Conceptual Creation 3

Subject is not scheduled Not scheduled

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Name of lecturer(s):

Learning outcomes of the course unit:

Comparison of fine arts with theatre arts in non-traditional spaces, a review of their common foundations and differences. Analysis and investigation of the particulars of a theatre project in a non-traditional space. Issues of site specific projects and performances. Actor-performer relationship. Interaction of stage components. Perception of space as an additional component of theatre structure.

Mode of study:

Class exercises, lectures, a project concept and implementation.

Prerequisites and co-requisites:

Spatial-temporal sense, teamwork, creativity and attitude towards work in non-traditional spaces and its link to the context of a theatre piece.

Original conceptual thought.

Course contents:

The particulars of theatre in non-traditional spaces. Investigating the relationships among topic, material, subject, script and space. Review of the interaction of selected staging media. Investigating specific acting on the edge of traditional acting and performance. Perceiving space as inspiration and a component. Awareness of the difference in the implementation of a non-traditional project at a particular time and space, Accompanying accounting, production and promotion activities as a part of the implementation of an art piece. Variations in the relationship between social intervention and an artistic piece and their review.

Recommended or required reading:

Kazimierz Braun - Divadelní prostor

On the Beaten Track: Tourism, Art and Place (1999)

The Lure of the Local: Sense of Place in a Multicentered Society (1997)

Venkov / města / média (Sociologické nakladatelství, 1998)

Kaye Nick - Site Specific Art: Performance, Place and Documentation

Václav Cílek: Krajiny vnitřní a vnější

Václav Cílek: Makom - Kniha míst

Frágner B.: Odložené továrny, Praha 1984

Atelier d'architekture Matador: La Maison Folie, Bruxelles 2002

LOFT Publication Collectiv: Industrial Chick - Reconverting Spaces, Savigliano 2006

Claudine Dussollier: In Situ - European Artist on the Road, Vic-la-Gardilole 2006

Helen Searing: Art Spaces - The Architecture of four Tates, London 2004

Assessment methods and criteria:

Attendance.

Completed etudes and tasks.

Participation in colloquia.

Project concept.

Course web page:

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No schedule has been prepared for this course

The subject is a part of the following study plans: