to European visual arts. Class work related to film set-design.
- Prerequisites and co-requisites:
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Bachelor's education at an arts oriented college. General history of fine arts.
- Course contents:
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Lecture and classes with a presentation of the most important set-design works from the Baroque set-design to the beginning s of modern set-design. A course paper on a selected topic from the history of set-design. Searching for sources of inspiration for film and TV set-design and relations in film and theatre set-design.
- Baroque costuming nad set-design
- Standard costuming and set-design of the 19th century.
- Types of Baroque theatre (common schools, religious congregations - Jesuit, court theatre, peasant or neighbourhood theatre, noble theatre) and its stage forms
- Other Baroque theatres in Bohemia (survey, characteristics, Valtice, Kačina, Mnichovo Hradiště, Náchod)
- Palace theatre in Litomyšl (J. Platzer)
- Giuseppe Galli-Bibiena and company, principles of illusion perspective scenery
- A brief history of the castle in Český Krumov
- A brief history of the Krumlov palace theatre
- Artists who created stages for palace theatre (Johann Wetschel, Leo Merkel)
- Standard stages of the 19th century / Quaglio, Brioschi-Burghardt-Kautský. Moessner/Karel Štapfer - realistic stage illusionism. František Kolár, Josef Macourek, Robert Holyer
- the turn of the 1920s, entrance of modern artistic directions in costuming and set design.
- modern theatre and set-design - Bauhaus, the Russian Avant-garde, German expressionism, Italian futurism, Appia, Craig, Diagilev's ballets.
- Recommended or required reading:
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Oskar Schlemmer, Böblingen 1988
El Teatro de los Pintores, Madrid 2000
Die Russische Avantgarde und die Bühne 1890-1930, Schleswig 1991
Le Danza delle Avanguardie, Milano 2005
Ribi H., E. G. Craig, Figur und Abstraktion, Basel 2000
Thompsonová K., Bordwel D., Dějiny filmu, 2007
Plazewski J.: Dějiny filmu: 1895-2005 Academia 2009
- Assessment methods and criteria:
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75% attendance at lectures and classes, independent creation of the course paper and its presentation (approx. 10 pages of text).
- Course web page:
- Note:
- Schedule for winter semester 2015/2016:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Mon Tue Wed Thu Fri Date Day Time Tutor Location Notes No. of paralel Fri 08:30–10:00 Vlasta KOUBSKÁ Hallerův sál
Karlova 26, Praha 1přednášková par. 1 - Schedule for summer semester 2015/2016:
- The schedule has not yet been prepared
- The subject is a part of the following study plans:
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- Stage Design - Film and Television (M.A.) (compulsory subject)
- Stage Design (M.A.) (compulsory subject)