Production in Non-Traditional Spaces 3
Subject is not scheduled Not scheduled
Code | Completion | Credits | Range | Semester |
---|---|---|---|---|
204NPN3 | Z | 1 | 2/T | winter |
- Subject guarantor:
- Name of lecturer(s):
- Learning outcomes of the course unit:
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Consultations and production collaboration activities. Searching for model examples abroad /for inspiration/. Leading to independence creative versatility. Ability to financially secure a project from domestic and foreign sources.
- Mode of study:
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This course takes place in the form of discussions, lectures and classes and DVD screenings in the classroom and selected locations.
- Prerequisites and co-requisites:
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Completion of 204NPN2 Production in Non-traditional Locations 2.
To distinguish between realistic and non-realistic artistic vision. Adaptation of one's project/idea to an unknown and often unsafe environment. Mutual communications with other students and instructors.
- Course contents:
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- Selection of appropriat locations considering the given topic.
- Production and creative originality and flexibility in a non-traditional space/idea.
- Active collaboration on the topic and its development.
- Public space issues.
- Establishing communications with institutions, corresponding management groups and local civil initiatives.
- Personal and technical-material project determinations.
- Sponsor, marketing and advertisement activities, PR in project preparation phases.
- Contact with passively interested parties from the project location.
- Work during the course of the project execution.
- Active perception of the work.
- Review of the project after execution, final report.
- Recommended or required reading:
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Giep Hagoort: Umělecký management v podnikatelském stylu, Kant, Praha 2009
Institut umění: Umělci bez hranic, Praha 2010
Peter Zunthor: Promýšlet architekturu, Archa, Praha 2009
George Soros: Soros o Sorosovi, Praha 1997
Federico Fellini: Dělat film, Praha 1986
Doubravka Ugrešič: Kultura lži, Praha 1999
Vladimír Boudník: Z korespondence, Praha 1994
Institut umění: Studie současného stavu podpory umění, Praha 2010
Eva Dvořáková - Benjamin Fragner - Tomáš Šenberger: Industriál_paměť_východiska, Praha 2007
Philip Jodidio: Renzo Piano Building Workshop 166 to today, Taschen Koln 2008
Claudine Dussollier: In Situ - European Artist on the Road, Vic-la-Gardilole 2006
Jan Dvořák: Alternativní divadlo, Praha
Kazimierz Braun: Divadelní prostor
On the Beaten Track: Tourism, Art and Place 1999
Pavel Kosatík: České snění, Praha 2010
Horská, P., Maur, E., Musil,J.: Zrod velkoměsta. Urbanizace českých zemí a Evropa, Paseka, Praha - Litomyšl 2002
Allan S.,: The Millenaris Park, MuseumsQuartier, and Tate Modern, London 2005
New Social Spaces of Art in Budapest, Wien, and London
Trans Europe Halles,: Factories of the imagination, Paris 2003
Zemánková H.: Tvořit ve vytvořeném, Brno, 2003
Gehl J., Gemzoe L.,: Nové městské prostory, Kodaň 2000
Jan Gehl & Lars Gemzoe: Život mezi budovami, Brno 2002
Illah van Oijen: Urban landscape of Bratislava, Bratislava 2007
Christopher Day: Duch a místo, Brno 2002
- Assessment methods and criteria:
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Attendance: min. 30% of all instruction hours.
Teamwork.
Participation in the colloquium.
- Course web page:
- www.adaptabilita.cz
- Note:
- Further information:
- No schedule has been prepared for this course
- The subject is a part of the following study plans: